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Nominated as one of America’s best-loved novels by PBS’s The Great American Read Don Quixote has become so entranced reading tales of chivalry that he decides to turn knight errant himself. In the company of his faithful squire, Sancho Panza, these exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together-and together they have haunted readers' imaginations for nearly four hundred years. With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. This Penguin Classics edition, with its beautiful new cover design, includes John Rutherford's masterly translation, which does full justice to the energy and wit of Cervantes's prose, as well as a brilliant critical introduction by Roberto Gonzalez Echevarriá.
"An adaptation, in graphic novel format, of Don Quixote by Miguel de Cervantes"--Provided by publisher.
Don Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.
A Chicano PI hunts his cousin’s killer in “a compelling thriller [with] a deep-seated respect for the traditions of a people and a culture” (Booklist). The great-grandson of a legendary lawman and gunfighter, thirty-year-old Sonny Baca hopes he possesses even a tenth of El Bisabuelo’s courage. But instead of cleaning up New Mexico by hunting down dangerous desperadoes, the struggling PI looks for missing persons and deadbeat husbands. The game changes when his cousin Gloria—the first woman Sonny ever loved—is brutally slain. Her corpse is found drained of blood. A zia sun sign, the symbol on the New Mexican flag, is carved on her stomach. Gloria’s husband, Frank Dominic, a politician making a run for mayor of Albuquerque, has a powerful motive for murder. But Gloria wasn’t the first victim. A year earlier, another woman was slain in the exact same way. Is a serial killer on the loose? Or is this the handiwork of some satanic cult? Feeling his cousin’s spirit crying out for justice, Sonny and his girlfriend begin a search that takes them across New Mexico’s polluted South Valley to an environmental compound in the mountains. As Sonny moves closer to the truth, he uncovers a chilling connection between his past and a very real and present evil . . .
Don Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.
Eisner continues his series of adaptations of classic tales with this charming and delightfully humourous rendition of Cervantes Don Quixote. The famous knight was quite a gentleman, man of honour and idealist, his selflessness and gallantry made him a legend. A touching story given a new edge by the beautiful full colour illustration and unique interpretation by the master story teller Will Eisner.
"Diana de Armas Wilson's introductory study captures the true essence of why Cervantes's novel has become a valuable piece of our shared cultural heritage. Humour, satire, and the religious and political conflicts that plagued the era all form part of Cervantes's great vision, and Wilson's study provides thorough analysis of why we still want to read the adventures of his would-be knight errant and his loyal squire over four centuries later." --AARON KAHN, University of Sussex
Four hundred years since its publication, Miguel de Cervantes’s Don Quixote continues to inspire and to challenge its readers. The universal and timeless appeal of the novel, however, has distanced its hero from its author and its author from his own life and the time in which he lived. The discussion of the novel’s Catholic identity, therefore, is based on a reading that returns Cervantes’s hero to Cervantes’s text and Cervantes to the events that most shaped his life. The authors and texts McGrath cites, as well as his arguments and interpretations, are mediated by his religious sensibility. Consequently, he proposes that his study represents one way of interpreting Don Quixote and acts as a complement to other approaches. It is McGrath’s assertion that the religiosity and spirituality of Cervantes’s masterpiece illustrate that Don Quixote is inseparable from the teachings of Catholic orthodoxy. Furthermore, he argues that Cervantes’s spirituality is as diverse as early modern Catholicism. McGrath does not believe that the novel is primarily a religious or even a serious text, and he considers his arguments through the lens of Cervantine irony, satire, and multiperspectivism. As a Roman Catholic who is a Hispanist, McGrath proposes to reclaim Cervantes’s Catholicity from the interpretive tradition that ascribes a predominantly Erasmian reading of the novel. When the totality of biographical and sociohistorical events and influences that shaped Cervantes’s religiosity are considered, the result is a new appreciation of the novel’s moral didactic and spiritual orientation.
Reproduction of the original: Don Quixote by Miguel de Cervantes