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A guided tour of one of the Midwest’s most vibrant subcultures, one DIY ramp at a time. The American Midwest may not have a reputation as the nation’s skating mecca, but maybe it should. In Midwest Shreds, Mandy Shunnarah travels around the region for a deep dive into its skating culture, detailing the activity’s long, storied history there and the large and diverse skating community that calls the Midwest home today. Here, you’ll learn how skating has become a form of mutual aid in Iowa, follow hard-core street skaters as they vie to become King of Cleveland, experience the transcendence of skating in a converted St. Louis cathedral, meet the anarchists who’ve built their own skate paradise, cinder block by cinder block, in southern Ohio, and encounter skaters from Des Moines, Madison, Chicago, West Lafayette, Detroit, and other corners of the Midwest. With writing that revels in the crunching scrape of hard wheels, the joy of nailing a trick for the first time, and the grit required to fall and get back up again, Midwest Shreds illuminates a small corner of Midwest life and offers a portrait of the rich cultural history and diversity that makes the region what it is today.
A photographic celebration of the love and relationships of queer people of color by a former New York Times multimedia journalist “Thank you, Jamal Jordan, for showing the world what true love looks like.”—Billy Porter Queer Love in Color features photographs and stories of couples and families across the United States and around the world. This singular, moving collection offers an intimate look at what it means to live at the intersections of queer and POC identities today, and honors an inclusive vision of love, affection, and family across the spectrum of gender, race, and age.
No Ruined Stone is a verse sequence rooted in the life of 18th-century Scottish poet Robert Burns. In 1786, Burns arranged to migrate to Jamaica to work on a slave plantation, a plan he ultimately abandoned. Voiced by a fictive Burns and his fictional granddaughter, a "mulatta" passing for white, the book asks: what would have happened had he gone?
A colorful and elegiac coming-of-age story that announces Scott McClanahan as a resounding, lasting talent.
TKO Studios Presents "Brood X" With the Red Scare on the rise and a looming fear of nuclear war gripping the nation, seven laborers gather under the smoldering heat of an Indiana summer to begin a curious project: constructing a bomb shelter in the middle of nowhere. But when the emergence of a once-in-a-century cicada swarm ushers in a series of increasingly unlikely accidental deaths on the site, the survivors start eying each other with more than just suspicion. And with good reason. One of them has heard the cicadas' maddening song before. A nail-biting murder mystery unlike any other that will leave you guessing until the very last page. By best-selling author Joshua Dysart with illustrations by internationally-renowned artist M.K. Perker.
A rare collection of 90 antique Amish quilts for children is show-cased in this brilliantly colorful volume. Few antique Amish crib quilts remain because they were put to hard use in large families which typically averaged seven children. But Sara Miller of Kalona, Iowa, herself a member of the Old Order Amish, began building a collection of lovely antique crib quilts which she learned about as the proprietor of a fabric and quilt shop. Thus began an unusual odyssey -- Sara, who once disparaged the quilting tradition of her heritage, thinking it dull and drab, began to see its graphic beauty when outsiders became intent on owning Amish quilts. The richly colorful quilts featured here come from Amish communities through the Midwestern United States. In addition to 90 full-color plates of the exquisite quilts is interpretive commentary and documentation, plus three essays elaborating on the significance of the collection. Author Janneken Smucker descends from a line of quilters in the Amish-Mennonite community of Goshen, IN; Dr. Patricia Cox Crews is Director of the International Quilt Study Center in Lincoln, NE; Dr. Linda Welters is Professor of Textiles at the University of Rhode Island. Amish Crib Quilts from the Midwest: The Sara Miller Collection is an unusual feast visually. The analyses that accompany the boldly beautiful images contribute scholarship to this intersection of art and the life of the Amish.
TKO Studios presents "GRAVENEYE" by acclaimed author Sloane Leong (A Map to the Sun, Prism Stalker) and renowned artist Anna Bowles in her debut graphic novel deliver a dark and beautiful tale of hunger and obsession. Isla’s house has seen its share of blood, horror, and the depths of the human soul. Cursed with sentience, it is destined to observe the horrors that lurk inside each and every one of us. Acclaimed author Sloane Leong (A MAP TO THE SUN, PRISM STALKER) and artist Anna Bowles in her debut graphic novel, deliver a dark and beautiful tale that asks the question: What if a haunted house was not the horror -- but the people who dwell within it…
ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR NAMED ONE OF THE 50 BEST MEMOIRS OF THE PAST 50 YEARS BY THE NEW YORK TIMES SELECTED AS A BEST BOOK OF THE YEAR BY: The Washington Post * Elle * NPR * New York Magazine * Boston Globe * Nylon * Slate * The Cut * The New Yorker * Chicago Tribune WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOR “Affectionate and very funny . . . wonderfully grounded and authentic. This book proves Lockwood to be a formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review From Booker Prize finalist Patricia Lockwood, author of the novel No One Is Talking About This, a vivid, heartbreakingly funny memoir about balancing identity with family and tradition. Father Greg Lockwood is unlike any Catholic priest you have ever met—a man who lounges in boxer shorts, loves action movies, and whose constant jamming on the guitar reverberates “like a whole band dying in a plane crash in 1972.” His daughter is an irreverent poet who long ago left the Church’s country. When an unexpected crisis leads her and her husband to move back into her parents’ rectory, their two worlds collide. In Priestdaddy, Lockwood interweaves emblematic moments from her childhood and adolescence—from an ill-fated family hunting trip and an abortion clinic sit-in where her father was arrested to her involvement in a cultlike Catholic youth group—with scenes that chronicle the eight-month adventure she and her husband had in her parents’ household after a decade of living on their own. Lockwood details her education of a seminarian who is also living at the rectory, tries to explain Catholicism to her husband, who is mystified by its bloodthirstiness and arcane laws, and encounters a mysterious substance on a hotel bed with her mother. Lockwood pivots from the raunchy to the sublime, from the comic to the deeply serious, exploring issues of belief, belonging, and personhood. Priestdaddy is an entertaining, unforgettable portrait of a deeply odd religious upbringing, and how one balances a hard-won identity with the weight of family and tradition.
Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? Who’s Black, who’s not, and who cares? In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later? One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.
As the Middle East peace process disintegrates and the second Palestinian Intifada begins, Wendy Pearlman, a young Jewish woman from the American Midwest travels to the West Bank and Gaza Strip in a quest to talk to ordinary Palestinians. A remarkable narrative emerges from her conversations with doctors, artists, school kids, and families who have lost loved ones or watched their homes destroyed. Their stories, ranging from the humorous to the tragic, paint a profile of the Palestinians that is as honest as it is uncommon in the Western media: that of ordinary people who simply want to live ordinary lives. As Pearlman writes, "the personal stories and heartfelt reflections that I encountered did not expose a hatred of Jews or a yearning to push Israelis into the sea. Rather, they painted a portrait of a people who longed for precisely that which had inspired the first Israelis: the chance to be citizens in a country of their own."