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​Powerful medicine. A rare glimpse into sacred sexuality, gender, and identity. Honouring an often-hidden beautiful cultural landscape. Instructive, accessible, scholarly, relevant and practical. An insightful contribution to sexuality and gender, gay and lesbian, Native North American, and Indigenous studies. An integral textbook for courses in education, counselling, psychotherapy, psychology, social work, medicine, nursing, and health. Welcoming and empowering for youth, adults, and family. Dr Joseph Randolph Bowers is an Australian-Canadian Counsellor Psychotherapist and author of The Practice of Counselling, Sacred Teachings from the Medicine Lodge, and On the Threshold: Personal Transformation and Spiritual Awakening. Mi'kmaq Elder Dr Daniel N. Paul is a Canadian Historian and celebrated author of We Were Not the Savages: First Nations History. The authors reveal how Two Spirit and Traditional Medicine have always existed and are being rekindled in our times.
This volume presents a comprehensive overview of gender archaeology, both theory and practice, and contributes a substantial and definitive reference work by bringing together state-of-the-art research, theoretical overviews, and the latest debates in the field. Responding to the shifts in the theoretical landscape and the societal and political frameworks within which we produce our knowledge, chapters create both a solid theoretical baseline which help readers grasp the significance of gender in archaeology as well as offer perspectives on how to engender produced knowledge about the past. In line with recent focus on the shortcomings of gender and archaeological representation, chapters also detangle academic discourse and popular representations in order to present novel ways of successfully negotiating the pitfalls of gendered ideas about past behaviours. By encouraging novel ways of integrating theoretical perspectives with scrutiny of gender stereotypes, original empirical examinations of identity markers and behaviours, and re-examinations of static representations of identities through new lenses, such as intersectional perspectives, personhood, and materiality debates, the volume is theoretically rich and will simultaneously provide a necessary benchmark for future archaeological discourses. Finally, it will incorporate perspectives from researchers with diverse backgrounds and viewpoints to provide a truly comprehensive overview. It will not shy away from engaging with politically contentious issues surrounding knowledge production but will include perspectives from researchers whose focus is less on feminist critiques and more on gender and identities. Thus, the volume bridges the two most prominent directions currently discernible within the focus area, namely, feminist re-examinations on the one hand and research focused more on bodily practice and gendered experiences on the other. The Routledge Handbook of Gender Archaeology is an invaluable resource for students and researchers in gender archaeology as well as gender studies more widely.
Mystic, teacher, and therapist Dr Joseph Randolph Bowers reveals the secrets of solitary life, contemplation, and enlightenment. Like a master weaver and guru Dr Bowers teaches the reader how to experience relief from suffering and how to attain awakening in freedom, mindfulness, and true joy. Seekers on the way will want to learn how to create your own 'rule of life' and how to nurture life-long vow practices that grow with you and that match your values and aspirations. Be forewarned, this knowledge of the ages can change you forever. Made for the western mind this is a modern secular synergy of Christian, Franciscan, Buddhist, Hindu, Mi'kmaq First Nation, Science, and Zen traditions. 'Solitude Awakens: The Heart Forest Mountain Way' is like a modern Lotus Flower Sutra of the Bodhisattva of Compassion in a clear and practical wisdom.
History of the Micmac Indians of northeastern North America. Includes descriptions of traditinal social and political systems but focuses primarily on the post-colonization period.
An intimate glimpse of how Two-Spirit (gay) Native men in Colorado and Oklahoma work to build cross-tribal networks of support as they search for acceptance within their own communities.
Groundbreaking historical scholarship on the complex attitudes toward gender and sexual roles in Native American culture, with a new preface and supplemental bibliography Prior to the arrival of Europeans in the New World, Native Americans across the continent had developed richly complex attitudes and forms of expression concerning gender and sexual roles. The role of the "berdache," a man living as a woman or a woman living as a man in native societies, has received recent scholarly attention but represents just one of many such occurrences of alternative gender identification in these cultures. Editors Sandra Slater and Fay A. Yarbrough have brought together scholars who explore the historical implications of these variations in the meanings of gender, sexuality, and marriage among indigenous communities in North America. Essays that span from the colonial period through the nineteenth century illustrate how these aspects of Native American life were altered through interactions with Europeans. Organized chronologically, Gender and Sexuality in Indigenous North America, 1400–1850 probes gender identification, labor roles, and political authority within Native American societies. The essays are linked by overarching examinations of how Europeans manipulated native ideas about gender for their own ends and how indigenous people responded to European attempts to impose gendered cultural practices at odds with established traditions. Many of the essays also address how indigenous people made meaning of gender and how these meanings developed over time within their own communities. Several contributors also consider sexual practice as a mode of cultural articulation, as well as a vehicle for the expression of gender roles. Representing groundbreaking scholarship in the field of Native American studies, these insightful discussions of gender, sexuality, and identity advance our understanding of cultural traditions and clashes that continue to resonate in native communities today as well as in the larger societies those communities exist within.
Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people. This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two. Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century. Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack
The Mi'kmaq of Atlantic Canada were here for thousands of years before the arrival of European peoples. Niniskamijinaqik / Ancestral Images: The Mi'kmaq in Art and Photography presents their unique culture and way of life through the remarkable and sometime complex lives of individuals, as depicted in artwork or photography. The opening images in this collection were created by the Mi'kmaq themselves: portrayals of human beings carved into the rock formations of Nova Scotia. Then there are the earliest surviving European depictions of Mi'kmaq, decorations on the maps of Samuel de Champlain. Finally we see portraits of Mi'kmaw individuals, ancestors in whom we see their "humanity frozen in the stillness of a photograph," as the writers of the book's foreword describe. Niniskamijinaqik / Ancestral Images includes 94 compelling pieces of art and photography, chosen from more than a thousand extant portraits in different media, that show the Mi'kmaw people. Each image is an entry point to deeply personal history, a small moment or single person transformed into vivid immediacy for the reader.
Whether in Canada, the United States, Australia, India, Peru, or Russia, the approximately 500 million Indigenous Peoples in the world have faced a similar fate at the hands of colonizing powers. Assaults on language and culture, commercialization of art, and use of plant knowledge in the development of medicine have taken place all without consent, acknowledgement, or benefit to these Indigenous groups worldwide. Battiste and Henderson passionately detail the devastation these assaults have wrought on Indigenous peoples, why current legal regimes are inadequate to protect Indigenous knowledge, and put forward ideas for reform. Looking at the issues from an international perspective, this book explores developments in various countries including Canada, the United States, Australia, New Zealand, and also the work of the United Nations and relevant international agreements.
Here is a contemporary Mi'kmaq legend of the life of a great man, who becomes chief, the embodiment of Mi'kmaq values of humility, courage, honour, service and sacrifice of personal gain for the sake of others. He lived a long and storied life, hundreds of years ago, before the arrival of the European scouts and, later, their warships. He was a renowned warrior but, more so, a peacemaker. His people followed him to the point of devotion, yet he was uncannily modest, even embarrassed by his own achievements. He suffered great loss, yet his understanding of his place, his role in a great society, a greater natural world and an inestimable metaphysical world, guided him through his pain. Mi'kmaq readers may recognize these time-honoured themes based on traditional tales passing values generation to generation. Others will gain a new appreciation for what was lost under colonialism and the attempted genocide of this vibrant, sophisticated and successful culture and society. With We Were Not the Savages, Daniel Paul changed the way the world understood the history of Eastern Canada and the fully developed civilization that existed before the arrival of the European explorers and settlers, and the nature of the subsequent violent attack on that culture. With Chief Lightning Bolt, Paul shows us exactly what was lost, the beauty of the Mi'kma'ki that once existed, the culture that survived and is only now beginning to recover.