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For over half a century, acclaimed photographer Ruth Bernhard has worked to "simplify, isolate, and give emphasis to form with greatest clarity" in her radiant photographs of the female nude. Now, with Chronicle Books' timely reissue of her best-selling volume, The Eternal Body, Bernhard's most evocative images are once again available in a superb collection, complete with an insightfill text, that pays tribute to a living legend. Hauntingly sensual yet classically reserved, the book's ethereal duotone photographs appear to be illuminated from within so that even the simplest lines of the human form -- a draped torso, a curved neck, an angled limb -- take on a complexity not often seen in work of this kind. A master artist whose technical prowess places her among the ranks of the greatest photographers of our time, Ruth Bernhard has created a masterpiece of expression and sensitivity in The Eternal Body.
The fourth volume in a history of photography, this is a bibliography of books on the subject.
"Gregg Barak′s Violence and Nonviolence is a thoughtful, comprehensive examination of violence in the United States. Structurally and conceptually this book works. Barak addresses violence in an interdisciplinary way, addressing history, psychology, biology, cultural studies, and sociology. Moreover, Barak does an excellent job of discussing the intersection of race, class, and gender and those relationships with violence." -- Heather Melton, University of Utah "Clearly, the strength of this book is its comprehensive and reciprocal approach. I found this to be an enjoyable and provocative book... that treats the topic holistically and offers a vision for overcoming current patterns of violence. I am convinced that this is an important work that will ultimately be well-received by undergraduates, graduate students, violence specialists, and general readers." -- Mathew T. Lee, University of Akron "I think that the strengths of this book are twofold: Barak′s approach disaggregates violence into interpersonal, institutional, and structural violence which is very important yet rarely done; the latter part of the book explores the pathways to nonviolence, an underrepresented area in the study of violence." --Charis Kubrin/Sociology, George Washington University "I have devoted close to 20 years studying and teaching about violence and I must say that this is a comprehensive book....I strongly believe that Barak has done an outstanding review of the extant literature and touches upon key issues of central concern to those of us who are social scientific experts on violence." --Walter Dekeseredy, Ohio University Violence and Nonviolence: Pathways to Understanding is the first book to provide an integrative, systematic approach to the study of violence and nonviolence in one volume. Eminent scholar and award-winning author Gregg Barak examines virtually all forms of violence—from verbal abuse to genocide—and treats all of these expressions of violence as interpersonal, institutional, and structural occurrences. In the context of recovery and nonviolence, Barak addresses peace and conflict studies, legal rights, social justice, and various nonviolent movements. Employing an interdisciplinary framework, Barak emphasizes the importance of culture, media, sexuality, gender, and social structure in developing a comprehensive theory of these two separate, but inseparable phenomena. This innovative and accessible volume includes Figures, tables, and illustrations that reinforce important concepts and relationships Introduces a new, original theory of reciprocal violence and nonviolence Numerous case studies on violence and recovery throughout the book Chapter summaries and review questions to aid student comprehension Models of nonviolence such as "mutuality," "altruistic humanism," "positive peacemaking," and "resiliency" Designed to be a core text for graduate and undergraduate courses on violence in criminology, sociology, criminal justice, and social work departments, Violence and Nonviolence is also an outstanding supplementary text for violence against women and criminal behavior courses. This book will transform the way students and readers think about violence, nonviolence, and the reciprocal relationship between the two.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
"Hibi was one of Masahisa Fukase's final bodies of work. Fukase photographed street cracks and fissures between 1990 and 1992, and then hand painted a set of 10 x 8" bromide prints. The series was shown in February 1992, in his solo exhibition 'Private Scenes '92' held at the Nikon Salon in Tokyo, alongside Private Scenes, Bukubuku, and Berobero. His working life came to an end four months later, when he fell down the stairs in Shinjuku Golden Gai, Tokyo, and suffered brain damage."--Colophon.