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An authoritative account by preeminent Egyptologist Miroslav Verner covering over 70 of Egypt’s and Sudan’s pyramids, their historical and political significance, updated in a magnificent new edition A pyramid, as the posthumous residence of a king and the place of his eternal cult, was just a single, if dominant, part of a larger complex of structures with specific religious, economic, and administrative functions. The first royal pyramid in Egypt was built at the beginning of the Third Dynasty (ca. 2592–2544 BC) by Horus Netjerykhet, later called Djoser, while the last pyramid was the work of Ahmose I, the first king of the Eighteenth Dynasty (ca. 1539–1292 BC). Nearly two decades have passed since distinguished Egyptologist Miroslav Verner’s seminal The Pyramids was first published. In that time, fresh explorations and new sophisticated technologies have contributed to ever more detailed and compelling discussions around Egypt’s enigmatic and most celebrated of ancient monuments. In this newly revised and updated edition, including color photographs for the first time, Verner brings his rich erudition and long years of site experience comes to bear on all the latest discoveries and archaeological and historical aspects of over 70 of Egypt’s and Sudan's pyramids in the broader context of their more than one-thousand-year-long development. Lucidly written, with 300 illustrations, and filled with gripping insights, this comprehensive study illuminates an era that is both millennia away and vividly immediate.
This is the third volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to pottery made in Egypt today, organized by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment, and shape. Color plates of representative ceramic types are included to give the clearest sense of the color, composition, and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral-bound versions. The spiral bound versions, with hard laminated covers and tabs, are designed especially for the field and lab.
What do the pyramids of Egypt really represent? What could have driven so many to so great, and often so dangerous, an effort? Was the motivation religious or practical? Illustrated with more than 300 photographs and drawings, this book presents an original approach to the subject of pyramid building. It reveals the connection between devices that served both a practical need for survival and a spiritual belief in gods and goddesses. It examines Egyptian technologies and techniques from the origins of pyramid development to the step-by-step details of how the ground was leveled, how the site was oriented, and how the stone was raised and placed to meet at a distant point in the sky. Here the author also asks and answers questions virtually ignored for the last century. He discloses, for example, the ancient use of shadows, now denigrated to the ornamental back-yard sundial, but once an important tool for telling the height of an object, geographical directions, the seasons of the year, and the time of day. He also reinterprets the ancient "stretching of the cord" ceremony, which once was thought to have only religious significance but here is shown as the means of establishing the sides of a pyramid.
The book is the first complete publication of a relatively small but interesting collection of Old Kingdom monuments in the State Hermitage Museum, St. Petersburg. Twenty-two pieces are reproduced as black-and-white photographs and line drawings. Among them are two statues, fourteen reliefs and relief fragments, five offering stones and a fragment of an ointment tablet; several objects in museums of Cairo, Copenhagen, and Cambridge belonging to the same people are published as well. Most of these monuments were never published or are known only through books and periodicals in Russian that usually are not available in Egyptological libraries. Although the Hermitage pieces were acquired at antiquities dealers without any documentation, their modern history is traced and in a half of cases either their provenance is reconstructed or related monuments are found. A limited number of monuments allowed the author to discuss them to a much greater extent than it is common in museum publications and, thus, the book in spite of its structure of a catalogue virtually is a detailed study of various problems of Old Kingdom history and ideology.