Download Free Miles Malcolm Urban Avant Gardes Book in PDF and EPUB Free Download. You can read online Miles Malcolm Urban Avant Gardes and write the review.

Urban Avant-Gardes presents original research on a range of recent contemporary practices in and between art and architecture giving perspectives from a wide range of disciplines in the arts, humanities and social sciences that are seldom juxtaposed, it questions many assumptions and accepted positions. This book looks back to past avant-gardes from the nineteenth and twentieth centuries examining the theoretical and critical terrain around avant-garde cultural interventions, and profiles a range of contemporary cases of radical cultural practices. The author brings together material from a wide range of disciplines to argue for cultural intervention as a means to radical change, while recognizing that most such efforts in the past have not delivered the dreams of their perpetrators. Distinctive in that it places works of the imagination in the political and cultural context of environmentalism, this book asks how cultural work might contribute to radical social change. It is equally concerned with theory and practice - part one providing a theoretical framework and part two illustrating such frameworks with examples.
Can art or architecture change the world? Is it possible to think of a new cultural avant-garde today? This book contributes to the debate by looking back to past avant-gardes and by profiling contemporary cases of radical cultural practices.
Can art or architecture change the world? Is it possible, despite successive failures, to think of a new cultural avant-garde today? What would this mean? Urban Avant-Gardes attempts to contribute to debate on these questions, by looking back to past avant-gardes from the nineteenth and twentieth centuries, by examining the theoretical and critical terrain around avant-garde cultural interventions, and by profiling a range of contemporary cases of radical cultural practices. The first section spans the late 19th to the mid 20th centuries, exploring the avant-gardes of Realism, early twentieth-century art and the architectural avant-garde of Modernism. Section two examines the period which stretches from the build-up to the events of 1968 to 1993, focusing particularly on the landmarks of the fall of the Berlin Wall, and opening of the Holocaust Memorial Museum in Washington DC. The third section begins in 1998 and asks whether there is a possibility for a new, perhaps 'green' avant-garde today; and whether - if there is - this might suggest a new attitude to, and construction of, a public sphere.; Urban Avant-Gardes brings together material from a wide range of disciplin to argue for cultural intervention as a means to radical change, while recognizing that most such efforts in the past have not delivered the dreams of their perpetrators.
Art has always been central to moments of great social change. From the avant-garde to the ages of revolution, the act of rebellious creation has been crucial to bringing people and ideas together. However, in an increasingly fractured world characterised by upheaval and crisis, what role can art play in ushering in transformation? Malcolm Miles offers a guide to contemporary art and activism, setting it firmly within the context of the avant garde and its legacies in the postwar period. He explores the rise of direct action to replace representational politics in organizations like Occupy and Extinction Rebellion, and in the movements to destroy or remove statues of slavers, and finds parallels in anti-institutional art practices. By engaging with the significant theoretical innovations of the last 50 years - modernism, postmodernism and contemporary critical thinking - Miles provides both an overview of political aesthetics and an introduction to how art activism works in its most memorable moments in history. Art Rebellion argues that beauty is radically other to the dominant society; that power relations can be transformed; that protest cultures and contemporary art grow together; and that art has a crucial interruptive role in forming new, more equal and just, realities.
This book offers a critical introduction to the relation between cities and literature (fiction, poetry and literary criticism) from the late eighteenth to twenty-first centuries. It examines examples of writing from Europe, North America and post-colonial countries, juxtaposed with key ideas from urban cultural and critical theories. Cities and Literature shows how literature frames real and imagined constructs and experiences of cities. Arranged thematically each chapter offers a narrative which introduces a number of key thinkers and writers whose vision illuminates the prevailing idea of the city at the time. The themes are extended or challenged by boxed cases of specific texts or images accompanied by short critical commentaries; the structure provides readers with a map of the terrain enabling connections across time and place within manageable limits, and offers elements of critical discussion to serve a growing number of university courses which involve the intersections of cities and literature. This volume offers access to literature from an urban perspective for the social sciences, and access to urbanism from a literary viewpoint. It is an excellent resource for both undergraduate and postgraduate students in the fields of urban studies and English literature, planning, cultural and human geographies, architecture, cultural studies and cultural policy.
Consuming Cities explores patterns of consumption and culture in contemporary urban environments, bringing together debates taking place in sociology and cultural studies. It is written with a broad interdisciplinary readership in mind. The book is thematically organized and draws on an international range of urban case studies from around the world. It critically assesses the impact of consumption on the economies, social structures, geographies and cultures of the cities it discusses and on cities in general. This is a definitive resource for the study of contemporary urban consumption and culture, synthesizing a diverse and contested literature.
When capitalism is clearly catastrophically out of control and its excesses cannot be sustained socially or ecologically, the ideas of Herbert Marcuse become as relevant as they were in the 1960s. This is the first English introduction to Marcuse to be published for decades, and it deals specifically with his aesthetic theories and their relation to a critical theory of society. Although Marcuse is best known as a critic of consumer society, epitomized in the classic One-Dimensional Man, Malcolm Miles provides an insight into how Marcuse's aesthetic theories evolved within his broader attitudes, from his anxiety at the rise of fascism in the 1930s through his heady optimism of the 1960s, to acceptance in the 1970s that radical art becomes an invaluable progressive force when political change has become deadlocked. Marcuse's aesthetics of liberation, in which art assumes a primary role in interrupting the operation of capitalism, made him a key figure for the student movement in the 1960s. As diverse forms of resistance rise once more, a new generation of students, scholars, and activists will find Marcuse's radical theory essential to their struggle.
This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts. Expands the definition of public art to include sites such as Boston's Big Dig, Las Vegas' Treasure Island, and Disney World Offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art Includes insightful analysis of the museum and its role in relation to public art
Winner of the Henry J. Benda Prize sponsored by the Association for Asian Studies Gathering Leaves and Lifting Words examines modern and premodern Buddhist monastic education traditions in Laos and Thailand. Through five centuries of adaptation and reinterpretation of sacred texts and commentaries, Justin McDaniel traces curricular variations in Buddhist oral and written education that reflect a wide array of community goals and values. He depicts Buddhism as a series of overlapping processes, bringing fresh attention to the continuities of Theravada monastic communities that have endured despite regional and linguistic variations. Incorporating both primary and secondary sources from Thailand and Laos, he examines premodern inscriptional, codicological, anthropological, art historical, ecclesiastical, royal, and French colonial records. By looking at modern sermons, and even television programs and websites, he traces how pedagogical techniques found in premodern palm-leaf manuscripts are pervasive in modern education. As the first comprehensive study of monastic education in Thailand and Laos, Gathering Leaves and Lifting Words will appeal to a wide audience of scholars and students interested in religious studies, anthropology, social and intellectual history, and pedagogy.