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This collection of essays offers crucial and luminous insights into one of the best-known Czech authors, Milan Kundera, including his lesser known works. With essays that focus on Kundera's poetry and plays, his last four novels written in French, and his nonfiction writings on the novelistic form and translation, Milan Kundera Known and Unknown explores the complex and productive career of this globally recognized author. The approach begins by examining Kundera's distinctive literary style, and then how his voice radiated outward from the small communist country of Czechoslovakia to the world. Starting as a poet and playwright, Kundera transcended the Czech literary scene and rose to global prominence with his novelistic style of variations, paradoxes, humor, and clairvoyance into human relationships mixed with political tensions. His multi-dimensional existential topics introduced complex novelistic characters that have reached a large audience and remain evocative. Kundera also critically commented on creative works – his own and of others – thus contributing a unique approach to a specific aesthetic ideal and within the masterworks of world-renowned authors. Chapters on Kundera's aesthetics and form, his philosophical leanings, his relationship to the burgeoning concept of “world literature,” and translations of his writings offer new perspectives on his life's work. These insights shed light on Kundera's understudied works, such as his early poetry and his recent French novels, making connections between his early and later writing, and cementing his literary legacy for English-language audiences.
“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.
Milan Kundera's collection of essays is a defense of the arts in an era that, he argues, no longer values art or beauty. --From publisher description.
“Kundera once more delivers a seductive, intelligent entertainment … [with] elegance and grace.” — Washington Post Book World “Nothing short of masterful.” — Newsweek A brilliant novel set in contemporary Prague, by one of the most distinguished writers of our time. A man and a woman meet by chance while returning to their homeland, which they had abandoned 20 years earlier when they chose to become exiles. Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence “their memories no longer match.” We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Only those who return after 20 years, like Ulysses returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance first-hand. Kundera is the only author today who can take dizzying concepts such as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.
“Incites us to reflect on fiction and philosophy, knowledge and truth, and brilliantly illustrates the art of the essay.” — The New Republic "Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is. I have tried to express the idea of the novel that is inherent in my own novels." — Milan Kundera Kundera brilliantly examines the evolution, construction, and essence of the novel as an art form through the lens of his own work and through the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, Musil, Kafka, and perhaps the least known of all the great novelists of our time, Hermann Broch. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.
"A defense of fiction and a lesson in the art of reading." —New York Times Book Review "Testaments Betrayed is to be savored paragraph by paragraph. . . . It must be purchased, read, pondered, and argued within the margins. And frequently reread." — Washington Post A brilliant and thought-provoking essay from one of the twentieth century’s masters of fiction, Testaments Betrayed is written like a novel: the same characters appear and reappear throughout the nine parts of the book, as do the principal themes that preoccupy the author. Kundera is a passionate defender of the moral rights of the artist and the respect due a work of art and its creator’s wishes. The betrayal of both—often by their most passionate proponents—is one of the key ideas that informs this strikingly original and elegant book.
"Irresistible. . . . Slowness is an ode to sensuous leisure, to the enjoyment of pleasure rather than just the search for it." — Mirabella Milan Kundera's lightest novel, a divertimento, an opera buffa, Slowness is also the first of this author's fictional works to have been written in French. Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about "dancers" possessed by the passion to be seen, for whom life is merely a perpetual show emptied of every intimacy and every joy.
“An elegant, personalized integration of anecdote, analysis, scholarship, memory and speculation. . . . Not since Henry James, perhaps, has a fiction writer examined the process of writing with such insight, authority and range of reference and allusion.” —Russell Banks, New York Times Book Review “A magic curtain, woven of legends, hung before the world. Cervantes sent Don Quixote journeying and tore through the curtain. The world opened before the knight-errant in all the comical nakedness of its prose.” In this thought-provoking, endlessly enlightening, and entertaining essay on the art of the novel, renowned author Milan Kundera suggests that “the curtain” represents a ready-made perception of the world that each of us has—a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides. Here an incomparable literary artist cleverly sketches out his personal view of the history and value of the novel in Western civilization. In doing so, he celebrates a prose form that possesses the unique ability to transcend national and language boundaries in order to reveal some previously unknown aspect of human existence.
A nine-year-old girl is sent to work in a country farm for shoplifting, a common form of punishment in Iceland. The novel describes the way she confronts the unknown and makes friends with animals.
"Leonid Andreyev's grandaughter describes her meetings with Pasternak, Sholokhov, Ehrenburg, Evtushenko and young Soviet artists."--Taken from dust jacket.