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Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.
""A Major Collection of Scholarship that Contains the most up-to-Date, Indeed Cutting-Edge Work on Gender and Jewish History by Several Generations of Top Scholars."--Atina Grossmann, the Cooper Union.
From the Back Cover: An invaluable handbook tracing the creative genius of Albert Kahn, one of America's most distinguished architects, The Legacy of Albert Kahn presents a chronology of designs in the areas of commercial, civic, institutional, and domestic architecture. Over 280 photographs, drawings, and floor plans illustrate the highly readable text.
Analyzing one of the most vital and significant Jewish populations in the United States, Harmony and Dissonance chronicles the intellectual, cultural, and social history of the Jews of Detroit from 1914 to 1967. Sidney Bolkosky has drawn upon resources from religious and secular Jewish institutions in Detroit and supplemented them with information and interpretations from numerous oral testimonies to place this material in the context of the city of Detroit and its unique economic and social history. Thus the book includes discussions of the effects of Detroit events on the Jewish population, from Henry Ford's promise of a five dollar per day wage to the Detroit riots of 1943 and 1967. The author contends that the peculiar history of Detroit plays a determining role in the history of its Jews. Organized chronologically, Harmony and Dissonance examines the historically shifting dynamics among Jewish groups and individuals, addressing such controversial topics as assimilation, intermarriage, religious conflicts, anti-Semitism, and East European versus German Jewish identities. In pursuing the central thesis of the problematic search for Jewish identity, which runs throughout the book and ties the work together, the author has also explored the multifaceted nature of the Jewish population of Detroit, its landsmanshaften, German Jews, "establishment" organizations and their antagonists, cultural forces, and numerous Yiddish groups. This focus on identity is sharpened as the author perceives two events increasingly directing Jewish life and thought--the Holocaust and its aftermath and the founding of the state of Israel. How those events influenced the attitudes and behavior of Detroit's Jews contributes to what one Detroit patriarch called "the Detroit difference."
Acquaints the reader with both the universal and the particular challenges inherent in the writing of Jewish history. Despite the vicissitudes of their anomalous historical experience, the Jews survive as am identifiable entity. They have withstood one challenge after another -- both physical and intellectual -- somehow maintaining an historical continuity. How Jewish writers have dealt with this enigma serves as the subject of this volume. With these words from the Preface, Michael A. Meyer characterizes the scope of his Ideas of Jewish History. As the only volume of readings in the area of Jewish historiography and the philosophy of Jewish history, Ideas of Jewish History acquaints the reader with both the universal and the particular challenges inherent in the writing of Jewish history.
This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.
Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical Society A groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a name Our thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a broad-based and voluntary behavior: thousands of ordinary Jewish men, women, and children legally changed their names in order to respond to an upsurge of antisemitism. Rather than trying to escape their heritage or “pass” as non-Jewish, most name-changers remained active members of the Jewish community. While name changing allowed Jewish families to avoid antisemitism and achieve white middle-class status, the practice also created pain within families and became a stigmatized, forgotten aspect of American Jewish culture. This first history of name changing in the United States offers a previously unexplored window into American Jewish life throughout the twentieth century. A Rosenberg by Any Other Name demonstrates how historical debates about immigration, antisemitism and race, class mobility, gender and family, the boundaries of the Jewish community, and the power of government are reshaped when name changing becomes part of the conversation. Mining court documents, oral histories, archival records, and contemporary literature, Fermaglich argues convincingly that name changing had a lasting impact on American Jewish culture. Ordinary Jews were forced to consider changing their names as they saw their friends, family, classmates, co-workers, and neighbors do so. Jewish communal leaders and civil rights activists needed to consider name changers as part of the Jewish community, making name changing a pivotal part of early civil rights legislation. And Jewish artists created critical portraits of name changers that lasted for decades in American Jewish culture. This book ends with the disturbing realization that the prosperity Jews found by changing their names is not as accessible for the Chinese, Latino, and Muslim immigrants who wish to exercise that right today.
This book explores the power of sight for ancient rabbis across the realms of divinity, sexuality, idolatry and rabbinic subjectivity.
"The Kindertransport Quilts are a form of folk art which allows multiple artists, each with their own artistic expression, to produce a work with a unifying theme. Each square expresses its creator's view of the Kindertransport experience: pictures of the past, fears and nightmares, memorials to lost family. They express traumatic childhood experiences, as recalled with the perspective of maturity ... We are grateful to Kirsten Grosz for having produced these quilts, touching and artistic reminders of the Holocaust."--p. 7