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"Ludwig Mies van der Rohe (1886-1969) is not only one of the most important architects of the twentieth century, his furniture designs are also considered milestones in the history of design. Even today, his tubular and flat-bar steel furniture, such as the famous Barcelona Chan, are to a large extent still in serial production. Based on the most recent scholarship and taking new material into consideration, this publication devotes itself to these modern classics and in doing so, discusses the progressive concepts of interior space developed by Mies van der Rohe, who invariably understood the interior-design aspect as part of an overall architectural plan. Well-informed experts not only look back on the artistic highlights of Mies's career and their developmental history, their contributions also bring to life the atmosphere that prevailed in Berlin in the twenties and thirties. In addition, this book contains a series of previously unpublished photographs of Mies's work."--Contraportada.
The classic and definitive monograph on iconic architect Mies van der Rohe This is the most readable, comprehensive, and beautiful book ever published on one of the twentieth century's most influential architects, now available with a stunning new cover. Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams, Mertins' rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe's work, with in-depth discussions of his most important buildings and projects. The clarity of Mies's architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin's rigorous and accessible text gives the reader a clear description of all the most important of Mies's buildings as well as the intellectual contexts for their design. Includes such buildings as: the Barcelona Pavilion in Spain; the Tugendhat House in Brno, Czech Republic; S. R. Crown Hall at the Illinois Institute of Technology in Chicago, USA; and the New National Gallery in Berlin, Germany.
A landmark survey, offering a nuanced and deeply researched account of the career and life of the iconic modern architect Ludwig Mies van der Rohe (1886-1969) was a German-born American architect and designer whose work in Europe and North America has had an enduring influence on modern and contemporary architecture worldwide. During his sixty-year career, he fundamentally rethought architectural types that shaped modern life, including the office building, apartment building, and private home. True to his alleged dictum "less is more," Mies van der Rohe's style is characterized by utmost simplicity, elegance of materials, and radical formal and functional innovation, as exemplified by such iconic projects as the Farnsworth House in Plano, Illinois, and the Seagram Building in New York. In this book, renowned architectural historian Dietrich Neumann presents a new, critical look at Mies and complicates the established narrative about him. Diverging from the reverential posture of many existing accounts, Neumann insists on the importance of the contemporary context--social, political, and architectural--for understanding the architect's life and work. The book draws on many overlooked archival and primary sources to demonstrate how and why Mies's designs were shaped and received, foregrounding contemporary critics' responses and the work of Mies's collaborators and peers. It presents several previously unknown buildings, projects, and furniture designs and challenges long-established interpretations of key works. Comprehensively illustrated and covering the entirety of Mies's career, this ambitious book is the most substantial account to date of the life and work of one of the most important architects of the twentieth century.
Lafayette Park, an affordable middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Today, it is one of Detroit's most racially integrated and economically stable neighborhoods, although it is surrounded by evidence of a city in financial distress. Through interviews with and essays by residents; reproductions of archival material; and new photographs by Karin Jobst, Vasco Roma, and Corine Vermeulen, and previously unpublished photographs by documentary filmmaker Janine Debanné, Thanks for the View, Mr. Mies examines the way that Lafayette Park residents confront and interact with this unique modernist environment. Lafayette Park has not received the level of international attention that other similar projects by Mies have. This may be due in part to its location in Detroit, a city whose most positive qualities are often overlooked in the media. This book is a reaction against the way that iconic modernist architecture is often represented. Whereas other writers may focus on the design intentions of the architect, authors Aubert, Cavar and Chandani seek to show the organic and idiosyncratic ways that the people who live in Lafayette Park actually use the architecture and how this experience, in turn, affects their everyday lives. While there are many publications about abandoned buildings in Detroit and about the city's prosperous past, this book is about a remarkable part of the city as it exists today, in the twenty-first century.
"Mies in America offers readers a deeper immersion into Mies's thought than has been attempted before. Venturing a more complex response than the familiar reading of Mies as a grand master of modernism, these essays retrace the genesis of Mies's design in order to uncover his ambitions, investigate the implicit outlines of the Miesian city, follow the process of designing for America, and look at Mies as a touchstone for contemporary practice."--Jacket.
"The texts were written by a single person (complemented by a report from a user), the photographs, reproduced in duotone, all come from the same lens using an approach repeated again and again. Both attempt to show the objective state of affairs of Mies van der Rohe's solitary buildings with carefully collected and organized materials. An inner confrontation over decades opened up access to Mies' oeuvre for Werner Blaser, and thus, to this publication." "The legacy of Mies van der Rohe's most fruitful intentions is thus visually assessed with in part unpublished picture material. Those with a more critical attitude should also be creatively confronted with the roots of good architecture through the intensity of the presentation, which will hopefully provide new stimulus."--BOOK JACKET.
The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism--the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients--typically middle-class professionals, progressive in their thinking--helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study--until now.
"In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time--unmarried, she was a distinguished medical researcher, whose discoveries put her in contention for the Nobel Prize, as well as an accomplished violinist, translator, and poet. The two quickly began an intimate relationship, spending weekends together, sharing interests in transcendental philosophy, Catholic mysticism, wine-soaked picnics, and architecture. Their collaboration would produce one of the most important works of architecture of all time, a blindingly original house made up almost entirely of glass and steel. But the minimalist marvel, built in 1951, was plagued by cost over-runs and a sudden chilling of the two friends' mutual affection. Though the building became world-famous, Farnsworth found it impossible to live in the transparent house, and she began a public campaign against him, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing trial covered not just the missing funds and the structural weaknesses of the home, but turned into a trial of modernist art and architecture itself. Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling tapestry of a tale, illuminating the fascinating history behind one of the twentieth-century's most beautiful and significant architectural projects"--