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Medieval Studies scholars are tearing their own discipline apart with witch-hunts, name-calling, boycotts and intimidation. In MIDDLE RAGES, New York Times-bestselling author and award-winning journalist Milo Yiannopoulos explains why all Americans should care about the newest front in the cultural war, the academic battle for the Middle Ages.
Beyond the mysterious boundary of eleven-year-old Maggie’s town, the Quiet War rages and the dirty, dangerous wanderers roam--a gripping debut for fans of The Giver, Pax, and Orphan Island “The Middler held one marvelous surprise after another every time I turned a page, leading to a most unexpected ending! Readers are going to love this book!” —Jennifer A. Nielsen, New York Times–bestselling author of The False Prince and A Night Divided Maggie lives in orderly Fennis Wick, protected from the outside world by a boundary. Her brother Jed is an eldest, revered and special, a hero who will soon go off to fight in the war. But Maggie’s just a middle child, a middler, often invisible and ignored, even by her own family. When she chances upon a wanderer girl in hiding, she decides she wants to be a hero like her brother and sets out to capture the intruder. But once Maggie peeks past the hedges of the boundary for the first time, suddenly everything she’s ever known about her isolated town gets turned on its head. . . In her debut novel for young readers, Kirsty Applebaum crafts a gripping story of resistance, forbidden friendship, loyalty, and betrayal. "I thought I'd almost reached my fill of dystopian novels, but Kirsty Applebaum has rebooted the genre. The plot pulls you along . . . [and] there is a touch of Harper Lee's Scout [in Maggie]." —The Times
In Far-Right Revisionism and the End of History: Alt/Histories, historians, sociologists, neuroscientists, lawyers, cultural critics, and literary and media scholars come together to offer an interconnected and comparative collection for understanding how contemporary far-right, neo-fascist, Alt-Right, Identitarian and New Right movements have proposed revisions and counter-narratives to accepted understandings of history, fact and narrative. The innovative essays found here bring forward urgent questions to diverse public, academic, and politically minded audiences interested in how historical understandings of race, gender, class, nationalism, religion, law, technology and the sciences have been distorted by these far-right movements. If scholars of the last twenty years, like Francis Fukuyama, believed that neoliberalism marked an 'end of history', this volume shows how the far right is effectively threatening democracy and its institutions through the dissemination of alt-facts and histories.
This new book from anger expert Potter-Efron offers powerful, emergency help to anyone whose extreme and volatile rages cause him or her to lose control of emotions, behaviors, and even conscious awareness--causing sometimes irreparable emotional and physical harm to themselves, their loved ones, and, occasionally, to innocent by-standers....
The most fatal virus known to science, rabies-a disease that spreads avidly from animals to humans-kills nearly one hundred percent of its victims once the infection takes root in the brain. In this critically acclaimed exploration, journalist Bill Wasik and veterinarian Monica Murphy chart four thousand years of the history, science, and cultural mythology of rabies. From Greek myths to zombie flicks, from the laboratory heroics of Louis Pasteur to the contemporary search for a lifesaving treatment, Rabid is a fresh and often wildly entertaining look at one of humankind's oldest and most fearsome foes. "A searing narrative." -The New York Times "In this keen and exceptionally well-written book, rife with surprises, narrative suspense and a steady flow of expansive insights, 'the world's most diabolical virus' conquers the unsuspecting reader's imaginative nervous system. . . . A smart, unsettling, and strangely stirring piece of work." -San Francisco Chronicle "Fascinating. . . . Wasik and Murphy chronicle more than two millennia of myths and discoveries about rabies and the animals that transmit it, including dogs, bats and raccoons." -The Wall Street Journal
Bringing together neo-Victorian and medievalism scholars in dialogue with each other for the first time, this collection of essays foregrounds issues common to both fields. The Victorians reimagined the medieval era and post-Victorian medievalism repurposes received nineteenth century tropes, as do neo-Victorian texts. For example, aesthetic movements such as Arts and Crafts, which looked for inspiration in the medieval era, are echoed by steampunk in its return to Victorian dress and technology. Issues of gender identity, sexuality, imperialism and nostalgia arise in both neo-Victorianism and medievalism, and analysis of such texts is enriched and expanded by the interconnections between the two fields represented in this groundbreaking collection.
"American Dark Age contends that life in early and antebellum America for Black people resembles what Keidrick Roy calls "racial feudalism," a race-based system of social stratification in the U.S. that operates as an extension of medieval ideas and customs. Accordingly, this project does not read Thomas Jefferson and his Declaration of Independence against the backdrop of the European and American Enlightenment traditions, as virtually all modern scholars have done. Instead, it seeks to understand Jefferson as a product of the same feudal frameworks he claimed to supersede. Jefferson's attachment to feudalism is most evident in his approbation of two new aristocracies during the Age of Enlightenment: (1) the aristocracy of the mind, which he calls a "natural aristocracy," and (2) the aristocracy of the skin, what abolitionist Frederick Douglass later dubs, with emphasis, "skin-aristocracy." After tracing the lineaments of racial feudalism, Roy shows how four African Americans-James McCune Smith, William Wells Brown, Francis Harper, and Harriet Jacobs-present distinctive but interconnected visions for overcoming its effects in the mid-nineteenth century by upending the antecedent feudal architecture of American liberalism, a broad tradition whose unifying strands otherwise emphasize individual liberties, egalitarianism, moral universalism, and meliorism (the belief in the possibility for social and political progress). Ultimately, Roy argues, McCune Smith, Wells Brown, Harper, and Jacobs maintained a spirit of cautious optimism against the retrogressive forces of plantation slavery in the South and what McCune Smith calls "caste-slavery in the North." Their quest to destroy racial feudalism and reformulate American liberalism established the conditions for initiating new ways of being "American.""--
This book considers the role of anger in the social lives and conceptual universes of a varied and significant cross-section of medieval people: monks, saints, kings, lords, and peasants.