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Middle East Tapestry represents the final installment of my thirty-plus years living and working in the Arab and Muslim worlds. The previous works, Masr and At the Margins, covered outlying areas of the region, including Egypt, South Asia, and West Africa. This book marks a return to the central lands of Islam in the Arabian Peninsula, including Saudi Arabia and Yemen, with lengthy excursions into lands to the north, chiefly Jordan and the West Bank. The title, Middle East Tapestry, was chosen after careful consideration of several alternatives. The term “Middle East” simply seemed the best descriptor of the area inhabited by the world’s nearly four hundred million Arab Muslims and makes up in familiarity what it may lack in definitional precision and nuance. The word “tapestry”—technically, an elaborate piece of textile work with pictures woven into the warp and weft—was also carefully chosen. It more generally describes “an intricate combination of things or sequence of events, not necessarily related,” that seemed to answer to the complexity of the area I am describing: “a tapestry of cultures, races, and customs.” Indeed, there is hardly a thing in the history of the area that is not intricate or complex.
In the past, textile production was a key part of all ancient societies. The Ancient Near East stands out in this respect with the overwhelming amount of documentation both in terms of raw materials, line of production, and the distribution of finished products. The thirteen intriguing chapters in Textile Production and Consumption in the Ancient Near East describe the developments and changes from household to standardised, industrialised and centralised productions which take place in the region. They discuss the economic, social and cultural impact of textiles on ancient society through the application of textile tool studies, experimental testing, context studies and epigraphical as well as iconographical sources. Together they demonstrate that the textile industries, production, technology, consumption and innovations are crucial to, and therefore provide an in-depth view of ancient societies during this period. Geographically the contributions cover Anatolia, the Levant, Syria, the Assyrian heartland, Sumer, and Egypt.
Can one individual influence the course of history? In the example of Churchill and the Middle East during post-World War I, the answer is an irrefutable yes. Winston S. Churchill, first as Secretary for War and Air, and then as Colonial Secretary, both formulated and enacted the British imperial mandate policy for Iraq and Palestine, thereby laying the groundwork for issues that are still relevant today including conflicts in Israel, internal political upheavals in Iraq. The complicated historical intricacies of the postwar period combined with a variety of personal and political confrontations are at the core of Churchill’s decisions and finally his parliamentary successes. While most books on Churchill attempt to cover the course of his political and personal career, this volume exclusively focuses on the Middle East during the formative years of 1919-1922 and explores the foundations of some of the Middle East's most problematic issues today.
Setting out to celebrate, document and discuss the work and role of Dovecote Studios, an international tapestry workshop founded in Edinburgh in 1912, this ground-breaking publication uniquely explores the artistic value, nature and identity of tapestry through images, essays and the commentaries of weavers, artists and patrons.
Tapestries were among the most prestigious of art forms, created for the mightiest in the land and valued for centuries. Despite its illustrious history, tapestry weaving is actually a simple technique that requires little equipment or expenditure, and can be done anywhere. Written by a prominent tapestry weaver, this lavishly illustrated book gently leads you through the whole process with detailed diagrams and exciting work by contemporary weavers. It will be useful to the absolute beginner, but experienced weavers will also find new ideas and techniques to tempt and inspire them. The book includes a step-by-step guide to setting up a small frame loom and starting to weave; basic and more advanced techniques, and how to create shapes and textures; advice on taking your work into the third dimension, whether bas relief or fully sculptural; information on the qualities of different materials and how they can be used to create the effects you want; and design ideas for tapestry and how to follow supplied designs. This will be an essential source book for experienced and novice weavers, and is beautifully illustrated with 190 colour illustrations and diagrams.
DIVDIVSinai Tapestry, the brilliant first novel of the Jerusalem Quartet,is an epic alternate history of the Middle East in which the discovery of the original Bible links a disparate group of remarkable people across time and space/divDIV In 1840, Plantagenet Strongbow, the twenty-ninth Duke of Dorset, seven-feet-seven-inches tall and the greatest swordsman and botanist of Victorian England, walks away from the family estate and disappears into the Sinai Desert carrying only a large magnifying glass and a portable sundial. He emerges forty years later as an Arab holy man and anthropologist, now the author of a massive study of Levantine sex—and the secret owner of the Ottoman Empire./divDIV Meanwhile, Skanderbeg Wallenstein has discovered the original Bible, lost on a dusty bookshelf in the monastery library. To his amazement, it defies every truth held by the three major religions. Nearly a century later, Haj Harun, an antiquities dealer who has acted as guardian of the Holy City for three thousand years, uncovers the hidden Bible./divDIV Sinai Tapestry is the first volume of the Jerusalem Quartet, which continues with Jerusalem Poker, Nile Shadows,and Jericho Mosaic./divDIV/div/div
Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. The book facilitates more informed conservation practice and decision-making, and helps custodians to select the most appropriate method of intervention.
“‘Who Will Tell About His Descendants, Since His Life Has Been Taken From The Earth?’” (Acts 8: 32,33, JNT, NLT) Centuries, Later, Untold Stories Would Come Out In A Trickle... For Much Danger Lurked Around Them, And Those Associated With Them. Then, Later, As Freedom of Speech Would Not Be Silenced, These Stories Began Flowing In A Steady Stream Spoken In Secret By Key Witnesses. Stories...Told Now.... Lost Years, Hidden, Protected, and Bound... Some, Unearthed In The 20th And 21st Centuries... Others, Still Entombed In Vatican Vaults...Pyramids... Stories “Too Hot To Handle” Not Included In Sacred Scripture.... “Lost” Stories Received And Written Through The Lens of Unknown Courageous Hearts