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In recent years, Europe has had to constantly rethink and redefine its attitude toward new flows of immigrations. Issues of boundaries and identity have been integral to this reflection. Through a magnificent collection of essays, Migrant Cartographies examines both sites and conflicts and the way in which forms of belonging and identity have been reinvented. With careful analysis and exceptional insight, this volume explores the most recent literature on migration as seen from different European viewpoints. This book fills a conspicuous void in migration literature, as there are no comprehensive books on migrant literatures in Europe that address the full range of complexities of colonial legacies and linguistic productions.
A critical assessment from the perspective of political and legal theory of how shifting borders impact on migration, mobility and the protection of displaced persons
In his exciting new book, based on a decade of ethnographic fieldwork, Maurice Magaña considers how urban and migrant youth in Oaxaca embrace subcultures from hip-hop to punk and adopt creative organizing practices to create meaningful channels of participation in local social and political life. In the process, young people remake urban space and construct new identities in ways that directly challenge elite visions of their city and essentialist notions of what it means to be indigenous in the contemporary era. Cartographies of Youth Resistance is essential reading for students and scholars interested in youth politics and culture in Mexico, social movements, urban studies, and migration.
This critical anthology explores the global literature of the African world as a unit whose chartable African heritage is coupled with the diversities and adaptations of post-enslavement and post-colonial experiences. The text has a seminal introduction that defines comparative black literature by examining how mainstream studies have marginalized literatures of Africa and the diaspora by not grouping them as a unit that reflects the historical continuum of the global African literary endeavor. The volume excerpts literature from vast representatives of the African world and introduces critical foundations that lead students to reflect on commonalities and divergences of global African literatures, as well as the more practical exercises of writing and analysis.
This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself.
By addressing questions of culture, identity and politics, Cartographies of Diaspora throws new light on discussions about `difference' and `diversity', informed by feminism and post-structuralism. It examines these themes by exploring the intersections of `race', gender, class, sexuality, ethnicity, generation and nationalism in different discourses, practices and political contexts. The first three chapters map the emergence of `Asian' as a racialized category in post-war British popular and political discourse and state practices. It documents Asian cultural and political responses paying particular attention to the role of gender and generation. The remaining six chapters analyse the debate on `difference', `diversity' and `diaspora' across different sites, but mainly within feminism, anti-racism, and post-structuralism.
A collection of ten maps and essays about social issues from globalization to garbage; surveillance to extraordinary rendition; statelessness to visibility; deportation to migration. Inherently political, the atlas provides a critical foundation for an area of work that bridges art/design, cartography/geography, and activism. The maps and essays provoke new understandings of networks and representations of power and its effects on people and places.
The border is one of the most urgent issues of our times. We tend to think of a border as a static line, but recent bordering techniques have broken away from the map, as governments have developed legal tools to limit the rights of migrants before and after they enter a country’s territory. The consequent detachment of state power from any fixed geographical marker has created a new paradigm: the shifting border, an adjustable legal construct untethered in space. This transformation upsets our assumptions about waning sovereignty, while also revealing the limits of the populist push toward border-fortification. At the same time, it presents a tremendous opportunity to rethink states’ responsibilities to migrants. This book proposes a new, functional approach to human mobility and access to membership in a world where borders, like people, have the capacity to move.
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this groundbreaking work, eminent scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. Cartographic Cinema examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
At the crossroads between international relations and anthropology, The Migrant Passage analyzes how people from El Salvador, Honduras, and Guatemala navigate the dangerous and uncertain clandestine journey across Mexico to the United States. However much advance planning they do, they survive the journey through improvisation. Central American migrants improvise upon social roles and physical objects, leveraging them for new purposes along the way. Over time, the accumulation of individual journeys has cut a path across the socioeconomic and political landscape of Mexico, generating a social and material infrastructure that guides future passages and complicates borders. Tracing the survival strategies of migrants during the journey to the North, The Migrant Passage shows how their mobility reshapes the social landscape of Mexico, and the book explores the implications for the future of sovereignty and the nation-state. To trace the continuous renewal of the transit corridor, Noelle Brigden draws upon over two years of in-depth, multi-sited ethnographic fieldwork along human smuggling routes from Central America across Mexico and into the United States. In so doing, she shows the value of disciplinary and methodological border crossing between international relations and anthropology, to understand the relationships between human security, international borders, and clandestine transnationalism.