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In Wall Street Journal bestselling author Melinda Leigh's edgy new thriller, Louisa Hancock thought she was safe...but there's a new killer in town. When a mysterious package lands on Louisa Hancock's doorstep, the Philadelphia museum curator can hardly anticipate the nightmare that's about to envelop her. The package is addressed to her father--an expert in Viking culture--and inside is a ninth-century sword, a chilling thank-you note, and photos of two dead bodies in a tableau evoking a Nordic funeral. The gruesome images match a recent crime scene. But before the police can investigate the killer's connection to Louisa's father, Ward Hancock vanishes. Sports bar owner Conor Sullivan wants nothing more than to spend his life with Louisa. Devoted and protective, he refuses to leave her side after her father's disappearance. When a troubled young boxer he's been coaching is suspected of the murders, Conor is pulled in even deeper. Desperate, Louisa and Conor take it upon themselves to find her father, but soon another ritualistic slaying makes it clear there's a Viking-obsessed serial killer on the loose. And he has a new target: Louisa.
Tabloid photographer Jayne Sullivan and detective-turned-handyman Reed Kimball join forces after two hikers disappear from their Maine hometown.
Midnight Obsession by Elaine K. Stirling released on Dec 25, 1985 is available now for purchase.
Wall Street Journal bestselling author Melinda Leigh returns with a follow-up thriller that USA Today called "an impeccable, unpredictable package of suspense, mystery, romance, and passion." One by one, people are mysteriously disappearing from a small Maine town. Four months ago, a ruthless murderer killed two people and kidnapped three more, including Danny Sullivan's sister, who barely escaped. Unfortunately so did the killer, vanishing without a trace into the vast wilderness. When the police fail to find his sister's captor, Danny returns to Maine to hunt him down. He begins his search with another survivor, bed and breakfast owner Mandy Brown, but her refusal to cooperate raises Danny's suspicions. What is the beautiful innkeeper hiding? Mandy Brown has a secret. But sexy Danny Sullivan, his relentless questions, and the feelings that grow between them threaten to expose the truth. A revelation that puts her family in danger. As more people disappear, it becomes clear the killer is planning another ritual...and that he's circling in on Mandy.
Traveling to a secluded farm to meet a man no one has laid eyes on sounded like the start of a bad murder mystery. And yet that’s just what she does. Taylor Scott has finally landed the story that could make her career. Only it comes with a catch. For this story, she has to travel to a farm in Maine to spend time with her subject. It’s the only way the reclusive mystery writer Jonathan Wade will agree to revealing his identity to the public. Even if this is what she needs to launch her career, Taylor has her reservations about the assignment, and who could blame her, given the circumstances? Mike Greene is the man behind the scenes of Jonathan Wade. And though she may not know it, he was instrumental in making sure that Taylor landed the story that would reveal Wade’s true identity. When she arrives at the farm, Taylor is surprised to find Mike, but the two quickly reconnect and an old friendship quickly turns into romance. And the more time they spend together, the less the Jonathan Wade story seems to matter. As lines get blurred and signals get crossed, Taylor will have to make the most important decision of her life: write the story that will make her career or stop the story from ever being printed, all in the name of love. **This book was previously published in 2014 and 2018**
In Urban Horror Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal post-socialist China. Drawing on Marxist phenomenology, geography, and aesthetics from Engels and Merleau-Ponty to Lefebvre and Rancière, Huang traces the emergence and mediation of what she calls urban horror—a sociopolitical public affect that exceeds comprehension and provides the grounds for possible future revolutionary dissent. She shows how documentaries, blockbuster feature films, and video art from China, Hong Kong, and Taiwan made between the 1990s and the present rehearse and communicate urban horror. In these films urban horror circulates through myriad urban spaces characterized by the creation of speculative crises, shifting temporalities, and dystopic environments inhospitable to the human body. The cinematic image and the aesthetics of urban horror in neoliberal post-socialist China lay the groundwork for the future to such an extent, Huang contends, that the seeds of dissent at the heart of urban horror make it possible to imagine new forms of resistance.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
In the early morning of May 2, 1981, Danny Hansford was shot dead by James Williams with a World War II vintage Luger in a historic Savannah mansion. For the next eight-and-a-half years, through four murder trials and intrigue which reached the highest levels of Georgia politics—including a former governor and the Georgia Supreme Court—lawyers battled over whether the 50-year-old Williams shot the 21-year-old Hansford in self-defense. The case inspired a best-selling book and a movie directed by Clint Eastwood. Written by Dep Kirkland, who arrived at the scene when Hansford’s body was still on the floor, Lawyer Games is the true story of this remarkable case. Kirkland, the Chief Assistant DA at the time, made the decision to arrest Williams and tried the first of four murder trials alongside the district attorney. His firsthand knowledge allows him not only to deeply analyze the murder case but also to expose the legal mischief spawned when a defendant facing unshakable physical evidence possesses almost unlimited funds. True crime aficionados will be drawn to the two stories told in the book: The riveting story of the case, its evidence (including facts never heard in the courtroom), trials and results, and the incredible eight-year campaign to beat a murder rap no matter what, with a look behind the curtain at a darker side of the American criminal justice system.
Is there anything that can match the pure pleasure of sitting at a café watching life go by? Assuming you have a cup of coffee in hand, that is! Coffee, that lovely elixir of life, has provided stimulation, solace, and socialization around the world for centuries. Part coffee-lover’s diary, part travelogue, always engaging, informative and insightful, One Cup at a Time is the tale of a woman’s quest for love and happiness...and coffee. When work brought Debra-Lynn Bellefeuille to London, England, travel delivered new cultural adventures and life supplied plenty of ups and downs. Coffee became her therapy and a way of discovering herself: a sort of kick-starting, uplifting antidote to regrets. She has scouted out the best coffee shops, met fellow coffee aficionados, researched myth, fact, and fiction, participated in ancient coffee rituals, tasted the most expensive coffee in the world, and travelled to Marrakesh and beyond in search of the best coffee experiences, always sharing her love of coffee with others. She found her greatest pleasure in sitting at a coffee shop, savouring the taste and observing others—watching life go by, one cup at a time.
In this critically acclaimed and bestselling novel, Ronald Wright has fashioned a story for our times, an unforgettable chronicle of love, plague and time travel in the tradition of Nineteen Eighty-Four and The Handmaid's Tale.