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Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. "Midwinter Day", as Alice Notley notes, "is an epic poem about a daily routine". In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: "a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December".
On December 22, 2018, the 40th anniversary of Bernadette Mayer's writing of Midwinter Day, 32 women poets typed into Google Docs titled Dreams, Morning, Noontime, Afternoon, Evening, and Night. Following the six-part structure of Mayer's book, they composed alongside each other all day, dozens of cursors blinking in a virtual happening. MIDWINTER CONSTELLATION is the result. Part patchwork quilt, part collective consciousness, the book hopes "to prove the day like the dream has everything in it," as Mayer wrote in 1978, and to extend her vision into a global 21st-century everyday. A radical experiment in collective writing, the book embroiders, echoes, and blurs the voices of poets across the U.S. and beyond. They wake up in bed together and spend the day writing while nursing babies, grading papers, driving home for the holidays, making meals, and gathering in bookstores and living rooms to read Midwinter Day aloud. While threads of identity can be traced through the repeated names of children, highways, books, and pets, MIDWINTER CONSTELLATION declines to identify who's speaking when, exceeding the territory of authorship and rejecting the illusion that we are separate. MIDWINTER CONSTELLATION was written by Stephanie Anderson, Hanna Andrews, Julia Bloch, Susan Briante, Lee Ann Brown, Laynie Browne, Shanna Compton, Mel Coyle, Marisa Crawford, Vanessa Jimenez Gabb, Arielle Greenberg, Jenny Gropp, Stefania Heim, MC Hyland, erica kaufman, Becca Klaver, Caolan Madden, Pattie McCarthy, Monica McClure, Jenn Marie Nunes, Danielle Pafunda, Maryam Ivette Parhizkar, Khadijah Queen, Linda Russo, Katie Jean Shinkle, Evie Shockley, Sara Jane Stoner, Dawn Sueoka, Bronwen Tate, Catherine Wagner, Elisabeth Workman, and Mia You. Poetry. Women's Studies.
A Guardian / Sunday Times / Irish Times / Herald Scotland / Mail on Sunday Book of the Year Winner of the Bord Gáis Novel of the Year ‘Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms – to an honest reckoning – with love and the loss of love, with memory and pain...this is a novel of great ambition by an artist at the height of his powers’ Colm Tóibín A retired couple, Gerry and Stella Gilmore, fly to Amsterdam for a midwinter break. A holiday to refresh the senses, to see the sights and to generally take stock of what remains of their lives. But amongst the wintry streets and icy canals we see their relationship fracturing beneath the surface. And when memories re-emerge of a troubled time in their native Ireland things begin to fall apart. As their midwinter break comes to an end, we understand how far apart they are – and can only watch as they struggle to save themselves.
American Indian Youth Literature Award: Middle Grade Honor Book! In this evocative and heartwarming novel for readers who loved The Thing About Jellyfish, the author of I Can Make This Promise tells the story of a Native American girl struggling to find her joy again. It’s been a hard year for Maisie Cannon, ever since she hurt her leg and could not keep up with her ballet training and auditions. Her blended family is loving and supportive, but Maisie knows that they just can’t understand how hopeless she feels. With everything she’s dealing with, Maisie is not excited for their family midwinter road trip along the coast, near the Makah community where her mother grew up. But soon, Maisie’s anxieties and dark moods start to hurt as much as the pain in her knee. How can she keep pretending to be strong when on the inside she feels as roiling and cold as the ocean? The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.
As an early winter slices through the old city of Hereford, a body is found in the River Wye, an ancient church is descrated, and there are even indications of evil in Hereford Cathedral itself, where the tomb of St. Thomas Cantilupe lies in fragments.
A new Dido Twite adventure, tenth in the Wolves of Willoughby Chase series. 9 yrs+
So the shortest day came, and the year died... As the sun set on the shortest day of the year, early people would gather to prepare for the long night ahead. They built fires and lit candles. They played music, bringing their own light to the darkness, while wondering if the sun would ever rise again... Written for a theatrical production that has become a ritual in itself, Susan Cooper's poem The Shortest Day captures the magic behind the returning of the light, the yearning for traditions that connect us with generations that have gone before - and the hope for peace that we carry into the future. Richly illuminated by Carson Ellis, this beautiful book evokes the joy and community found in the ongoing mystery of life when we celebrate light, thankfulness, and festivity at a time of rebirth. Welcome Yule!
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.