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Drawing on artifacts held in the collections of the Canadian Museum of History, this book provides a fascinating look at the richness of Mi’kmaq and Maliseet cultural practice, technological ingenuity and artistic expression. Designed as a finding aid, this book will undoubtedly become a helpful resource for Aboriginal Peoples, scholars, teachers and the general public. Objects such as baskets, canoes, clothing, moccasins and tools are illustrated with full-colour photographs, and are accompanied by a brief text describing the object and its provenance. The result is a comprehensive reference tool for researchers and educators alike.
Mi'kmaq and Maliseet Cultural Ancestral Material has been designed to provide images and basic information on Mi'kmaq and Maliseet artifacts held in the collections of the Canadian Museum of Civilization. Drawing on objects collected, sold, or donated between 1841 and the present day, this publication provides a fascinating look at the richness of Mi'kmaq and Maliseet cultural practice, technological ingenuity, and artistic expression. Objects such as baskets, canoes, clothing, moccasins, and tools are illustrated with a color photograph and accompanied by a brief text describing the object and its provenance. The result is a comprehensive reference tool for Native peoples, researchers, and educators.
Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.
This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism.
In 1927, Gabriel Sylliboy, the Grand Chief of the Mi'kmaw of Atlantic Canada, was charged with trapping muskrats out of season. At appeal in July 1928, Sylliboy and five other men recalled conversations with parents, grandparents, and community members to explain how they understood a treaty their people had signed with the British in 1752. Using this testimony as a starting point, William Wicken traces Mi'kmaw memories of the treaty, arguing that as colonization altered Mi'kmaw society, community interpretations of the treaty changed as well. The Sylliboy case was part of a broader debate within Canada about Aboriginal peoples' legal status within Confederation. In using the 1752 treaty to try and establish a legal identity separate from that of other Nova Scotians, Mi'kmaw leaders contested federal and provincial attempts to force their assimilation into Anglo-Canadian society. Integrating matters of governance and legality with an exploration of historical memory, The Colonization of Mi'kmaw Memory and History offers a nuanced understanding of how and why individuals and communities recall the past.
The individual chapters include both regional overviews and case histories of surviving evidence for these types of objects in the Northeast, with analyses of their importance in the social economy of the region. They employ both primary evidence (actual objects or fragments of them) and secondary evidence (such as impressions of fabrics in pottery, metal pseudomorphs, or images of objects). A large number of the chapters provide information on cordage and fabrics; many include bark, wood, and leather objects as well.
For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral knowledge across generations of artists and remains a vibrant and important practice today. Breaking new ground in Indigenous art histories, Wendat Women’s Arts is the first book to bring together a full history of the Wendat embroidery art form. Annette de Stecher challenges the historical anonymity of Indigenous women artists by arguing for their central role in community history and ceremony. Through their art, these women played an important part in the diplomatic strategies that advanced the sovereignty of their nation, work that was an extension of their position of authority in their families and clans. Chiefs and community members wore finely embroidered attire as a brilliant focus of ceremonial events, a tradition that continues today. Women artists also supported their community economically as their embroidery was a souvenir of choice for European collectors. In vibrant illustrations, this book reconstructs the rich repertoire of Wendat embroidery now dispersed in collections throughout the world. Wendat Women’s Arts combines a depth of historical understanding with a keen knowledge of contemporary Wendat artists, demonstrating that the story of Wendat women is one of cultural strength, innovation, resilience, and success.
The Maritimes: Tradition, Challenge & Change is a high school textbook used to teach students about the social conditions of the Maritimes. Every major aspect of the region is included--its natural resources and economy, its changing social and political life, and its unique cultural expressions. Often these come alive through the expreiences of the diverse array of Maritimers from all walks of life and from all parts of the region that appear in these pages. The Maritimes: Tradition, Challenge & Change is a unique picture of a region with a strong sense of tradition, facing many challenges, and undergoing change in every area of life.