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The Concise New Partridge Dictionary of Slang and Unconventional English presents all the slang terms from The New Partridge Dictionary of Slang and Unconventional English in a single volume. Containing over 60,000 entries, this concise new edition of the authoritative work details the slang and unconventional English of from around the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge’s own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning. New to this second edition: a new preface noting slang trends of the last eight years over 1,000 new entries from the US, UK and Australia, reflecting important developments in language and culture new terms from the language of social networking from a range of digital communities including texting, blogs, Facebook, Twitter and online forums many entries now revised to include new dating and new glosses, ensuring maximum accuracy of content. The Concise New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.
Reviews of the two-volume New Partridge Dictionary of Slang and Unconventional English, 2005: The king is dead. Long live the king! The old Partridge is not really dead; it remains the best record of British slang antedating 1945 Now, however, the preferred source for information about English slang of the past 60 years is the New Partridge. James Rettig, Booklist, American Library Association Most slang dictionaries are no better than momgrams or a rub of the brush, put together by shmegegges looking to make some moola. The New Partridge Dictionary of Slang and Unconventional English, on the other hand, is the wee babes. Ian Sansom, The Guardian The Concise New Partridge presents, for the first time, all the slang terms from the New Partridge Dictionary of Slang and Unconventional English in a single volume. With over 60,000 entries from around the English-speaking world, the Concise gives you the language of beats, hipsters, Teddy Boys, mods and rockers, hippies, pimps, druggies, whores, punks, skinheads, ravers, surfers, Valley girls, dudes, pill-popping truck drivers, hackers, rappers and more. The Concise New Partridge is a spectacular resource infused with humour and learning its rude, its delightful, and its a prize for anyone with a love of language.
In his own words, Bret Hart’s honest, perceptive, startling account of his life in and out of the pro wrestling ring. The sixth-born son of the pro wrestling dynasty founded by Stu Hart and his elegant wife, Helen, Bret Hart is a Canadian icon. As a teenager, he could have been an amateur wrestling Olympic contender, but instead he turned to the family business, climbing into the ring for his dad’s western circuit, Stampede Wrestling. From his early twenties until he retired at 43, Hart kept an audio diary, recording stories of the wrestling life, the relentless travel, the practical jokes, the sex and drugs, and the real rivalries (as opposed to the staged ones). The result is an intimate, no-holds-barred account that will keep readers, not just wrestling fans, riveted. Hart achieved superstardom in pink tights, and won multiple wrestling belts in multiple territories, for both the WWF (now the WWE) and WCW. But he also paid the price in betrayals (most famously by Vince McMahon, a man he had served loyally); in tragic deaths, including the loss of his brother Owen, who died when a stunt went terribly wrong; and in his own massive stroke, most likely resulting from a concussion he received in the ring, and from which, with the spirit of a true champion, he has battled back. Widely considered by his peers as one of the business’s best technicians and workers, Hart describes pro wrestling as part dancing, part acting, and part dangerous physical pursuit. He is proud that in all his years in the ring he never seriously hurt a single wrestler, yet did his utmost to deliver to his fans an experience as credible as it was exciting. He also records the incredible toll the business takes on its workhorses: he estimates that twenty or more of the wrestlers he was regularly matched with have died young, weakened by their own coping mechanisms, namely drugs, alcohol, and steroids. That toll included his own brother-in-law, Davey Boy Smith. No one has ever written about wrestling like Bret Hart. No one has ever lived a life like Bret Hart’s. For as long as I can remember, my world was filled with liars and bullshitters, losers and pretenders, but I also saw the good side of pro wrestling. To me there is something bordering on beautiful about a brotherhood of big tough men who pretended to hurt one another for a living instead of actually doing it. Any idiot can hurt someone. —from Hitman
Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).
With endless wealth comes irresistible temptation . . . It's an undisputed fact that Nash Beaumont is the hottest of the Beaumont brothers. His slow, sensual smile charms every French Kiss employee-and tempts every woman to buy the company's lingerie. But beneath Nash's raw charisma is a dark, kinky side that he struggles to control . . . a side that may be exposed by one lovely-and unexpectedly adventurous woman. Reporter Eden Huckabee needs a story. And when she discovers Nash's dirty little secret, she thinks she's found it. But Eden doesn't count on Nash turning the tables on her-or that she will fall so deeply for this unbelievably sexy, one-in-a-billion Beaumont.
Are you a bit of a chairwarmer? Do you use the wins from a country straight to get scudded on snakebite in a blind tiger? Do you ride the waves on puddle or death drop? Vice Slang gently eases you into the language of gambling, drugs and alcohol, providing you with 3,000 words to establish yourself firmly in the world of corruption and wickedness. All words are illustrated by a reference from a variety of sources to prove their existence in alleys and dives throughout the English speaking world. This entertaining book will give you hours of reading pleasure.
Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.
Frank Bones is a self-destructive, take-no-prisoners, bad boy comic at the bottom rung. Lloyd Melnick is a long-lost acquaintance whose work on the smash hit The Fleishman Show has made him the hottest comedy writer in town. When their worlds collide the consequences involve a crashed Hummer, corrupt police officers, enraged ex-husbands, sultry bartenders, and high-speed chases to Mexico and back. A brilliant satire, The Bones is a stunning debut that reveals, in all its hilarity and ache, the dark heart of comedy. Seth Greenland is an award-winning playwright. He has written extensively for film and television. A longtime New Yorker, he lives in Los Angeles with his wife and two children. "Who is Seth Greenland and how did he get into my house and gain access to the most secret and disturbed places of my brain? He cuts so close to the bone he whittles it into a fine powder that gets into the clothes you wear and the air you breathe. The Bones is a tour de force, and I rarely use French phrases."-Larry David, creator of Curb Your Enthusiasm "Greenland shows himself a worthy successor to such past masters of the Hollywood novel as Nathaniel West and Budd Shulberg."-Los Angeles Times "Savagely funny...one of the most perceptive and flat-out hilarious novels about the city's brutal Darwinism, a book that makes you cringe through your laughter-induced tears."-San Francisco Chronicle "A pitch-perfect sendup of Hollywood's endemic self-importance...Greenland keeps his foot firmly on the gas and the book's pace is fast, furious and fun."-Publishers Weekly (starred review)
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Returning to a favourite Northwest Territories setting, Richard Van Camp brings his exuberant style to a captivating teen novel that blends the supernatural with 1980s-era nostalgia to reflect on friendship, tradition and forgiveness. For as long as Lawson can remember, his life in a small Northwest Territories town has revolved around “the Treaty” between the Dogrib and the Chipewyan, set down centuries ago to prevent the return of bloody warfare between the two peoples. On the Dogrib side, Lawson and his family have done their best to keep the pact alive with the neighbouring Cranes, a family with ancestral ties to a revered Chipewyan war chief. But even as Lawson and his father dutifully tidy the Cranes’ property as an act of respect, their counterparts offer little more than scowls and derision in return, despite the fact that both families are responsible for protecting the treaty. Worse still, it seems that one of the Cranes’ boys is doing all he can to revive the old conflict: Silver, fresh out of jail, has placed himself in the service of a cruel, ghoulish spirit bent on destroying the peace. Now it's up to Isaiah Valentine, a Cree Grass Dancer, Shari Burns, a Metis psychic, and Lawson Sauron, a Dogrib Yabati—or protector—to face what Silver Cranes has called back. This latest feat of storytelling magic by celebrated author Richard Van Camp blends sharply observed realism and hair-raising horror as it plays out against a 1980s-era backdrop replete with Platinum Blonde songs and episodes of Degrassi Junior High. Unfolding in the fictional town of Fort Simmer—the setting of previous Van Camp stories—Beast delivers a gripping, spirited tale that pits the powers of tradition against the pull of a vengeful past.