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Travels with NPR host David Greene along the Trans-Siberian Railroad capture an overlooked, idiosyncratic Russia in the age of Putin. Far away from the trendy cafés, designer boutiques, and political protests and crackdowns in Moscow, the real Russia exists. Midnight in Siberia chronicles David Greene’s journey on the Trans-Siberian Railway, a 6,000-mile cross-country trip from Moscow to the Pacific port of Vladivostok. In quadruple-bunked cabins and stopover towns sprinkled across the country’s snowy landscape, Greene speaks with ordinary Russians about how their lives have changed in the post-Soviet years. These travels offer a glimpse of the new Russia—a nation that boasts open elections and newfound prosperity but continues to endure oppression, corruption, a dwindling population, and stark inequality. We follow Greene as he finds opportunity and hardship embodied in his fellow train travelers and in conversations with residents of towns throughout Siberia. We meet Nadezhda, an entrepreneur who runs a small hotel in Ishim, fighting through corrupt layers of bureaucracy every day. Greene spends a joyous evening with a group of babushkas who made international headlines as runners-up at the Eurovision singing competition. They sing Beatles covers, alongside their traditional songs, finding that music and companionship can heal wounds from the past. In Novosibirsk, Greene has tea with Alexei, who runs the carpet company his mother began after the Soviet collapse and has mixed feelings about a government in which his family has done quite well. And in Chelyabinsk, a hunt for space debris after a meteorite landing leads Greene to a young man orphaned as a teenager, forced into military service, and now figuring out if any of his dreams are possible. Midnight in Siberia is a lively travel narrative filled with humor, adventure, and insight. It opens a window onto that country’s complicated relationship with democracy and offers a rare look into the soul of twenty-first-century Russia.
Travels with NPR host David Greene along the Trans-Siberian Railroad capture an overlooked, idiosyncratic Russia in the age of Putin. Far away from the trendy cafés, designer boutiques, and political protests and crackdowns in Moscow, the real Russia exists. Midnight in Siberia chronicles David Greene’s journey on the Trans-Siberian Railway, a 6,000-mile cross-country trip from Moscow to the Pacific port of Vladivostok. In quadruple-bunked cabins and stopover towns sprinkled across the country’s snowy landscape, Greene speaks with ordinary Russians about how their lives have changed in the post-Soviet years. These travels offer a glimpse of the new Russia—a nation that boasts open elections and newfound prosperity but continues to endure oppression, corruption, a dwindling population, and stark inequality. We follow Greene as he finds opportunity and hardship embodied in his fellow train travelers and in conversations with residents of towns throughout Siberia. We meet Nadezhda, an entrepreneur who runs a small hotel in Ishim, fighting through corrupt layers of bureaucracy every day. Greene spends a joyous evening with a group of babushkas who made international headlines as runners-up at the Eurovision singing competition. They sing Beatles covers, alongside their traditional songs, finding that music and companionship can heal wounds from the past. In Novosibirsk, Greene has tea with Alexei, who runs the carpet company his mother began after the Soviet collapse and has mixed feelings about a government in which his family has done quite well. And in Chelyabinsk, a hunt for space debris after a meteorite landing leads Greene to a young man orphaned as a teenager, forced into military service, and now figuring out if any of his dreams are possible. Midnight in Siberia is a lively travel narrative filled with humor, adventure, and insight. It opens a window onto that country’s complicated relationship with democracy and offers a rare look into the soul of twenty-first-century Russia.
One freezing February night in 1940, fifteen-year-old Alicja Radomski, her parents and younger sister and brother were dragged from their home and forced to board a cattle train to be transported over a thousand miles to the wastes of Siberia. They were just one of many thousands of Polish families sent to labour camps by Stalin and his thugs after the Soviets seized their country at the outbreak of World War II. They became ‘non-persons’, forced to work from dawn to dusk in freezing conditions on rations scarcely fit for a rat. Ultimately, the Radomskis were among the lucky ones – they managed to survive their ordeal, to return to Europe and find new homes eventually in post-war England, where Alicja married a British serviceman and the family found peace and security. Alicja, now 89, has now told her shocking, heart-rending story with the help of her daughter Teresa.
"Portrait of the mid-size city of Chelyabinsk and how it is faring in the new Russia"--
In a custom-built boat, Jeffrey Tayler traveled some 2,400 miles down the Lena River, from near Lake Baikal to high above the Arctic Circle, re-creating a journey first made by Cossack forces more than three hundred years ago. He was searching for primeval beauty and a respite from the corruption, violence, and self-destructive urges that typify modern Russian culture. His only companion on this hellish journey detests all humanity, including Tayler. Vadim, Tayler's guide, is a burly Soviet army veteran whose superb skills Tayler needs to survive. As the two navigate roiling white water in howling storms, they eschew lifejackets because the frigid water would kill them before they could swim to shore. Though Tayler has trekked by camel through the Sahara and canoed down the Congo during the revolt against Mobutu, he has never felt as threatened as he does on this trip.
What makes a nation happy? Is one country's sense of happiness the same as another's? In the last two decades, psychologists and economists have learned a lot about who's happy and who isn't. The Dutch are, the Romanians aren't, and Americans are somewhere in between... After years of going to the world's least happy countries, Eric Weiner, a veteran foreign correspondent, decided to travel and evaluate each country's different sense of happiness and discover the nation that seemed happiest of all. ·He discovers the relationship between money and happiness in tiny and extremely wealthy Qatar (and it's not a good one) ·He goes to Thailand, and finds that not thinking is a contented way of life. ·He goes to the tiny Himalayan kingdom of Bhutan, and discovers they have an official policy of Gross National Happiness! ·He asks himself why the British don't do happiness? In Weiner's quest to find the world's happiest places, he eats rotten Icelandic shark, meditates in Bangalore, visits strip clubs in Bangkok and drinks himself into a stupor in Reykjavik. Full of inspired moments, The Geography of Bliss accomplishes a feat few travel books dare and even fewer achieve: to make you happier.
"Russian Life To-Day" is a book written by Herbert Bury. Published in 1915, the book likely provides insights into various aspects of life in Russia during that period, especially during the turbulent times leading up to World War I and the Russian Revolution. Herbert Bury, an author and journalist, would likely have offered observations on Russian society, politics, culture, and daily life. Given the historical context, the book might discuss the challenges faced by Russia during a period of significant political and social change. For readers interested in Russian history, particularly the pre-revolutionary era, "Russian Life To-Day" by Herbert Bury could serve as a valuable resource offering a contemporary perspective on the country during a crucial juncture in its history.
A young British -Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her: mother, grandmother, and aunt. During her trips to Brazil, sometimes alone, often with family, our narrator accesses a different side of herself that is as much of who she is as anything else. -- adapted from back cover
A compelling memoir—"hilarious and heartbreaking" (The New York Times)—of two intertwined journeys: a Jewish refugee family in Ukraine fleeing persecution and a young man seeking to reclaim a shattered past In the twilight of the Cold War (the late 1980s), nine-year old Lev Golinkin and his family cross the Soviet border, leaving Ukraine with only ten suitcases, $600, and the vague promise of help awaiting in Vienna. Years later, Lev, now an American adult, sets out to retrace his family's long trek, locate the strangers who fought for his freedom, and in the process, gain a future by understanding his past. This is the vivid, darkly comic, and poignant story of Lev Golinkin in the confusing and often chilling final decade of the Soviet Union, and "of a Jewish family’s escape from oppression ... whose drama, hope and heartache Mr. Golinkin captures brilliantly” (The New York Times). It's also the story of Lev Golinkin as an American man who finally confronts his buried past by returning to Austria and Eastern Europe to track down the strangers who made his escape possible ... and say thank you. Written with biting, acerbic wit and emotional honesty in the vein of Gary Shteyngart, Jonathan Safran Foer, and David Bezmozgis, Golinkin's search for personal identity set against the relentless currents of history is more than a memoir—it's a portrait of a lost era. This is a thrilling tale of escape and survival, a deeply personal look at the life of a Jewish child caught in the last gasp of the Soviet Union, and a provocative investigation into the power of hatred and the search for belonging. Lev Golinkin achieves an amazing feat—and it marks the debut of a fiercely intelligent, defiant, and unforgettable new voice.
The Iron Scar is both a literal journey by a father and son on the longest railway journey in the world, and a metaphoric pilgrimage of not just the author and his adult son, but all of us.