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Only Milo knows why he is no longer Mum's little angel - five months ago something happened that changed him into a monster. When he is sent away to stay with an old family friend, Cressida Bell, Milo becomes obsessed with a tale that will change his life: the story of Mighty Fizz Chilla.
This book provides an evaluation and appreciation of the learning, teaching and instruction that can occur in digital environments. Mass media accounts of digital culture are invariably predicated on a technologically determinist vision, on the one hand promoting a utopian view of the future while on the other fueling moral panic by emphasizing views of alienation and danger in life online. In this book, children, young people and those who work with them are revealed as active agents with possibilities to navigate new paths.
Bailey's new neighbourhood was ultra - mega - boring concrete until Scribbleboy covered it with eye - scorching colours. Ziggy, Ma Glamrock, Levi and Tiffany Spangle show Bailey how to create the best shape of all: a circle of friends.
From alternate to alternative reality : games as cultural probes / Patrick Jagoda, Melissa Gilliam, Peter McDonald, and Ashlyn Sparrow -- The game did not take place : this is not a game and blurring the lines of fiction / Alan Hook -- Alternate reality games for learning : a frame by frame analysis / Anthony Pellicone, Elizabeth Bonsignore, Kathryn Kaczmarek, Kari Kraus, June Ahn, & Derek Hansen -- Promotional alternate reality games and the TINAG philosophy / Stephanie Janes -- The coachella disaster : how the puppet masters of art of the h3ist pulled a victory from the jaws of defeat / Burcu S. Bakiolu -- Designing and playing peer-produced ARGs in the primary classroom : supporting literacies through play / Angela Colvert -- Games beyond the arg / Jeff Watson -- Methods : studying alternate reality games as virtual worlds / Calvin Johns -- A typology to describe alternate reality games for cultural contexts / Diane Dufort and Federico Tajariol -- Sociability by design in an alternate reality game : the case of the Trail / Roinioti Elina, Pandia Eleana, Skarpelos Yannis -- Ingress : a restructuring of the ARG or a new genre? : an ethnography of enlightened and resistance factions in Brazil / Thaiane Moreira de Oliveira
This collection brings together Philip Ridley's one-act plays for young people, known as The Storyteller Sequence, ideal for teenagers to either watch or perform. Karamazoo is a fifteen-minute monologue about one of the coolest, most popular kids in the school, whose recent increase in popularity is the direct result of a character make-over following the death of a parent. A witty and moving performance piece for the teenage actor. Fairytaleheart features two fifteen-year-olds, Kirsty and Gideon, who meet for the first time and come to terms with their broken families by sharing their hopes, fears and past experiences - as well as stories - in a derelict community centre. Sparkleshark tells of fourteen-year-old Jake - a victim of bullying and other teenager's mockery - who has to take refuge on the roof of a tower block in order to write his stories. Moonfleece sees Curtis, a young right-wing activist, arrange a meeting in a flat of a derelict tower block where he lived as a child. But his older brother's ghost keeps haunting him. Moonfleece is an intense and thrilling exploration of memory and identity. Brokenville features an unknown disaster, which has left seven characters with little knowledge of who they are or of what has happened. As an old woman and five teenagers begin to act out stories for a mute and frightened child, they begin to discover a little of who they were and what they can be.
The stories that shape our children's lives are too important to be left to chance. With The Story Cure, bibliotherapists Ella Berthoud and Susan Elderkin have put together the perfect manual for grown-ups who want to initiate young readers into one of life's greatest pleasures. There's a remedy for every hiccup and heartache, whether it's between the covers of a picture book, a pop-up book, or a YA novel. You'll find old favourites like The Borrowers and The Secret Garden alongside modern soon-to-be classics by Michael Morpurgo, Malorie Blackman and Frank Cottrell-Boyce, as well as helpful lists of the right reads to fuel any obsession - from dogs or dinosaurs, space or spies. Wise and witty, The Story Cure will help any small person you know through the trials and tribulations of growing up, and help you fill their bookshelves with adventure, insight and a lifetime of fun.
It's at times like this I'm inspired by The Stupendous Santini. He toured the mid-West during the 1930s, entertaining farmers affected by the Dust Bowl. No one would have remembered him were in not for the fact that during his most famous trick – sword swallowing – he accidentally punctured a lung and died on the spot. He became a legend. Donny has committed an act that shocked everyone. Tabloids called him The Most Hated Boy Alive. But Donny doesn't want forgiveness. All Donny wants is . . . his own television show. Written by internationally acclaimed writer Philip Ridley, Tonight With Donny Stixx is the companion piece to Ridley's 2013 Fringe First-winner Dark Vanilla Jungle, and received its premiere at the Soho Theatre, London, on 27 July 2015 before premiering at the Edinburgh Festival Fringe.
Children growing up in the 21st century need to understand the full range of media available to them, both as sources of information and entertainment, and as a means of communicating and sharing ideas. Embedded in the primary curriculum, media education enables children to become more fully literate for the digital age. Grounded in best classroom practice, this book aims to help you think about the role of media in children′s lives, and to teach about media effectively in your classroom. Three dimensions of media education for the 3-11 age range are highlighted : children′s own cultural experiences, the development of critical awareness, and opportunities for creative expression. The chapters are written by literacy advisors, leading academics, teacher-trainers and classroom practitioners. Topics covered include: - understanding children′s relationships with media and how to build on these constructively - getting to grips with "multimodality" - developing children′s critical skills through watching and analysing moving image media - broadening children′s experiences of different kinds of media and their media literacy - creative media activities that promote imaginative thinking and decision-making - the importance of social networking and social media and how to use these in the classroom In an increasingly digital world, media education is an essential part of good teaching, not just as a tool to teach the more traditional aspects of the curriculum, but in its own right as an essential part of literacy. This book is relevant to all teachers working in Primary schools, and will be particularly helpful for Literacy Co-ordinators.
It's Cougar's birthday. He's having a party. And the gift he'd kill for is youth... In a strange room in East London the party preparations are under way. Everything has been planned to the last detail. Surely nothing can go wrong? After all, there's the specially made birthday cake, the specially written cards, the specially chosen guest of honour... and a very, very sharp knife. Philip Ridley's edgy and provocative drama caused a sensation when it premiered at Hampstead Theatre in 1992, winning the Evening Standard Award for Most Promising Newcomer to the Stage and the Meyer Whitworth Prize. It is now regarded as a contemporary classic. 'A bit like a ride on a ghost train... you find yourself shuddering with shock and laughing uproariously... horror has rarely been so much fun' Daily Telegraph 'Scorchingly nasty... fingers an age and its icons with terrifying accuracy' Guardian
This second volume of Ridley's stage plays confirms him as one of the most imaginative, daring and unique voices currently working in theatre. All four plays collected here resonant with Ridley's trademark themes - East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. Vincent River: '... a grieving mother and a traumatized teenager meet as adversaries, rough each other up and eventually bond over a barbaric act of cruelty...Ridley asks questions, lots of them, about how people respond to the loss of innocence in their lives, how they hold onto their sanity in the face of savagery and how they fight to keep the bonds of humanity intact in a mad, mad world.' Variety Mercury Fur: '...depicts a scary, post-apocalyptic London where, in their struggle to survive, a group of youths are reduced to organising parties that cater for the most perverted tastes.' Independent Leaves of Glass: 'There is a different kind of murder going on here: the murder of truth that goes on in all families to a lesser or greater degree. As with nations, a family's history is written by the victors.' Guardian Piranha Heights: 'The extravagance of Ridley's dark vision suggests a dangerously confused society in which individuals seize on random gobbets of semi-digested information and use them to construct their own personal narrative.' The Times