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Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.
From the seventeenth-century attempts to formulate a "history of man" to Freud's Moses and Monotheism, de Certeau examines the West's changing conceptions of the role and nature of history.
de Certeau is often considered to be the theorist of everyday life par excellence. This book provides an unrivalled critical introduction to de Certeau′s work and influence and looks at his key ideas and asks how should we try to understand him in relation to theories of modern culture and society. Ian Buchanan demonstrates how de Certeau was influenced by Lacan, Merleau-Ponty and Greimas and the meaning of de Certeau′s notions of `strategy′, `tactics′, `place′ and `space′ are clearly described. The book argues that de Certeau died before developing the full import of his work for the study of culture and convincingly, it tries to complete or imagine the directions that de Certeau′s work would have taken, had he lived.
Michel de Certeau died on January 9, 1986, leaving behind him the memory of an "intelligence without bounds" (Roger Chartier) and of "one of the boldest, the most secret, and the most sensitive minds of our time" (Julia Kristeva). Since 1984, with the translation of The Practice of Everyday Life, his writings have begun to circulate across a number of disciplines in the English-speaking world. This book is the first full-length study of Certeau's thought, designed as a guide to draw out not only the exceptional range but the overall coherence of his oeuvre. The author focuses on those intertexts that work most powerfully in Certeau's major writings: contemporary French historiography, the writings of early modern mystics and travelers, Michel Foucault and Pierre Bourdieu, Freud, the linguistics of "utterance," and a broad spectrum of work on contemporary cultural practices.
It is August 18, 1634. Father Urbain Grandier, convicted of sorcery that led to the demonic possession of the Ursuline nuns of provincial Loudun in France, confesses his sins on the porch of the church of Saint-Pierre, then perishes in flames lit by his own exorcists. A dramatic tale that has inspired many artistic retellings, including a novel by Aldous Huxley and an incendiary film by Ken Russell, the story of the possession at Loudun here receives a compelling analysis from the renowned Jesuit historian Michel de Certeau. Interweaving substantial excerpts from primary historical documents with fascinating commentary, de Certeau shows how the plague of sorceries and possessions in France that climaxed in the events at Loudun both revealed the deepest fears of a society in traumatic flux and accelerated its transformation. In this tour de force of psychological history, de Certeau brings to vivid life a people torn between the decline of centralized religious authority and the rise of science and reason, wracked by violent anxiety over what or whom to believe. At the time of his death in 1986, Michel de Certeau was a director of studies at the école des hautes études en sciences sociales, Paris. He was author of eighteen books in French, three of which have appeared in English translation as The Practice of Everyday Life,The Writing of History, and The Mystic Fable, Volume 1, the last of which is published by The University of Chicago Press. "Brilliant and innovative. . . . The Possession at Loudun is [de Certeau's] most accessible book and one of his most wonderful."—Stephen Greenblatt (from the Foreword)
From the late Michel de Certeau comes an essential engagement with multiculturalism and identity politics. De Certeau stresses that anyone attempting to understand contemporary societies in the West must grasp the already-existing diversity that outflanks elitist conceptions of the "national group". He argues compellingly that old ideas of social unity have no relevance in the diverse societies of today.
In this foundational exploration of political expression and participation, de Certeau examines who has the right to speak, how this right is acquired, and what happens when this right is denied or inhibited. He emphasizes that all too often free speech is upheld in the abstract while social institutions work in such a way to deny access to effective communication.
Michel de Certeau is becoming increasingly recognised as a cultural theorist whose methodologies could rival those of Foucault. In this engaging book, Ben Highmore provides a stimulating account of Michel de Certeau's work and its relation to the field of cultural studies. The book explores those aspects of de Certeau's work that both challenge and re-imagine cultural studies, highlighting the potential this work has for supplying a critical epistemology and a practical ethics for the study of culture within the arts and humanities more generally. Michel de Certeau: Analysing Culture provides an ideal introduction to the work of this extraordinary and important thinker.
The culmination of de Certeau's lifelong engagement with the human sciences, this volume is both an analysis of Christian mysticism during the sixteenth and seventeenth centuries and an application of this influential scholar's transdisciplinary historiography.