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Midnight in the Kant Hotel is an absorbing account of contemporary art, composed over twenty years. The essays revisit the same artists as they develop, following them in time, changing perspectives as he, and they, develop. Mengham is a significant curator, organising exhibitions: 'There is no more productive engagement with someone else's artworks than finding the right way to show it, since artworks are always direct statements or questions about articulations of space, and the curator's job obviously is to enhance such questions and statements.' This discipline gives the writer a series of uniquely privileged perspectives, touching, lifting, moving and re-moving the objects: 'nothing compares to living with art'. The book opens with themes: what is domestic space? what does the atrocity exhibition tell us? what is the refugee aesthetic? Essays on particular artists follow, including Marc Atkins, Stephen Chambers, Jake and Dinos Chapman, Tony Cragg, Antony Gormley, Damien Hirst, Ilya and Emilia Kabakov, Anselm Kiefer, Laura Owens, Doris Salcedo, Agnes Thurnauer, Koen Vanmechelen and Alison Wilding. Always, he is in dialogue with the work, rather than with the artist.
Lonely Planet: The world's leading travel guide publisher Lonely Planet Europe is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Enjoy the breath-taking views of Paris' Eiffel Tower, eat pizza in one of Rome's lively piazzas, or watch a magical sunset on the Greek Island of Santorini; all with your trusted travel companion. Get to the heart of Europe and begin your journey now! Inside Lonely Planet Europe Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - including history, art, literature, cinema, music, architecture, landscapes, wildlife, cuisine, wine, customs Covers Austria, Britain, France, Germany, Greece, Ireland, Italy, Netherlands, Portugal, Spain, Switzerland, Albania, Bulgaria, Croatia, Czech Republic, Hungary, Montenegro, Poland, Romania, Russia and more. eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Europe, our most comprehensive guide to Europe, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travelers. You’ll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
From the #1 New York Times bestselling author of Cockroaches, a “forcefully written story of personal defeat, despair, and salvation” (The New York Times Book Review) about a man with one small problem—his former boss, Oslo's most notorious drug kingpin, wants him dead. "A fun read, with a likable protagonist and a brisk, page-turning pace." —Los Angeles Times Ulf was once the kingpin's fixer, but after betraying him, Ulf is now the one his former boss wants fixed. Hiding out at the end of the line in northern Norway, Ulf lives among the locals. A mother and son befriend him, and their companionship stirs something deep in him that he thought was long dead. As he awaits the inevitable arrival of his murderous pursuers, he questions if redemption is at all possible or if, as he's always believed, “hope is a real bastard.”
Shortlisted for the Derek Walcott Prize for Poetry 2022 Carola Luther's new book On the Way to Jerusalem Farm explores the complexities of living in a damaged world. How, it asks, does such a world live in us, and we in it? At the centre of the collection are three sequences, 'Letters to Rasool', 'Birthday at Emily Court' and 'The Escape'. On the Way to Jerusalem Farm moves through the world, seeking and finding not answers, but sometimes, a means of continuing. The speaker in 'Letters to Rasool' travels onward through scarred and depleted landscapes, and searches for a lost beloved. The ageing residents of Emily Court celebrate a birthday and dance. Spring of a kind still comes. And in 'The Escape' there are colours to be found in the distant sea: 'A whole translucent geology, / cross-sections of light and water'. Poetry for Luther is a way of finding a way, of making connections and sharing our complex lives in an interdependent present. The roles of lover and beloved become – almost – interchangeable in these richly visualised poems.
This is it. This is everything Garth Nickels has worked for since landing on Hospitalis. The Box is ... The Box is within his grasp at long last. Gametime, the penultimate showdown between champions looms in the distance. There's just a few problems. Of course there are problems. Naoko Kamagana has been kidnapped by Jordan Bishop and cannot be found. Chadsik al-Taryin has decided to forego all artistic sentiment in favor of murdering Garth Nickels so he can return to Ground Zero, his happy, twisted home of fiends and the fiendish. Kant Ingrams has landed on Hospitalis to discharge his duty to Trinity Itself and is ... is not right. Griffin Jones, Enforcer and Kin'kithal Warrior is desperate to free himself from Trinity's embrace and is willing to do anything to be the one at the top of the heap. Sa Gurant, last Game's victor is ... different. More. Deadlier and infinitely more dangerous than anything in the known Universe. Chairwoman Alyssa Doans has lost her mind and will do whatever it takes to ensure that Garth 'Nickels' N'Chalez doesn't make it out of the ring alive, up to and including dropping missiles on Port City. The beings seeking to attend to Garth Nickels arrive at Hospitalis, bringing with them myths and legends. But ... but that ain't a lot for a guy like Garth to handle, is it? There's just one problem. Garth is powerless. The events of The Museum and Bravo's interference have rendered him virtually human and our faithful hero takes steps to ensure that he survives to enter that most ancient vessel, to find out why he and his slept thirty thousand years. What answers lie inside Bravo? What reasons could push a man to catapult himself thirty thousand years into the future? Only time, perseverance and a whole lotta luck and help from long-missing friends will see Garth 'Nickels' N'Chalez through to the end!