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Ami Blackwelder is a romantic suspense writer in the YA paranormal, adult scifi and adult historical genres. Sub-genres include thrillers, dystopia, urban, and steampunk. Growing up in Florida, she graduated UCF and in 1997 received her BA in English and additional teaching credentials. Then she packed her bags and travelled overseas to teach in Thailand, Nepal, Tibet, China and Korea. Thailand is considered her second home now. She has always loved writing and wrote poems and short stores since childhood; however, her novels began when she was in Thailand. Having won the Best Fiction Award from the University of Central Florida (Yes, The Blair Witch Project University), her short fiction From Joy We Come, Unto Joy We Return was published in the on campus literary magazine: Cypress Dome and remains to this day in University libraries around the USA. Later, she achieved the semi-finals in a Laurel Hemingway contest and published a few poems in the Thailand's Expat magazine, and an article in the Thailand's People newspaper. Additionally, she has published poetry in the Korea's AIM magazine, the American Poetic Monthly magazine and Twisted Dreams Magazine.http://amiblackwelder.blogspot.com
"Full of action from the very first page." ★★★★★ –Examiner.com Aurora Sky narrowly escapes death only to end up as a vampire hunter with unusual cravings and heightened desires. To protect the people she loves, she will have to make sacrifices, and evade the biggest threat of all . . . a forbidden love. Fast-paced and full of twists, the Aurora Sky series takes an entirely new, sci-fi approach to what it means to be a vampire. AURORA SKY (Volume 1) If there is one thing eighteen-year-old Aurora Sky wants, it's to get off the iceberg she calls home. Then a near-fatal car wreck changes everything. Government agents step in and save Aurora's life in exchange for her services as a vampire hunter. In Alaska. Basically she's a glorified chew toy. All thanks to her rare blood type, which sends a vampire into temporary paralysis right before she has to finish the job . . . by hand. Aurora finds her new life is more dangerous than she ever dreamed, especially when she becomes a target for revenge. Now Aurora's stuck with an overzealous partner, a group of misfit friends, and a maddening attraction to a rebellious man keeping secrets of his own. NORTHERN BITES (Volume 2) Love bites. Probation sucks. Thanks to Dante’s recklessness, Aurora is now partners with Valerie: the redheaded, backstabbing vixen. Dante is in full flirt mode. Fane’s tactics are more ruthless. Something carnal has awakened in Aurora and neither boy is helping tame her cravings. When a member of the unit’s team is found dead, Aurora and Valerie are sent after a vampire in Sitka, but Aurora suspects the killer’s much closer to home. STAKEOUT (Volume 2.5) Noel Harper got a second chance at life when the government recruited her as an undercover vampire informant. Since the day they brought her back from the good-as-dead, she has wanted to prove herself worthy. When a member of her investigative unit is murdered, Noel is paired up with a vampire hunter named Dante to spy on a suspect in Fairbanks. The problem? They're not the only ones on stakeout. Taking down murderous vampires is one thing. Dealing with the past is another. But this time, Noel isn't letting fear win. She's calling in help from the other side and discovers a shocking secret along the way. BAD BLOOD (Volume 3) Aurora returns from boot camp to a new assignment, an unwelcome roommate, and the increasingly amorous attentions of a certain vampire hunter. College is starting, and so is Aurora’s undercover work at a network of swanky parties known as “Tastings” for high rolling vampires who like their blood laced with fine wine. But Aurora’s not the only one on the prowl. An underground investigation is under way to find out who killed one of Anchorage’s most prominent vampires . . . and Aurora is a prime suspect.
The Ultimate Collection of Vampire Facts and Fiction From Vlad the Impaler to Barnabas Collins to Edward Cullen to Dracula and Bill Compton, renowned religion expert and fearless vampire authority J. Gordon Melton, PhD takes the reader on a vast, alphabetic tour of the psychosexual, macabre world of the blood-sucking undead. Digging deep into the lore, myths, pop culture, and reported realities of vampires and vampire legends from across the globe, The Vampire Book: The Encyclopedia of the Undead exposes everything about the blood thirsty predator. Death and immortality, sexual prowess and surrender, intimacy and alienation, rebellion and temptation. The allure of the vampire is eternal, and The Vampire Book explores it all. The historical, literary, mythological, biographical, and popular aspects of one of the world's most mesmerizing paranormal subject. This vast reference is an alphabetical tour of the psychosexual, macabre world of the soul-sucking undead. In the first fully revised and updated edition in a decade, Dr. J. Gordon Melton (president of the American chapter of the Transylvania Society of Dracula) bites even deeper into vampire lore, myths, reported realities, and legends that come from all around the world. From Transylvania to plague-infested Europe to Nostradamus and from modern literature to movies and TV series, this exhaustive guide furnishes more than 500 essays to quench your thirst for facts, biographies, definitions, and more.
From New York Times Bestseller Mimi Jean Pamfiloff comes a Horribly Sunny Mystery (with a sprinkle of Romance), The Librarian’s Vampire Assistant Box Set: Books 1-3. BOOK 1: NOBODY MESSES WITH HIS LIBRARIAN. . . Who killed Michael Vanderhorst’s maker? It’s a darn good question. But when the trail brings Michael to hellishly sunny Phoenix, Arizona, his biggest problem soon becomes a cute little librarian he can’t seem to stay away from. He’s never met a bigger danger magnet! Even her book cart has it out for her. And is that the drug cartel following her around, too? “Dear God, woman! What have you gotten yourself into?” Things go from bad to worse when local vampires won’t play nice. Can this four-hundred-year-old vampire keep his librarian safe and himself out of hot water? Can he bring his maker’s killer to justice? Yesterday, he would’ve said yes. But yesterday, he didn’t have a strange connection with a librarian. Yesterday, people weren’t trying to kill her. BOOK 2: HOW MUCH LONGER CAN HE KEEP HIS SECRET AND HIS FAVORITE HUMAN SAFE? Michael Vanderhorst has always been a lone wolf. Or lone vampire? Whatever. Point is, this ancient gentleman vampire is obsessed. She’s quirky, a horrible dresser, and the cutest librarian he’s ever seen. The question is, why her? In four hundred years, no one has ever captured his attention like this. He must find out, which is why he just signed on as her new assistant. The problem is, she has no idea vampires exist or that she’s just broken one of their laws. As the leader of his territory, Michael has been ordered by his council to turn her or kill her. “Over my dead body!” To overturn the ruling, Michael needs the council on his side, and right now they’re asking him to hunt down and execute five hundred vampires no one can seem to locate. Unfortunately, his assassin days are long over, and he’s not so sure he can go back to killing. But with Miriam’s life on the line and their unusual bond growing stronger each day, will he dust off the old sword or give her the bite that will make her his forever? BOOK 3: FALLING IN LOVE WITH A LIBRARIAN JUST CAN’T GET MORE AWKWARD... Michael Vanderhorst is not your usual vampire. For starters, he works in a library, is in love with Miriam, his hot nerdy human boss who has no clue what he is, and he looks like a college student. In reality, Michael is an ancient deadly vampire, an ex-assassin, and is currently the de facto king of his kind ever since their ruling party disappeared. To where? He doesn’t know, but if he wants his life back, he’ll have to find out. (Mystery!) Especially because a civil war is brewing, and being king makes his librarian a mark for his enemies. She is, after all, his biggest weakness. With a global uprising about to explode, Michael must give her the protection of his army. Only one problem: She must become his queen first. But every attempt he makes to tell her the truth is met with extreme hostility. “Vampires aren’t real. That’s crazy talk, Michael!” Clearly, the topic frightens her. With time running out and her life on the line, Michael is left with one option: Marry her. Without her knowing. Can he pull it off? And what will happen when the fight comes to their door?
A historical journey in pursuit of the history, legend and lore of vampires. Where do they come from? Why do they have so much appeal today? As Twilight hits the book charts and billboards, and True Blood is on TV there are vampires in downtown clubs and never has it been more fashionable to be pale. M J Trow looks at the story of vampires and charts its origins a long way from the shopping mall in the story of the warrior prince, Vlad of Wallachia.
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
If you liked Nate Temple by Shanye Silvers, Montague & Strong by Orlando Sanchez, PPD by John P Logsdon, anything by KF Breene or the Tome of Bill series then this is what you need to read next! Pulse-pounding action, paranormal detectives and laugh-out-loud-embarrass-yourself-in-public humor, what's not to like? Delve into a world where supernatural crimes are investigated by two detectives standing alone to protect those that call on them. In the brooding, dark landscape of England, with its rolling hills and forgotten castles, the dark breeds evil in every shadow. Or stupid, some of them definitely just contain stupid. With millions of pages read and thousands of books sold, the Blue Moon paranormal investigation series will grip you from the start and rob you of sleep as you continue turning pages until well after your bedtime. It is action-packed, but funny, fast-paced yet intriguing and there are 13 stories already published. Get the first 3 excitement-filled stories in this omnibus edition and save a pile against buying them individually. Paranormal Nonsense – Falsely advertised as a paranormal investigator, Tempest Michaels has a serial killing vampire to track down and a poltergeist to catch and all because his client is just too gorgeous to turn down. He'll need to keep his mind on the job though as his investigation soon attracts unwanted attention from the police and a local gang of vampire worshippers. They won't be the biggest problem though as his friends, his mum, and his dogs are going to help! The Phantom of Barker Mill – A hundred-year-old mystery proves irresistible for England's only paranormal P.I. It looks like the perfect case, but someone, or perhaps everyone is lying to him, and as he closes in on the truth, he is led into a race against time that may cost him more than he is willing to pay. Oh, and his mum wants him to organise a baby shower. Amanda Harper Paranormal Detective - When hysterical customers claim their shopping has been stolen by a ghost, the shopping mall manager calls the only paranormal investigation agency in the book. Meet Amanda Harper, Paranormal P.I. But its Amanda's first day and nothing in life has prepared her for the bedlam that will follow. What is the truth behind the mysterious missing shopping bags? Does she have any idea what she is doing? And why, oh why, did she invite sassy BFF Patience Woods to help out?
Our story begins the same as any ill-fated romance. Two households, two families, two species that should never be together. These are the recipe for tragic, beautiful love, fated to end in flames. She is my doom. She is my destiny. Unavoidable, impossible to deny, and painful to ignore. They call me Bastard Prince, a half-breed unworthy of a true title. But I still have to follow the rules. Serve the Blackthorne vampire bloodline. A shifter and a vampire are forbidden to be together. The law declares it so. But Briar is mine, and I’ll fight family and constitution to the death in order to keep her. Midnight Prince is the first of an all new series in the Blackthorne Vampires world. It contains a CLIFFHANGER and CAN BE READ without reading The Blood Trilogy, but it's recommended to read all three previous books (Blood Captive, Blood Traitor, Blood Heir) to avoid any minor spoilers.
The long and distinguished tradition of the literary vampire began in Germany during the Age of Enlightenment. German literature was the first to adapt the vampire figure from central European folklore and superstition and give it literary form. Despite these German origins, scholarly attention devoted to literary vampires has consistently focused on a select set of sources: British and French literature, Bram Stoker’s Dracula, and the phenomenon of the vampire superstition in general. While there have been many illuminating studies of pre-literary vampires and vampires that have already been firmly established as literary figures, the story of the crucial moment of transition from folkloric figure to literary subject has not yet been told. In The Origins of the Literary Vampire Heide Crawford redirects scholarly attention to the body of German poetry and prose where vampire folklore becomes vampire literature. This book focuses on the adaptation of the vampire superstition from central European folklore by German poets in the 18th and early 19th centuries for an audience that had become increasingly interested in superstition and occult phenomena in an Age of Enlightenment. In addition to establishing that the origins of the literary vampire in 18th and 19th century German poetry and prose were informed by the stories and reports of vampires from Central Europe, Crawford argues that the German poets who adapted this figure from superstition for their creative work immediately molded it into a metaphor for contemporary cultural anxieties and fears—a connection that would inspire horror literature in general and the traits of the literary vampire in particular for the 19th century and beyond. Contemporary culture has exhibited a marked fascination with eroticized and politicized applications of the vampire. This volume traces these erotic motifs, common political motifs and others to the first vampire poems that were written by German poets. Consequently, this book answers three central questions: What were the origins of the literary vampire; how was the vampire of folklore and superstition adapted for literature; and how did German poets contribute to the development of the vampire and Gothic horror literature? By answering these and other questions, The Origins of the Literary Vampire explains how the literary vampire became the ubiquitous horror figure it is today.
Vampire Literature: An Anthology is the first anthology of vampire literature designed specifically for use in the higher education classroom. As Nina Auerbach argues in her introduction to Our Vampires, Ourselves, vampires are “personifications of their age”; with coverage from the early nineteenth century to the twenty-first, Vampire Literature: An Anthology brings together a wide range of texts from many eras—and bring together as well work by American, British, Irish, and Caribbean writers. The focus is on shorter prose texts, primarily short stories and novellas (Polidori’s The Vampyre and LeFanu’s Carmilla are included in full); in a few cases, longer works are excerpted. Included as well are a range of illustrations and other visual materials. With an informative general introduction, headnotes to each selection, and explanatory footnotes throughout, Vampire Literature: An Anthology is ideally suited for use in the undergraduate classroom.