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The Photographic Experience deals with episodes and issues relating to the spread and practice of photography from its beginnings to World War I. Bridget and Heinz Henisch concern themselves with the reception accorded to the new art by professionals, amateurs, and the general public. They examine reactions to the new invention in the press, literature, poetry, music, and fashion; the response of intellectuals and painters; and the beliefs held by prominent photographers concerning the nature of the medium and its mission. With a wide array of images - many never before published - they illustrate the photograph's use as a record of public and private moments in life.
Excerpt from Midnight Scenes and Social Photographs: Being Sketches of Life in the Streets, Wynds, and Dens of the City The writer of the following Sketches does not wish the reader to imagine that their appearance arises from any supposed literary excellence, but rather because it is presumed they will be found to contain facts and observations not without value on a subject of great and increasing interest, viz., the condition of the poor, and the classes generally inhabiting the lower depths of society. Should the "Photographs" present a tone painfully dark and gloomy, it will be remembered that most of them have been taken by moonlight, from the "night side" of the city. They are not creations of the brain, but so far as the writer's knowledge of the art extends - they are truthful. Highly-wrought pictures, and more exciting incidents, gathered from the experience of a week, month, or year, might have been produced; but as they occurred, so have they been given. With many imperfections, of which no one can be more sensible than the writer, he commits his sketches to the public, hoping they may be the means of deepening the already deep interest felt in the subject of "Life in the Streets, Wynds, and Dens of the City." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Blaikie explores how our different ways of seeing influence the relationship between place and belonging. He argues that our memories, however brief or complex, invoke imagined pasts. But do our recollections share a common frame of reference? Blaikie's c
This is the second volume of a three-volume study of Scottish social change and development from the eighteenth century to the present day, originally published by John Donald in association with the Economic and Social History Society of Scotland. The series covers the history of industrialisation and urbanisation in Scottish society and records many experiences which Scotland shared in common with other societies, looking at the impact of those changes throughout the spectrum of society from croft, bothy and hunting lodge to mines, foundries and urban poor houses. The series is intended to illustrate the identity and distinctiveness of Scotland through its separate institutions and through areas such as language, law and religion and recognises Scotland as a multi-cultured society, the highland and lowland cultures being only two among several.
Taking the form of two companion volumes, Police Courts in Nineteenth-Century Scotland represents the first major investigation into the administration, experience, impact and representation of summary justice in Scottish towns, c.1800 to 1892. Each volume explores diverse, but complementary, themes relating to judicial practices, relationships, experiences and discourses through the lens of the same subject matter: the police court. Volume 1, with the subtitle Magistrates, Media and the Masses, provides an institutional, social and cultural history of the establishment, development and practice of police courts. It explores their rise, purpose and internal workings, and how justice was administered and experienced by those who attended them in a variety of roles. Special attention is given to examining how courtroom discourse was represented in print culture, the role of the media in providing a discursive commentary on summary justice, and the ways in which magistrates and the police engaged in a law and order dialogue with the press. Throughout, consideration is given to uncovering the relationship between magistrates, the courts, the police and the wider community, and to charting the implications of the rise of summary justice and the ’police-man’ state for the urban masses (as evidenced through prosecution, conviction and punishment patterns). Volume 2, with the subtitle Boundaries, Behaviours and Bodies, explores, through themed case studies, how police courts shaped conceptual, spatial, temporal and commercial boundaries by regulating every-day activities, pastimes and cultures.