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Ghosts walk at night, when they can be seen against the darkness, ghosts haunt houses, deserted crossroads, silenced cars... ghosts can be anywhere, any place around midnight. Ghost stories are always a challenge and the Thirteen authors met that challenge superbly in this varied and fascinating collection of ghost stories. Enjoy - in the daylight.
This series is designed to encourage independent reading and covers a range of subject matter, including the retelling of children's classics, fairytales and a wide variety of narrative non-fiction.
When Scott , Jack and Emily hear that a film is being made at the nearby manor house they can't resist going to watch. But when the glamorous star of the film vanishes the friends realize they have a new mystery to solve! Has the star been kidnapped by a crazed fan? Could she have run off with her boyfriend? Or did she venture into the manor's attic at midnight and fall foul of the legendary ghost that haunts the old house? The second gripping mystery in this exciting new adventure series!
Four friends set off in search of treasure after discovering an old map in the attic and end up finding adventure as they follow the map's path through a local haunted house. Andrew and his three best friends, Michael, Daniel, and William, live in the sleepy California town of Telane, a place where nothing interesting ever happens. Once upon a time, Telane was an exciting place-a Gold Rush boomtown. Now, the boys' families struggle to make ends meet. When Andrew and Michael find an old map in Michael's attic, the four boys embark on a treasure hunt. They're looking for fun, but they're also hopeful. What if the map is real? A long hidden stash of gold could solve all their problems. Their first stop: an abandoned mansion that's supposed to be haunted. As they venture deeper into the mansion and the mystery, they realize they're not the only ones on the hunt. They have followers-some friendly, some dangerous. Tunnels beneath the house lead them to an underground river, and soon they're more concerned with finding their way home than locating treasure. Weird noises, lights, and the sudden appearance of a mysterious guide, all point to one frightening conclusion: the mansion really is haunted! Who, or what, is really lost? The kids or the treasure? And is a heap of hidden gold really worth a bigger heap of danger?
In Italy in 1491, Mangus the magician and his apprentice are summoned to the castle of Duke Claudio to determine if his daughter is indeed being haunted by a ghost.
Midnight. Some call it the witching hour. Others call it the devil's hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you're here in the graveyard, you can tell yourself it's just the wind, that the moonlight is playing tricks on your eyes, that it's only the swirling mist you see. But when you hear the graveyard gate clang shut, the dead have something to say. Here are their stories...
Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.
? Kaci Lee OHH KACI STARZ ONE OF THE GHOSTS PaperDoll Lyric Book II: THE APOCALYPTIC KIDS: Series 1 2019 Kaci Lee OHH KACI STARZ PaperDoll Lyric Studio 1986-2019 PaperDoll Studio Productions Writer/Artist/Author: Kaci Lee @juggalettesx7 #PaperDolllYRIC Featuring Se7en of BrokeNCYDE @7ofbc13 #davidgallegos #kacilee #kacimcmayon
Originally published in 1998 and covering a tradition ignored by most critics, this bibliography assembles and documents a large body of supernatural fiction written by women in English from the end of the 18th century to the present. These stories, the work of women whose literary reputations, personal histories, and bodies of work vary widely, challenge the narrow way in which supernatural literature has traditionally been regarded: they indicate a much richer and more complex set of literary responses to the supernatural than has been hitherto acknowledged. The writers included range from Ann Radcliffe and the Gothic novelists to Louisa May Alcott, Charlotte Gilman, and Edith Wharton to such modern writers as Elizabeth Bowen, Jean Rhys, Muriel Spark, and A.S. Byatt. The volume will be of interest to literary and cultural historians and of particular importance to women's studies scholars.