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The twentieth century can truly be said to have been America's century. As the nation reached the position of world leader, her towns and cities changed at an unprecedented pace. With the approach to the millennium, the topic of change is on everyone's mind--how our communities and lifestyles have changed over the past century, and how we can endeavor to preserve the past while facing the future in which the world seems to change ever faster. The American Century series documents and celebrates our most recent history--featuring images of faces and places that were photographed within living memory and yet already seem to belong to a long-past era.
Companion v. to the PBS television documentary "The first measured century". Includes bibliographical references (p. [279]-296) and index.
Documents the propaganda and politics that brought Naziism to power in one German town where the population was predominately Lutheran and the largest local employer was the Civil Service.
"Middletown Jews . . . takes us, through nineteen fascinating interviews done in 1979, into the lives led by mainly first generation American Jews in a small mid-western city." —San Diego Jewish Times ". . . this brief work speaks volumes about the uncertain future of small-town American Jewry." —Choice "The book offers a touching portrait that admirably fills gaps, not just in Middletown itself but in histories in general." —Indianapolis Star ". . . a welcome addition to the small but growing number of monographs covering local aspects of American Jewish history." —Kirkus Reviews In Middletown, the landmark 1927 study of a typical American town (Muncie, Indiana), the authors commented, "The Jewish population of Middletown is so small as to be numerically negligible . . . [and makes] the Jewish issue slight." But WAS the "Jewish issue" slight? What did it mean to be a Jew in Muncie? That is the issue that this book seeks to answer. The Jewish experience in Muncie reflects what many similar communities experienced in hundreds of Middletowns across the midwest.
Originally home to the Unami (Delaware) branch of the Lenni Lenape peoples, historians have dated the founding of Middletown Township to 1686. Residents made their livelihood through agriculture, animal husbandry, and milling. Throughout the 19th century, manufacturing, retail, and professional services increased. Middletown has been home to many prominent citizens, including Jacob and Minshall Painter, whose systematic planting of thousands of varieties of trees and shrubs survives today as the Tyler Arboretum. Samuel D. Riddle was best known for breeding legendary racehorses. His community legacy lives on through the donation of his estate and farm to create Riddle Memorial Hospital. Middletown Township has grown to a thriving community, and today most of the farms and open fields have been replaced with retail and residential developments.
Received a special citation from The de la Torre Bueno© First Book Award Committee of the Dance Studies Association (2020). The book has been hailed as "an invaluable addition to the scholarship on Bharatanatyam." Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.
Canadian progressive rock band Rush was the voice of the suburban middle class. In this book, Chris McDonald assesses the band's impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush's critique of suburban life—and its strategies for escape—reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band's reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly dismissed, or apologetically praised, Rush's music for its middlebrow leanings. McDonald's wide-ranging musical and cultural analysis sheds light on one of the most successful and enduring rock bands of the 1970s and 1980s.
The pleasant little American city of Middletown is the first target in an atomic war - but instead of blowing Middletown to smithereens, the super-hydrogen bomb blows it right off the map - to somewhere else! First there is the new thin coldness of the air, the blazing corona and dullness of the sun, the visibility of the stars in high daylight. Then comes the inhabitant's terrifying discovery that Middletown is a twentieth-century oasis of paved streets and houses in a desolate brown world without trees, without water, apparently without life, in the unimaginably far-distant future.