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Develop real-world interactive physical computing applications using the Micro:bit with more than 100 MicroPython examples with circuit diagrams Key FeaturesExplore hardware programming and leverage the power of the BBC Micro:bit and MicroPythonBuild real-life creative projects step by step with each chapter increasing in complexity and interactivityLearn the features of the Micro:bit and how to interface it with electronic components through circuits and code examplesBook Description This book is a one-stop guide for learning BBC Micro:bit with MicroPython, exploring many hardware components and programming techniques to provide detailed insights into developing practical applications with the Micro:bit. It will also show you how hardware components can be manipulated using a combination of Micro:bit and MicroPython for developing practical projects. BBC Micro:bit in Practice will help you gain a holistic understanding of the BBC Micro:bit platform and MicroPython programming, guiding you through mini projects aimed at developing practical knowledge of circuit design and writing programs. You'll learn how to write programs for working with built-in LEDs and buttons, interfacing external LEDs, buttons, motors, buzzers, and much more. You'll also work with built-in radio, speakers, accelerometer, and a compass. You'll dive into concepts related to the Micro:bit filesystem, interfacing external displays, and working with libraries in detail before exploring sewable circuits and wearable technology. After reading this Micro:bit book, you'll understand how to apply principles in electronics and MicroPython to create interesting real-life projects from scratch. What you will learnExplore the essentials of the BBC Micro:bit, its hardware specifications, and versionsProgram built-in and external LEDs and buttonsProgram external LED-based displays, buzzers, and stepper motorsUse analog input and pulse width modulation to drive a servo motorDetect gestures with internal sensors such as accelerometer, compass, and magnetometerWork on projects with built-in features such as music, speech, radio, and filesystemExplore the advanced features of the Micro:bitWho this book is for This book is for anyone who wants to use the combination of MicroPython and the BBC Micro:bit for building exciting real-life projects. Engineers, researchers, hobbyists, and technology instructors working in areas such as embedded systems, electronics, software development, IoT, robotics, teaching, and training will find this book useful for building projects. Prior experience with building basic electronic circuits and any programming language, not necessarily MicroPython, will be helpful.
Learn essential concepts and techniques to build simple-to-advanced projects and overcome common programming challenges in micro:bit development. Beginning BBC micro:bit will take you through the complete features and capabilities of the micro:bit controller, enabling you to program and build your own projects. The uses are endless for the micro:bit and this books will help get you started on building your next project with this popular and easy-to-use microcontroller. You'll use online Python Editor and Mu Editor to build your own applications. Reviewed by the micro:bit developer team, this comprehensive guide also provides clean code examples to help you learn the key concepts behind the micro:bit API. What You’ll Learn Work with the various kits and accessories Master the micro:bit development platform with easy to follow examples and clean code Build your own micro:bit applications using an online Python editor and Mu editor Use the on-board LED matrix, built-in buttons, I/O pins, accelerometer, and compass Learn how to connect and communicate with devices through I2C, SPI, and UART Build applications with music and speech libraries Use Local Persistent File System to store and manipulate files Build applications based on wired and radio networks Use micro:bit and micro:bit Blue apps Who This Book Is For Beginners, those already experienced with electronics, and hobbyists at all levels looking to get started with a new microcontroller.
As mainstream music consumers wait with baited breath for the next musical upheaval, a small core of tech-savvy individuals are re-shaping the aural landscape without the assurance of being part of any larger movement. Their ideologies and creative approaches differ wildly, but they share a desire to take sound beyond the realm of mere entertainment. Drawing on extensive research into the world of audio extremity, Micro-Bionic includes interviews with William Bennett (Whitehouse), Peter Rehberg (Mego) and Peter Christopherson (Throbbing Gristle/Coil).
Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange. This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.
With the rise of digital tools used for media entrepreneurship, media outlets staffed by only one or two individuals and targeted to niche and super-niche audiences are developing across a wide range of platforms. Minority communities such as immigrants and refugees have long been pioneers in this space, operating ethnic media outlets with limited staff and funding to produce content that is relevant and accessible to their specific community. Micro Media Industries explores the specific case of Hmong American media, showing how an extremely small population can maintain a robust and thriving media ecology in spite of resource limitations and an inability to scale up. Based on six years of fieldwork in Hmong American communities in Wisconsin, Minnesota, and California, it analyzes the unique opportunities and challenges facing Hmong newspapers, radio, television, podcasts, YouTube, social media, and other emerging platforms. It argues that micro media industries, rather than being dismissed or trivialized, ought to be held up as models of media innovation that can counter the increasing power of mainstream media.
The Music Business for Music Creators is a roadmap to understanding the traditional and emerging income streams that define the modern music industry. It presents the key concepts and principles that underpin the business, with an emphasis on educating and empowering the next generation of music creators to build a career from their creative pursuits. The book provides a comprehensive overview of the mechanics of the music business, from music publishing, marketing and contract negotiation to licensing, streaming and performing. This accessible guide is written with music creators in mind and features case studies, profiles and interviews with established professionals, as well as a glossary of key terms to empower the reader in their understanding of the industry, alongside a number of useful accompanying digital resources. This book is core reading for students of music business and music creation in contemporary music education, and an essential resource for those on music, music production and music performance courses, as well as aspiring and early career professionals.
The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations. The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundational framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts. Leigh Landy's goal in this book is not only to create a theoretical framework but also to make the work more accessible—to suggest a way to understand sound-based music, to give a listener what he terms “something to hold on to,” for example, by connecting elements in a work to everyday experience. Landy considers the difficulties of categorizing works and discusses such types of works as sonic art and electroacoustic music, pointing out where they overlap and how they are distinctive. He proposes a “sound-based music paradigm” that transcends such traditional categories as art and pop music. Landy defines patterns that suggest a general framework and places the studies of sound-based music into interdisciplinary contexts, from acoustics to semiotics, proposing a holistic research approach that considers the interconnectedness of a given work's history, theory, technological aspects, and social impact. The author's ElectroAcoustic Resource Site (EARS, www.ears.dmu.ac.uk), the architecture of which parallels this book's structure, offers updated bibliographic resource abstracts and related information.
"This book addresses the development of children's artistry in the music classroom and children's chorus. It unveils children's artistry, identifying its characteristic behaviors, its progression of development and necessary components for growth, and guides the practical application of principles addressed. The book addresses the development of children's artistry from the perspective of both the choral art and the process of music learning, with each informing the other, rooting artistry in music learning and developing artistry in an ongoing manner throughout childhood. It presents the musical mind as the gateway to children's artistry. It discusses the power of movement in the embodiment of children's artistry. It examines song and its role in the development of children's artistry, demonstrating how rhythm, melody, and text, independently and together, influence children's developing artistry musically, expressively, and vocally, at all ages and stages. Musical examples throughout demonstrate principles presented, provide professional development with tonalities, meters, movement, and songs, and offer a multitude of songs of increasing difficulty for the music classroom and children's chorus that compel the musical mind, prompt artistic expression, and enable vocal technique. Practices and techniques that facilitate the development of children's artistry are included, and the book can be used with any methodology. This book leads teachers to draw artistry out of every child and draw every child into the choral art. Content is intended for application with children from kindergarten through seventh grade, though it is also appropriate with older singers in the process of developing artistry"--
The Bible reveals to us a New Testament church that was filled with thousands of souls. When a church has thousands of souls, it is a mega church. If God has put in your heart a vision to build a mega church, this is the book that will help you realise that dream. The author, Dag Heward-Mills, in this amazing book explains why the devil is against the assembly and outlines how the simple steps of planting 1000 small seed-like micro churches can help you build a Mega Church. May your ministry transform through the powerful effects of 1000 micro churches!