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This is an attempt, through essays and interviews, to chronicle what happened to neorealism after the disappearance of the forces that produced it - World War II, the resistance, and liberation, followed by the postwar reconstruction of a morally, politically, and economically devastated society.
Collected interviews with the Italian filmmaker who directed L'avventura, La notte, Blow Up, and Zabriskie Point
What Is Neorealism? is a representative critical bibliography of writings (in English) on Italian cinematic neorealism. Like most "isms," neorealism is a nebulous term; this is the first attempt to record and compare the many, sometimes contradictory, definitions of it put forward by filmmakers, critics, and historians. An up-to-date bibliography of historical and critical writings in English on Italian cinematic neorealism, plus a chronology, with credits, of the films of Italian neorealism, including the precursors of the movement, is included.
Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
An analysis of the life and work of the Italian director, Michelangelo Antonioni.
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