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Creative ne're-do-well Flip Montcalm isn't cut out for office life, so he jumps at the chance to join an MFA program in the rural Midwest. Broke and infatuated with the 20th century literary canon, he alienates his writing workshop with five hundred pages of existential dread, can't name a single player on the university football team, and is actively trying to steal a rival writer's girlfriend. Flip needs a new novel idea fast, so he turns to his cohorts for help: a career PhD student who hasn't written in a decade, a professor with no opinions, a narcissist whose novels read like action movies, and a frat boy underplaying his suburban privilege. As he fights off academic conformity and obsessive football fans, Flip faces the challenge of writing a novel that'll not only satisfy his artistic passions, but might even get him a better job. A delicious romp through the smudged halls of academe, this book will make you laugh out loud, as pretenders, druggies, hapless romantics, and the slightly talented do battle in fiction, trying to invent a book that will save them from the fate of ordinary life.
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
One of the New York Times's 100 Notable Books of 2020 Longlisted for the Center for Fiction First Novel Prize, The Beauty of Your Face is “a story of outsiders coming together in surprising and uplifting ways” (New York Times Book Review, Editors’ Choice). The Beauty of Your Face tells a uniquely American story in powerful, evocative prose. Afaf Rahman, the daughter of Palestinian immigrants, is the principal of a Muslim school in the Chicago suburbs. One morning, a shooter—radicalized by the online alt-right—attacks the school. As Afaf listens to his terrifying progress, we are swept back through her memories, and into a profound and “moving” (Bustle) exploration of one woman’s life in a nation at odds with its ideals.
How do you use ‘taraddidle’ in a sentence? Is it possible to make a Gin Ricky that’s also a metaphor for the American Dream? How can you tell your Faulkner from your Franzen if you haven’t actually read either? Allow me, the @GuyInYourMFA, to expound on the most important (aka white male) writers of western literature. You’ve probably seen me around, observing the masses, or defying the wind by hand-rolling a cigarette outside a local, fair-trade coffeeshop. I’ve actually read Infinite Jest 9 1/2 times. Care to discuss? From Shakespeare's greatest mystery (how could a working-class man without access to an MFA program be so prolific?) to the true meaning of Kafkaesque (you know you've made it when you have an adjective named for you), the pages herewith are at once profound and practical. Use my ingenious Venn diagram to test your knowledge of which Jonathan—Franzen, Lethem, or Safran Foer—hates Twitter and lives in Brooklyn. (Trick question: all 3!) Sneer at chick-lit and drink Mojitos like Hemingway (not like middle-aged divorcées!). So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. Dazzle your friends with how well you understand post-modernism. You’ll be at a literary event asking a question “that’s really more of a comment” in no time.
"Impossible to put down. It haunts me still.” -Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder and a Memoir A riveting, deeply personal exploration of the opioid crisis-an empathic memoir infused with hints of true crime. In November 2013, Rose Andersen's younger sister Sarah died of an overdose in the bathroom of her boyfriend's home in a small town with one of the highest rates of opioid use in the state. Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old. To imagine her way into Sarah's life, Rose revisits their volatile childhood, marked by their stepfather's omnipresent rage and their father's pathological lying. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah's cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn. As Andersen sifts through her sister's last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on. Reminiscent of Alex Marzano-Lesnevich's The Fact of a Body, Maggie Nelson's Jane: A Murder, and Lacy M. Johnson's The Other Side, Andersen's debut is a potent, profoundly original journey into and out of loss.
What do you do when you can’t function? After rookie EMT Piper Gallagher responds to a call outside a Los Angeles shopping mall for a man who can only tell her, “I can’t function,” the question begins to haunt her. How will Piper continue to function despite the horror she sees working in South Central, and despite her own fractured past? And how will the woman Piper loves continue to function as she experiences the aftershocks of her time spent serving in Iraq? Piper’s experiences as a rookie break her down and open her up as her genuine urge to help patients confronts the daily realities of life in the back of an ambulance and a hospital's hallways. This vivid and visceral debut is a rich study in trauma—in its causes and effects, in its methods and disguises, in its power and its pull.
A Trillium Book Award Finalist Women are too often cast in literature as inherently good and dependable—but this is not the case in the audacious stories of Waiting for the Cyclone. Mary, a closet drinker, leaver her children with Debbie, a seemingly perfect housewife who shoots pharmaceuticals at night. Alison vacations with her husband, but wakes up in the tattooed arms of another man. Donna lies to her family about volunteering in Afghanistan so she can parasail with a lover in Turkey. With authenticity and intensity, Dean challenges traditional literary archetypes by revealing female characters that are nuanced, contradictory, and boldly unapologetic. "In Waiting for the Cyclone, Leesa Dean gives us an original, honest voice. Far from shelter, readers will find themselves pulled closer and closer to the ye of this storm. Brace yourself: These women are unflinchingly real. You will not be able to look away." —Elisabeth de Mariaffi, author of How to Get Away with Women, nominated for the Giller Prize
NATIONAL BESTSELLER Soon to be a major motion picture "Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." —Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl and Rouge "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
From Lisa Taddeo, author of the #1 New York Times bestseller and global phenomenon Three Women, comes an “intoxicating” (Entertainment Weekly), “fearless” (Los Angeles Times), and “explosive” (People) novel about “what happens when women are pushed beyond the brink, and what comes after the reckoning” (Esquire). Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society.