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Step into the captivating world of James Thurber's 'The Middle Aged Man on the Flying Trapeze'. In this remarkable collection of 36 stories, Thurber's masterful sketches come to life, revealing a delightful blend of dark humor and profound observations. From the comically cold gentleman to the whimsical escapades of Mr. Preble, each story is a glimpse into Thurber's genius as both a writer and a doodler.
DigiCat Publishing presents to you this special edition of "The Middle Aged Man on the Flying Trapeze" by James Thurber. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Saroyan’s debut collection of stories. A timeless selection of brilliant short stories that won William Saroyan a position among the foremost, most widely popular writers of America when it first appeared in 1934.With the greatest of ease William Saroyan flew across the literary skies in 1934 with the publication of The Daring Young Man on the Flying Trapeze and Other Stories. One of the first American writers to describe the immigrant experience in the U.S., Saroyan created characters who were Armenians, Jews, Chinese, Poles, Africans, and the Irish. The title story touchingly portrays the thoughts of a very young writer, dying of starvation. All of the tales were written during the great depression and reflect, through pathos and humor, the mood of the nation in one of its greatest times of want.
Louvish brilliantly sifts through evidence of W.C. Fields' own self-creation to illuminate the vaudeville world from which he rose to become the beloved cinematic curmudgeon and comic genius of his time. Photos.
DANGER ON THE FLYING TRAPEZE: Introducing D.L. Moody -- Fourteen-year-old Casey Watkins wants nothing more than to escape his family's dreary, bare-bones life in the Philadelphia of 1893. When he learns of an opening in Adam Forepaugh's Circus, it seems like the perfect escape, and he convinces his mother and sister to join with him. Then "The Flying Eugenes," a family of trapeze artists, offer Casey a role in their death-defying act, and he is elated. Flying on the trapeze is more exciting than he ever dreamed! The pressure is on-Casey has only a few weeks to learn the act before the circus arrives in Chicago in time for the famous World's Fair. Once in Chicago, the boy is fascinated by D. L. Moody, the dynamic evangelist who preaches to standing-room-only crowds in the circus Big Top Sunday mornings. Casey never imagined that church could be more popular than the circus! But then a dangerous accident leaves him paralyzed with fear, and he runs to Moody looking for a way out. Will the evangelist be able to help him? The circus is counting on him . . . what if he falls?
The best of American short fiction Spanning over 100 years of literary history, here are 33 of the finest short stories by Washington Irving * Nathaniel Hawthorne * Edgar Allan Poe * Herman Melville * Harriet Beecher Stowe * Bret Harte * Bayard Taylor * Rose Terry Cooke * Ambrose Bierce * Hamlin Garland * Mary E. Wilkens Freeman * Henry James * Charlotte Perkins Gilman * Sarah Orne Jewett * Grace Elizabeth King * Harold Frederic * Kate Chopin * Stephen Crane * Edith Wharton * Mark Twain * Jack London * F. Hopkinson Smith * Zona Gale * O. Henry * Sherwood Anderson * Ernest Hemingway * John Dos Passos * Stephen Vincent Benet * Willa Cather * William Faulkner * James Thurber * F. Scott Fitzgerald * William Saroyan
This book engages with ageing masculinities in Irish literature and visual culture, including fiction, drama, poetry, painting, and documentary. Exploring the shifting representations of older men from the early twentieth century to the present, the contributors analyse how a broad range of literary and visual texts construct, reinscribe, or challenge perceptions of older age. In doing so, they trace a shift from depictions of authority figures - often symbolising patriarchal dominance and oppression - to more nuanced, complex, and heterogeneous explorations of older men’s embodied subjectivities and vulnerabilities. Exploring artists and writers such as Seán Keating, J.M. Synge, Teresa Deevy, Marina Carr, Seamus Heaney, Paul Muldoon, Derek Mahon, Kate O’Brien, John Banville, Colm Tóibín, Bernard MacLaverty, Mike McCormack, Anne Griffin, and Claire Keegan, the chapters in this book attend to the symbolic as well as social significance of older men in Irish cultural expression.
“Flying, Falling, Catching is a beacon of hope. It reminds us that despite all the perils and sufferings that surround us, with which we often collide, we can find healing, peace, and awe even in the most unusual detours that life offers. A must read.” — Marina Nemat, Author of international best-seller Prisoner of Tehran "In Carolyn Whitney-Brown's deft hands, Henri’s intentions literally, vividly swing alive. This is a beautiful, moving story about interconnectivity, interdependence, and life's rich, beautiful, complicated pageant. I devoured it in a sitting.” — Lisa Napoli, Author of Susan, Linda, Nina & Cokie Henri Nouwen’s real-life story of his surprising friendship with a traveling trapeze troupe. What will we do with our lives, and with whom will we do it? In this story of flying and catching, Nouwen invites us all to let go and fly, even when we are afraid of falling. During the last five years of his life, best-selling spiritual author Henri J. M. Nouwen became close to The Flying Rodleighs, a trapeze troupe in a traveling circus. Like Nouwen’s own life, a trapeze act is full of artistry, exhilarating successes, crushing failures and continual forgiveness. He wrote about his experience in a genre new to him: creative non-fiction. In Flying, Falling, Catching, Nouwen's colleague and friend Carolyn Whitney-Brown presents his unpublished trapeze writings framed by the true story of his rescue through a hotel window by paramedics during his first heart attack. Readers will meet Nouwen as a spiritual risk taker who was transformed through his engagement with these trapeze artists, as well as his participation in the Civil Rights movement, his life in community with people with intellectual disabilities, his personal growth through friendships during the 1990s AIDS pandemic, and other unexpected encounters.
He was so famous that Saroyanesque entered the vocabulary of his time, an adjective expressing the childlike sweetness, the evocation of loneliness, the innocence that characterized his work. His name was known to anyone in America who read a magazine, listened to the radio, cared about theater, or bought a book. At one time he had three plays simultaneously on Broadway, including My Heart’s in the Highlands and The Time of Your Life (which won the Pulitzer Prize and the Drama Critics’ Circle Award). His first collection of stories, The Daring Young Man on the Flying Trapeze, was published by Bennett Cerf when Saroyan was twenty-six years old; it was a critical and commercial success. Saroyan went to Hollywood and wrote The Human Comedy over a Christmas holiday; it became a major wartime movie and won him an Oscar for best screenplay. His writing was a mixture of old-world suffering and new-world optimism. But for all of his promise and brilliance, and his half-century struggle to reach the pantheon of American writers, his gift was not large enough to sustain him. Now, in this full-scale biography, John Leggett gives us Saroyan whole, from the immigrant boy and his lonely orphanage years to the internationally acclaimed American writer. Here is the all-encompassing story —the fun, the follies, the lights, and the shadows of his life. Leggett writes about Saroyan’s roller-coaster courtship and two marriages to the beautiful Carol Marcus (she was seventeen and he thirty-four when they met); about his relationships with his publishers and with his long-time agent, Hal Matson; about his friendships with Budd Schulberg, Irwin Shaw, George Jean Nathan, and others, and the many productions (on Broadway and off) of Saroyan’s plays. He writes about Saroyan’s constant struggle with his addictions to gambling and extravagant living . . . his disappointments as a writer and his undiminished belief in his own talent, a belief that it would prevail, no matter how many colleagues turned away from his excesses and his demands. Drawing on interviews and on Saroyan’s letters, notes, and diaries, John Leggett, author of Ross and Tom (“A great book”—Leon Edel), gives us a revealing portrait of the man and the writer whose work charmed and touched the heart of mid-twentieth-century America.