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In Migrant Modernism, J. Dillon Brown examines the intersection between British literary modernism and the foundational West Indian novels that emerged in London after World War II. By emphasizing the location in which anglophone Caribbean writers such as George Lamming, V. S. Naipaul, and Samuel Selvon produced and published their work, Brown reveals a dynamic convergence between modernism and postcolonial literature that has often been ignored. Modernist techniques not only provided a way for these writers to mark their difference from the aggressively English, literalist aesthetic that dominated postwar literature in London but also served as a self-critical medium through which to treat themes of nationalism, cultural inheritance, and identity.
Africa -- Asia -- The Caribbean -- Ireland -- Australia/New Zealand -- Canada
The Czech-Brazilian philosopher Vilém Flusser (1920–1991) has been recognized as a decisive past master in the emergence of contemporary media theory and media archeology. His work engages and also rethinks several mythologies of modernity, devising new methodologies, experimental literary practices, and expanded hermeneutics that trouble traditional practices of literary/literate knowledge, shared experience, reception, and communication. Working within an expanded concept of modernism, Flusser presciently noted the power inherent in algorithmic information apparatuses to reshape our fundamental conceptions of culture and history. In an increasingly technological world, Flusser's form of experimental theory-fiction pits philosophy against cybernetics as it forces the category of “the human” to confront the inhuman world of animals and machines. The contributors to Understanding Flusser, Understanding Modernism engage with the multiplicity of Flusser's thought as they provide a general analysis of his work, engage in comparative readings with other philosophers, and offer expanded conceptualizations of modernism. The final section of the volume includes an extended glossary clarifying the playful terminology used by Flusser, which will be a valuable resource for experts and students alike.
While literary modernism is often associated with Euro-American metropolises such as London, Paris or New York, this book considers the place of the colonial city in modernist fiction. From the streets of Dublin to the shop-houses of Singapore, and from the botanical gardens of Bombay to the suburbs of Suva, the monumental landscapes of British colonial cities aimed to reinforce empire's universalising claims, yet these spaces also contradicted and resisted the impositions of an idealised English culture. Inspired by the uneven landscapes of the urban British empire, a group of twentieth-century writers transformed the visual incongruities and anachronisms on display in the city streets into sources of critique and formal innovation. Showing how these writers responded to empire's metrocolonial complexities and built legacies, Modernism in the Metrocolony traces an alternative, peripheral history of the modernist city.
In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
Examining the notion of migration and transnationalism within the life and work of Joseph Conrad, this book situates the multicultural and transnational characters that comprise his fiction while locating Conrad as a subject of the Russian state whose provenance is Polish, but whose identity is that of a merchant sailor and English country gentleman. Conrad's characters are often marked by crossings – changes of nation, changes of culture, changes of identity – which refract Conrad's own cultural transitions. These crossings not only subjectivise the experience of the migrant through the modern complexities of technology and speed, but also through cross-cultural encounters of food and language. Collectively, these essays explore the experience of the migrant as exile; the inescapable intermeshing of migration, modernity and transnationalism as well as Conrad's own global and multicultural outlook. Conrad's work writes across historical, political and ethnic borders speaking to a transnational reality that continues to have relevance today.
This book examines literature by African, Native, and Jewish American novelists at the beginning of the twentieth century, a period of radical dislocation from homelands for these three ethnic groups as well as the period when such voices established themselves as central figures in the American literary canon.
"A familiar story holds that modernization radiates out from metropolitan origins. The whole machinery explores representations of people and places, objects and occasions, that reverse that trajectory, demonstrating how modernizing agents move in a contrary direction as well--from the country to city. In a crucial reversal, these figures aren't pulled by or into urban modernity so much as they bring alternate--and transformative--iterations of the modern to the urban world. This book upends the U.S. South's reputation as retrograde and unresponsive to modernity by showing how the effects of national and transnational exchange (particularly via the cotton trade), emergent technologies, and industrialization animate environments and bodies associated with, or performing, versions of the rural. To this end, it also searches out the shadow side of the cosmopolitan modern by investigating the rural sources--the laboring bodies and raw materials--that made such urban spaces possible. The whole machinery explores a range of canonical and noncanonical figures: Paul Laurence Dunbar, Frances E.W. Harper, W.E.B. Du Bois, Allen Tate, Don West, the authors of the Southern Tenant Farmers' Union pamphlet The Disinherited Speak, Charlie Poole, and Zora Neale Hurston among them. It uncovers signs of the rural modern in a variety of texts and media, including narrative fiction and poetry, as well as photographs, sound recordings, radio broadcasts, letters, newspaper reports, and magazine profiles. These readings convey diverse and individuated desires for escape or entrenchment, often in the same conflicted voice, ultimately creating multivalent expressions and experiences of rurality that are, in their way, as thoroughly modern as those of more widely canonized urban figures"--
In recent years, Europe has had to constantly rethink and redefine its attitude toward new flows of immigrations. Issues of boundaries and identity have been integral to this reflection. Through a magnificent collection of essays, Migrant Cartographies examines both sites and conflicts and the way in which forms of belonging and identity have been reinvented. With careful analysis and exceptional insight, this volume explores the most recent literature on migration as seen from different European viewpoints. This book fills a conspicuous void in migration literature, as there are no comprehensive books on migrant literatures in Europe that address the full range of complexities of colonial legacies and linguistic productions.
MacIntyre explores the philosophical, political, and moral issues encountered in understanding what the virtues require in contemporary social contexts.