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Provides information on the tools, strategies, and methods on planning and performing a database, desktop application, or IT infrastructure migration.
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Peggy Guggenheim (1898 - 1979) challenged boundaries as a patron and collector. She is celebrated for her groundbreaking collection of European and American modern art. The volume will focus on a lesser-known but crucial episode in Guggenheim's own migratory path: her turn to the arts of Africa, Oceania, and the Americas in the 1950s and '60s. In these years, Guggenheim acquired works created by artists from cultures worldwide, including early twentieth-century sculpture from Mali, Côte d'Ivoire, and New Guinea, and ancient examples from Mexico and Peru. 'Migrating Objects' emerges from an extended period of research and discussion on this largely ignored area of Guggenheim's collection by a curatorial advisory committee, which has led to exciting findings, including the reattribution of individual works, among them the Nigerian headdress (Ago Egungun) produced by the workshop of Oniyide Adugbologe (ca. 1875-1949), which is illustrated in the catalogue.
This volume contains the papers presented at the Intemational Conference on Object Oriented Information Systems 00lS'94, held at South Bank University, London, December 19 - 21, 1994. In response to our call for papers, a total 85 papers from 24 different countries were submitted. Each paper was evaluated by at least two Program Committee members and an additional reviewer. Together, we selected 41 papers for presentation at the conference and inclusion in the Proceedings. Also included are the keynote addresses by Peter Gray and Michael Jackson. The other submissions were recommended for presentation in the poster sessions. Peter Gray, our invited speaker, evaluates the problems of object-oriented systems and data independence by looking at how object oriented database applications are failing to perceive its benefits, and instead rely too much on encapsulation. He suggests alternative kinds of object storage to preserve data independence. The second invited speaker, Michael Jackson describes a way of solving problems, by focusing directly on the problems themselves, their components and structures and on the relationships between the problem and the solution method. He discusses a particular view of the role of object-orientation in software development.
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This volume offers a thematic exploration of the migrant artist’s experience in Europe and its colonies from the early modern period through to the Industrial Revolution. The influence of the transient artist, both on their adoptive country as well as their own oeuvre and native culture, is considered through a collection of essays arranged according to geographic location. The contributions here examine the impetuses behind artistic migrations and the status of the foreign artist at home and abroad through the patterns of patronage, contemporary responses to their work and the preservation of their artistic legacy in domestic and foreign settings. Objects and sites from across the visual arts are considered as evidence of the migrant artist’s experience; talismans of cultural exchange that yielded hybrid artistic styles and disseminated foreign tastes and workshop practices across the globe.
(Un)sighted Archives of Migration acknowledges that migration is a fundamental part of social practice and collective memory. However, archives that have undergone migration or were established by individuals or communities with migration experience gain little public and institutional attention. This volume with its transversal perspective across the fields of art, anthropology and social activism, offers new perspectives on the enormous potential of migratory archives as resourceful spaces for encounter and remembrance, and as a contribution to the plural collective memories and identities of post-migratory societies. Emphasizing the archival agency by migrants, the chapters raise new questions with regard to the multi-directional, collaborative forms of knowledge production within and beyond an archive, its boundaries, and its materiality. Focusing on the complexities of power relations, spatial and temporal dynamics, media practices, and meaning production involved in the making, maintenance, viewing, appropriation, destruction and loss of such archives, the chapters contribute to a critical methodological and theoretical discussion about (un)sighted archives as spaces of encounter and resistance in a liminal zone of visibility and invisibility. This book was originally published as a special issue of Visual Anthropology.
This Microsoft Official Academic Course (MOAC) IT Professional curriculum prepares certification students for success every step of the way. This 70-413 Designing and Implementing a Server Infrastructure exam course is the first of a series of two exams Microsoft Certified Solutions Associates (MCSE) candidates are required to pass to gain the MCSE: Windows Server 2012 and Windows Server 2012 R2 certification. These MCSE exams test the skills and knowledge necessary to design, implement, and maintain a Windows Server 2012 infrastructure in an enterprise scaled, highly virtualized environment. Passing these exams confirms students’ ability to plan, configure, and implement the Windows Server 2012 services, such as server deployment, server virtualization, and network access and infrastructure. This complete ready-to-teach MOAC program is mapped to all of the exam objectives.