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The Authoritative Edition of Might is Right by Ragnar Redbeard. The variant text of the five editions published in the author's lifetime harmonized into one. Thousands of previously undocumented citations and a never-before-published index. Featuring a new introduction by Peter H. Gilmore, High Priest of the Church of Satan.
This is unabridged, original text of this infamous book. Might Is Right, or The Survival of the Fittest, is a book by pseudonymous author Ragnar Redbeard. First published in 1890, it heavily advocates social Darwinism, amoralism, and psychological hedonism. In Might is Right, Redbeard rejects conventional ideas of human and natural rights and argues that only strength or physical might can establish moral right (la Callicles). Libertarian historian James J. Martin called it "surely one of the most incendiary works ever to be published anywhere." Leo Tolstoy discussed the philosophy of Might Is Right in his 1897 essay What Is Art?: "The substance of this book, as it is expressed in the editor's preface, is that to measure "right" by the false philosophy of the Hebrew prophets and "weepful" Messiahs is madness. Right is not the offspring of doctrine, but of power. All laws, commandments, or doctrines as to not doing to another what you do not wish done to you, have no inherent authority whatever, but receive it only from the club, the gallows, and the sword. A man truly free is under no obligation to obey any injunction, human or divine. Obedience is the sign of the degenerate. Disobedience is the stamp of the hero. Men should not be bound by moral rules invented by their foes. The whole world is a slippery battlefield. Ideal justice demands that the vanquished should be exploited, emasculated, and scorned. The free and brave may seize the world. And, therefore, there should be eternal war for life, for land, for love, for women, for power, and for gold. The earth and its treasures is "booty for the bold." The author has evidently by himself, independently of Nietzsche, come to the same conclusions which are professed by the new artists."
The Philosophy of Power is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Is it possible that the famous duel between Hamilton and Burr was part of a judgment against the two by a secret society they formed decades prior to create an American shadow government? This story, telling of the lives of two great rivals, lies somewhere between a Robert E. Howard pastiche and a Yankee version of Thomas Dixon Jr. Rival Caesars is a fantasy Revolutionary War tale by the man who penned the infamous philippic titled Might is Right. Arthur Desmond, who wrote as Ragnar Redbeard, here uses the nom de guerre Desmond Dilg. Might is Right ends thus: "P.S. Book II will be issued when circumstances demand it." The 1903 novel Rival Caesars is that book. Preceding his time as one of the earliest proponents of an American Nietzscheanism, Desmond was an Antipodean radical, fighting in the streets alongside anarcho-communists and trade unionists. He stood for election as a labor candidate and promoted Georgism to both Māori and Europeans in New Zealand and Australia. Fleeing the law, he settled in America among the Chicago bohemian scene, and his radicalism turned from collective rights to individualist might. While Might is Right was intended as an awakening call for "mighty men of valor," Rival Caesars is the plan of action, plotted out under the guise of a historical romance. This novel is nothing short of a rallying cry to an American Caesar to claim their share of pelf, prominence, and prestige in the vein of Napoleon or Cecil Rhodes. Incredibly rare for nearly a century, here, finally, is an accessible and beautifully designed paperback edition, with an authoritative introductory essay by Darrell W. Conder. While it will never be as infamous as its predecessor, Rival Caesars is the ultimate book by the man known as Ragnar Redbeard.
MIGHT IS RIGHT is an incendiary anti-Christian tract based on a philosophy of pure egoism. The author advocates a winner-take-all approach to life, money, and women. Originally written in 1896, and revised in 1927, MIGHT IS RIGHT pulls no punches in advocating for a world of tooth-and-claw, of eye-for-eye and of tooth-for-tooth.
FULL unedited version. A no-holds-barred philosophical venture into the meaning of the Jewish origins of Christianity, of nature over nurture, might over morals, of power over weakness, the right of the strongest to rule, the survival of the fittest and the belief that the world is governed by force, not by religious or moral creeds.
Within this text James Theodore Stillwell III extracts thought strands from profound thinkers such as Hume, Nietzsche, Kant A.J. Ayer, C.L. Stevenson, J. L. Mackie, Ragnar RedBeard, Peter Sjöstedt-H and interweaves them into a meta ethical tapestry that is a liberating-brutally honest red pill. Mixing non cognitivism, error theory, with projectivism, Stillwell puts forth a kind of moral nihilism (Power-Nihilism) that dispenses with both secular and theistic forms of moral realism. In the final chapter James articulates his qualified form of political nihilism and critiques such concepts as ""Natural law"" and ""Natural Rights"" along with a few other pivotal concepts within political theory. This book also covers such topics as the will to power, slave morality, bad conscience, the on going destruction of Western civilization, radical individualism, collectivism, egalitarianism, hierarchy and much more...
Friedrich Nietzsche believed his own work represented the dawning of a new historical era, and, despite the fact that he lived most of his sane life suffering in obscurity, it is not an exaggeration to say that his vision helped lay the foundations for modernism in style, substance and attitude. Nietzsche was himself devoted to the modern, for he reinterpreted every philosophy, every historical figure and event, every movement that came before him. This reconceptualization of the past through new, modern eyes opened up Nietzsche's thinking to exploring daring possibilities for the future. This prophetic boldness, which is so unique to his style, seduced the modernist generation across the spectrum. He was read by early Zionists as well as by Nazi racial theorists; by Thomas Mann and as well as by Salvador Dali. His influence stretched from psychoanalysis to anarchist politics. Understanding Nietzsche, Understanding Modernism traces the effect of Nietzsche's thinking upon a diverse set of problems: from ontology, to politics, to musical and literary aesthetics. The first section of the volume is a series of essays, each exploring a major work of Nietzsche's, explaining its significance while contributing new interpretations of the text. The middle portion connects Nietzsche's thought to the various strands of modernism in which it reveals itself. The final section is a glossary of key terms that Nietzsche uses throughout his works. An excellent resource for any scholar attempting to conceptualize the foundations of modernism or the historical importance of Nietzsche, this volume seeks to outline the philosopher's works and their reception amongst the generations that immediately followed his passing.
Like a great shining plow driven by superhuman forces, it goes tearing, ripping, swearing through the brains of men, remorselessly rooting up the evil idols and the false foundations. The ablest authors of our era it leaves far in the rear. From Arthur Desmond's publicity material for his 1896 book Might is Right.