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Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.
A catalog of the museum's collection of some 300 European portrait miniatures dating from the early 16th to the mid-19th centuries. Each piece is described in detail and illustrated with bandw and color photos. Includes an overview of the history of miniature painting, notes on artists, and indices of artists, collectors, makers, and sitters. Annotation copyright by Book News, Inc., Portland, OR
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.
Volume 2 of The Cambridge History of Scandinavia provides a comprehensive and authoritative account of the Scandinavian countries from the close of the Middle Ages through to the formation of the nation states in the mid-nineteenth century. Beginning in 1520, the opening chapters of the volume discuss the reformation of the Nordic states and the enormous impact this had on the social structures, cultural identities and traditions of individual countries. With contributions from 38 leading historians, the book charts the major developments that unfolded within this crucial period of Scandinavian history. Chapters address topics such as material growth and the centralisation of power in the sixteenth and seventeenth centuries as well as the evolution of trade, foreign policy and client states in the eighteenth century. Volume 2 concludes by discussing the new economic and social orders of the nineteenth century in connection with the emergence of the nation states.