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"This book examines the impact of digital identities on our day-to-day activities from a range of contemporary technical and socio-cultural perspectives while allowing the reader to deepen understanding about the diverse range of tools and practices that compose the spectrum of online identity services and uses"--Provided by publisher.
(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.
This novel, cross-disciplinary collection explains how dying, death, and grieving have changed in America, for better or worse, since the turn of the millennium. What does dying with dignity mean in a diverse society with rapidly advancing technology, an aging population, and finite resources? In this fascinating collection, scholars from across the nation illuminate the remarkable changes that have taken place in recent years, are now underway, and loom on the horizon as they lead readers on an exploration of the ways Americans think about and handle dying and death. Volume 1, New Paths of Engagement, addresses changes in the circumstances and expressions of death, dying, and grief in 21st-century America. Volume 2, New Venues in the Search for Dignity and Grace, delves into the challenges inherent in creating a medical and social system that allows for an optimal end-of-life experience for all and proposes ways in which society can be reshaped to move toward that ideal.
On 25th July, breaking news revealed that Michael Jackson, King of Pop, was dead. Fans and the media watched in shock as the story unfolded: doctors had lost the battle to save him after he had collapsed from a heart attack. In a cruel twist of fate, he had passed away before he got the chance to make his final curtain call in the form of 50 planned sell-out shows at London's O2 Arena. From a very young age, Michael's exceptional music talent was clear. He stood apart from his four brothers when they performed together as the Jackson 5 and, in 1974, he embarked upon what was to become a monumental solo career. A string of chart-busting albums and singles followed, with the Thriller album selling 47 million copies worldwide and yielding seven top-ten singles. It is belived that, in his lifetime, he sold around 750 million records, making him one of the most successful entertainers ever. This in-depth and affectionate biography traces the rise of the man, from child prodigy to tortured megastar. It is the definitive portrait of a pop legend whose strange and brilliant life will never be forgotten.
While grief is suffered in all cultures, it is expressed differently all over the world in accordance with local customs and beliefs. Music has been associated with the healing of grief for many centuries, with Homer prescribing music as an antidote to sorrow as early as the 7th Century BC. The changing role of music in expressions of grief and mourning throughout history and in different cultures reflects the changing attitudes of society towards life and death itself. This volume investigates the role of music in mourning rituals across time and culture, discussing the subject from the multiple perspectives of music history, music psychology, ethnomusicology and music therapy.
While the Three Stooges were the longest active and most productive comedy team in Hollywood, their artistic height coincided with the years Curly was with them, from 1932 to 1946. Famous for his high-pitched voice, his “nyuk-nyuk-nyuk” and “why, soitenly,” and his astonishing athleticism, Curly was a true natural, an untrained actor with a knack for improvisation. Yet for decades, little information about him was available. Then, in 1985, Joan Howard Maurer, the daughter of Moe Howard and the niece of Curly and Shemp, published this definitive biography. In addition to speaking at length with his relatives, friends, and colleagues, she amassed a wealth of Curly memorabilia, a mixture of written material and rare photographs of Curly’s family, films, and personal life. In Curly, she put it all together to come up with the first and only in-depth look at this crazy comedic genius. She included plenty of intimate details about his astonishing relationship with his mother, his three marriages, and his interactions with his daughters and friends. The result was a well-rounded portrait of the most unpredictable—and most popular—Stooge. Joan Howard Maurer is the daughter of Moe Howard, the leader of the Three Stooges. Her books include The Three Stooges Scrapbook (with Jeff and Greg Lenburg) and The Three Stooges Book of Scripts. Michael Jackson, now recognized as the most successful entertainer of all time, often spoke of his love for the Three Stooges.
The untimely deaths of Amy Winehouse (2011) and Whitney Houston (2012), and the ’resurrection’ of Tupac Shakur for a performance at the Coachella music festival in April 2012, have focused the media spotlight on the relationship between popular music, fame and death. If the phrase ’sex, drugs and rock’n’roll’ ever qualified a lifestyle, it has left many casualties in its wake, and with the ranks of dead musicians growing over time, so the types of death involved and the reactions to them have diversified. Conversely, as many artists who fronted the rock’n’roll revolution of the 1950s and 1960s continue to age, the idea of dying young and leaving a beautiful corpse (which gave rise, for instance, to the myth of the ’27 Club’) no longer carries the same resonance that it once might have done. This edited collection explores the reception of dead rock stars, ’rock’ being taken in the widest sense as the artists discussed belong to the genres of rock’n’roll (Elvis Presley), disco (Donna Summer), pop and pop-rock (Michael Jackson, Whitney Houston, Amy Winehouse), punk and post-punk (GG Allin, Ian Curtis), rap (Tupac Shakur), folk (the Dutchman André Hazes) and ’world’ music (Fela Kuti). When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print media is considered, and the different justifications by living artists for being involved with the dead, through covers, sampling and tributes. The cultural representation of dead singers is investigated through obituaries, biographies and biopics, observing that posthumous fame provides coping mechanisms for fans, and consumers of popular culture more generally, to deal with the knowledge of their own mortality. Examining the contrasting ways in which male and female dead singers are portrayed in the media, the book
General Sir Mike Jackson's illustrious career in the British Army has spanned almost 45 years and all that time he has shown loyalty, courage and commitment to the British army whilst also being an undeniable media attraction. A man of substance where foreign policy is concerned, he has served in theatres from the Artic to the jungle but is perhaps best known for his role in charge of the British troops to end ethnic cleansing in Kosovo, for assembling the British ground component of the coalition that toppled the Taliban, for equipping and organising the army we dispatched to defeat in Iraq and for re-organising the British army with aplomb. His drive, enthusiasm and dominating personality were always popular with his soldiers and drove him right to the top of his profession. He may have been a general but he never stopped caring about the men and women in his charge, despite the politics. Soldier: The Autobiography exhibits all the qualities for which Jackson is admired; his professionalism, his honesty, his directness, his exuberance and his sense of humour. Most of all it gives a vivid sense of what modern soldiering entails.