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Migration is the most volatile sociopolitical issue of our time, as the current escalation of discourse and action in the United States and Europe concerning walls, border security, refugee camps, and deportations indicates. The essays by the international and interdisciplinary group of scholars assembled in this volume offer critical filters suggesting that this escalation and its historical precedents do not preclude redemptive counterstrategies. Encoded in narratives of affiliation and escape, these counterstrategies are variously launched as literary, cinematic, and civic interventions in past and present constructions of diasporic, migratory, or exilic identities. The essays trace these narratives through the figure of the “exile” as it moves across times, borders, and genres, transmogrifying into the fugitive, the escapee, the refugee, the nomad, the Other. Arguing that narratives and figures of migration to and in Europe and the Americas share tropes that link migration to kinship, community, refuge, and hegemony, the volume identifies a transhistorical, transcultural, and transnational common ground for experiences of mediated diaspora, migration, and exile at a time when public discourse and policy-making emphasize borders, divisions, and violent confrontations.
The Greek diaspora is one of the paradigmatic historical diasporas. Though some trace its origins to ancient Greek colonies, it is really a more modern phenomenon. Diaspora, exile and immigration represent three successive phases in Modern Greek history and they are useful vantage points from which to analyse changes in Greek society, politics and culture over the last three centuries. Embracing a wide range of case studies, this volume charts the role of territorial displacements as social and cultural agents from the eighteenth century to the present day and examines their impact on communities, politics, institutional attitudes and culture. By studying migratory trends the aim is to map out the transformation of Greece from a largely homogenous society with a high proportion of emigrants to a more diverse society inundated by immigrants after the end of the Cold War. The originality of this book lies in the bringing together of diaspora, exile and immigration and its focus on developments both inside and outside Greece.
Aftermaths is a collection of essays offering compelling new ideas on exile, migration, and diaspora that have emerged in the global age. The ten contributors—well-established scholars and promising new voices—work in different disciplines and draw from diverse backgrounds as they present rich case studies from around the world. In seeking fresh perspectives on the movement of people and ideas, the essays included here look to the power of the aesthetic experience, especially in literature and film, to unsettle existing theoretical paradigms and enable the rethinking of conventionalized approaches. Marcus Bullock and Peter Y. Paik, in bringing this collection together, show we have reached a moment in history when it is imperative to question prevailing intellectual models. The interconnectedness of the world's economies, the contributors argue, can exacerbate existing antagonisms or create new ones. With essays by Ihab Hassan, Paul Brodwin, and Helen Fehervary, among others, Aftermaths engages not only with important academic topics but also with the leading political issues of the day.
Exiles have long been transformative actors in their homelands: they foment revolution, sustain dissent, and work to create renewed political institutions and identities back home. Ongoing waves of migration ensure that they will continue to play these vital roles. Rather than focus on what exiles mean for the countries they enter—a perspective that often treats them as passive victims—The Ethics of Exile recognises their political and moral agency, and explores their rich and vital relationship to the communities they have left. It offers a rare view of the other side of the migration story. Engaging with a series of case studies, this book identifies the responsibilities and rights exiles have and the important roles they play in homeland politics. It argues that exile politics performs two functions: it can correct defective political institutions back home, and it can counter asymmetries of voice and power abroad. In short, exiles can act both as a linchpin and a buffer between political communities in crisis and the international actors who seek to, variously, aid and exploit them. When we think about the duties we owe to those forced to leave their homes, we should consider how to enable rather than thwart these roles.
In this book Drs. Lesn and Rebeca Grinberg provide the first psychoanalytic study of both normal and pathological reactions to migration and to the special case of exile. Drawing on rich clinical material, on literature, and on myth, the Grinbergs discuss the relationship between migration and the language and age of the traveler; they consider its effects on the migrant's sense of identity; and they draw insightful analogies between the migratory experience and human development.
Diaspora: A Very Short Introduction examines the origins of diaspora as a concept, its changing meanings over time, its current popularity, and its utility in explaining human migration. The book proposes a flexible approach to diaspora based on examples drawn mainly from Jewish, African, Irish, and Asian history.
"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--
The mass migration of East European Jews and their resettlement in cities throughout Europe, the United States, Argentina, the Middle East and Australia in the late 19th and early 20th centuries not only transformed the demographic and cultural centers of world Jewry, it also reshaped Jews' understanding and performance of their diasporic identities. Rebecca Kobrin's study of the dispersal of Jews from one city in Poland -- Bialystok -- demonstrates how the act of migration set in motion a wide range of transformations that led the migrants to imagine themselves as exiles not only from the mythic Land of Israel but most immediately from their east European homeland. Kobrin explores the organizations, institutions, newspapers, and philanthropies that the Bialystokers created around the world and that reshaped their perceptions of exile and diaspora.
Historical work on the late nineteenth and early twentieth centuries suggests that as nation-states were solidifying throughout Western Europe, exiled groups tended to develop rival national identities—an occurrence that had been fairly uncommon in the two preceding centuries. Diaspora Identities draws on eight case studies, ranging from the early modern period through the twentieth century, to explore the interconnectedness of exile, nationalism, and cosmopolitanism as concepts, ideals, attitudes, and strategies among diasporic groups. Die hier versammelten Studien eröffnen neue Perspektiven auf Nationalismus und Kosmopolitismus. Sie machen deutlich, dass schon vor dem »nationalen « 19. Jahrhundert im Kontext von Diaspora, Exil und Migration Identitäten und Verhaltensweisen entstanden, die zugleich kosmopolitisch und nationalistisch waren.
How Maya refugees found new lives in strange lands.