Download Free Michael Landy Book in PDF and EPUB Free Download. You can read online Michael Landy and write the review.

Accompanying the 2001 exhibition that made its debut at a shop in Oxford Street, London, this title is in effect an inventory of the possessions that were broken down into their component parts during the installation.
British artist Michael Landy (b. 1963) is known primarily as an installation artist. His work, along with others associated with the Young British Artists (YBAs), was first catapulted to the world spotlight when it was featured in the notorious Sensation exhibition (1997). His sculptural installations and performances explore political and social themes, such as the nature of consumerism and commodity. In 2009, Landy began a three-year artist residency at the National Gallery, London. He chose to focus his project on representations of saints and their accompanying stories, often gruesome, which were once part of common culture but are now largely unknown. Landy's preoccupation with recycling narratives and repurposing imagery results in Saints Alive, the subject of this book, conceived to include drawings, collages, and a series of kinetic, interactive sculptures with moving parts and sounds. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London(05/23/13-11/24/13)
The more than twenty contributions in this book, all new and previously unpublished, provide an up-to-date survey of contemporary research on computational modeling of the visual system. The approaches represented range from neurophysiology to psychophysics, and from retinal function to the analysis of visual cues to motion, color, texture, and depth. The contributions are linked thematically by a consistent consideration of the links between empirical data and computational models in the study of visual function. An introductory chapter by Edward Adelson and James Bergen gives a new and elegant formalization of the elements of early vision. Subsequent sections treat receptors and sampling, models of neural function, detection and discrimination, color and shading, motion and texture, and 3D shape. Each section is introduced by a brief topical review and summary. ContributorsEdward H. Adelson, Albert J. Ahumada, Jr., James R. Bergen, David G. Birch, David H. Brainard, Heinrich H. Bülthoff, Charles Chubb, Nancy J. Coletta, Michael D'Zmura, John P. Frisby, Norma Graham, Norberto M. Grzywacz, P. William Haake, Michael J. Hawken, David J. Heeger, Donald C. Hood, Elizabeth B. Johnston, Daniel Kersten, Michael S. Landy, Peter Lennie, J. Stephen Mansfield, J. Anthony Movshon, Jacob Nachmias, Andrew J. Parker, Denis G. Pelli, Stephen B. Pollard, R. Clay Reid, Robert Shapley, Carlo L. M. Tiana, Brian A. Wandell, Andrew B. Watson, David R. Williams, Hugh R. Wilson, Yuede. Yang, Alan L. Yuille
In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. It was an extensive interview, seen at the time as a vital assessment of Matisse's career and set to be published by Albert Skira's then newly established Swiss press. After months of complicated discussions between Courthion and Matisse, and just weeks before the book was to come out--the artist even had approved the cover design--Matisse suddenly refused its publication. A typescript of the interview now resides in Courthion's papers at the Getty Research Institute. This rich conversation, conducted during the Nazi occupation of France, is published for the first time in this volume, where it appears both in English translation and in the original French version. Matisse unravels memories of his youth and his life as a bohemian student in Gustave Moreau's atelier. He recounts his experience with collectors, including Albert C. Barnes. He discusses fame, writers, musicians, politicians, and, most fascinatingly, his travels. Chatting with Henri Matisse, introduced by Serge Guilbaut, contains a preface by Claude Duthuit, Matisse's grandson, and essays by Yve-Alain Bois and Laurence Bertrand Dorleac. The book includes unpublished correspondence and other original documents related to Courthion's interview and abounds with details about avant-garde life, tactics, and artistic creativity in the first half of the twentieth century.
Marking the return of the artist to the large-scale installation expression, this book highlights the work, to date, of Michael Landy. It includes working drawings, installation shots and contextual texts to give an insight into the work of the artist.
This book is concerned with sensory cue integration both within and between sensory modalities, and focuses on the emerging way of thinking about cue combination in terms of uncertainty. These probabilistic approaches derive from the realization that our sensors are noisy and moreover are often affected by ambiguity. For example, mechanoreceptor outputs are variable and they cannot distinguish if a perceived force is caused by the weight of an object or by force we are producing ourselves. The probabilistic approaches elaborated in this book aim at formalizing the uncertainty of cues. They describe cue combination as the nervous system's attempt to minimize uncertainty in its estimates and to choose successful actions. Some computational approaches described in the chapters of this book are concerned with the application of such statistical ideas to real-world cue-combination problems. Others ask how uncertainty may be represented in the nervous system and used for cue combination. Importantly, across behavioral, electrophysiological and theoretical approaches, Bayesian statistics is emerging as a common language in which cue-combination problems can be expressed.
This publication presents a comprehensive overview of Michael Landy's complete works. Michael Landy (b. 1963) belongs to the group of Young British Artists, who, beginning in 1988, caused an international sensation. He created installations, in which real life and fiction entered into an unsettling liaison. With his works, he raises essential (unspoken) questions: How does the ownership of material objects affect us? What do we need to live? But also: How creative is destruction?
The Re-Enchantment of the World is an interdisciplinary volume that challenges the long-prevailing view of modernity as "disenchanted." There is of course something to the widespread idea, so memorably put into words by Max Weber, that modernity is characterized by the "progressive disenchantment of the world." Yet what is less often recognized is the fact that a powerful counter-tendency runs alongside this one, an overwhelming urge to fill the vacuum left by departed convictions, and to do so without invoking superseded belief systems. In fact, modernity produces an array of strategies for re-enchantment, each fully compatible with secular rationality. It has to, because God has many "aspects"--or to put it in more secular terms, because traditional religion offers so much in so many domains. From one thinker to the next, the question of just what, in religious enchantment, needs to be replaced in a secular world receives an entirely different answer. Now, for the first time, many of these strategies are laid out in a single volume, with contributions by specialists in literature, history, and philosophy.
Focus on Abortion: Americans Share Their Storiesintroduces the often-missing and most important voices in the abortion conversation: the voices of those who have experienced abortion. This projectprovides a platform for these voices to be heard. Sixty-two individuals are featured. They have had an abortion or are close to the abortion experience, including partners, friends, relatives, counselors, and professionals who provide abortion care. Each person is represented by a photographic portrait and a first-person narrative. The storytellers come from diverse socio-economic backgrounds and generations. They live in urban, suburban and rural areas throughout America. Together they will provide a broad, complex and poignant picture of abortion in our country. These nuanced stories have the potential to mitigate the profound stigma that surrounds abortion. Few people talk about their abortions so many will be surprised to learn that one out of four women in the US will have an abortion during their reproductive years. These narratives touch on the complex circumstances leading up to the decision to end a pregnancy, the person's ability to access healthcare, and life after having had an abortion. Most importantly, these stories have the potential to widen public understanding of abortion. We learned from the Civil Rights and Gay Rights movements that deep-seated beliefs can evolve once people give voice to their personal stories.