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The first book-length study of why the Beats were so fascinated by Mexico and how they represented its landscape, history, and mystical practices in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti, as well as lesser-known female Beat writers like Margaret Randall, Bonnie Bremser, and Joanne Kyger.
During the first two decades following the Mexican Revolution, children in the country gained unprecedented consideration as viable cultural critics, social actors, and subjects of reform. Not only did they become central to the reform agenda of the revolutionary nationalist government; they were also the beneficiaries of the largest percentage of the national budget. While most historical accounts of postrevolutionary Mexico omit discussion of how children themselves experienced and perceived the sudden onslaught of resources and attention, Elena Jackson Albarrán, in Seen and Heard in Mexico, places children’s voices at the center of her analysis. Albarrán draws on archived records of children’s experiences in the form of letters, stories, scripts, drawings, interviews, presentations, and homework assignments to explore how Mexican childhood, despite the hopeful visions of revolutionary ideologues, was not a uniform experience set against the monolithic backdrop of cultural nationalism, but rather was varied and uneven. Moving children from the aesthetic to the political realm, Albarrán situates them in their rightful place at the center of Mexico’s revolutionary narrative by examining the avenues through which children contributed to ideas about citizenship and nation.
Over the past 35 years, hundreds of thousands of readers have agreed: This is the classic guide to "living, traveling, and taking things as they come" in Mexico. Now in its updated 14th edition, The People's Guide to Mexico still offers the ideal combination of basic travel information, entertaining stories, and friendly guidance about everything from driving in Mexico City to hanging a hammock to bartering at the local mercado. Features include: • Advice on planning your trip, where to go, and how to get around once you're there • Practical tips to help you stay healthy and safe, deal with red tape, change money, send email, letters and packages, use the telephone, do laundry, order food, speak like a local, and more • Well-informed insight into Mexican culture, and hints for enjoying traditional fiestas and celebrations • The most complete information available on Mexican Internet resources, book and map reviews, and other info sources for travelers
FINALIST FOR THE 2019 NATIONAL BOOK AWARD LONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCE A NEW YORK TIMES BESTSELLER Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal. "Chapter after chapter, it's like one shattered myth after another." - NPR "An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.." - New York Times Book Review, front page A sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present. The received idea of Native American history—as promulgated by books like Dee Brown's mega-bestselling 1970 Bury My Heart at Wounded Knee—has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the essential, intimate story of a resilient people in a transformative era.
THE RIVETING TRUE STORY OF HOW THE FBI BROUGHT DOWN THE FEARSOME MIGUEL TREVIÑO, LEADER OF LOS ZETAS, MEXICO'S MOST VIOLENT DRUG CARTEL. Drugs, money, cartels: this is what FBI rookie Scott Lawson expected when he was sent to the border town of Laredo, but instead he's deskbound writing intelligence reports about the drug war. Then, one day, Lawson is asked to check out an anonymous tip: a horse was sold at an Oklahoma auction house for a record-topping price, and the buyer was Miguel Treviño, one of the leaders of the Zetas, Mexico's most brutal drug cartel. The source suggested that Treviño was laundering money through American quarter horse racing. If this was true, it offered a rookie like Lawson the perfect opportunity to infiltrate the cartel. Lawson teams up with a more experienced agent, Alma Perez, and, taking on impossible odds, sets out to take down one of the world's most fearsome drug lords. In Bloodlines, Emmy and National Magazine Award-winning journalist Melissa del Bosque follows Lawson and Perez's harrowing attempt to dismantle a cartel leader's American racing dynasty built on extortion and blood money. Throwing back the curtain on the inner workings of cartel kingpins and law enforcement agencies, del Bosque turns more than three years of research and her decades of reporting on Mexico and the border into a gripping narrative about greed and corruption. Bloodlines offers us an unprecedented look at the inner workings of the Zetas and US federal agencies, and opens a new vista onto the changing nature of the drug war and its global expansion.
Drawing on studio files, newspaper critiques, internet sources and scholarly studies of Mexican cinema, this critical history focuses on film depictions, in Hollywood and in Mexico, of the Mexican Revolution of 1910 and the era of Benito Juarez. Mexico's political and military battles are discussed in detail, and contrasted with the film industry's mostly uninformative take on these events. Important figures of Mexican history are discussed--Benito Juarez, Porfirio Diaz, Francisco Madero, Jr., Pancho Villa and Emiliano Zapata--as well as non-Latinos whose actions were influential. Performers, production personnel and literary sources for films dealing with revolutionary Mexico, from the silent The Life of General Villa to Cinco De Mayo: La Batalla of 2013, are covered.
This book constitutes the proceedings of the 11th Mexican Conference on Pattern Recognition, MCPR 2019, held in Querétaro, Mexico, in June 2019. The 40 papers presented in this volume were carefully reviewed and selected from 86 submissions. They were organized in topical sections named: artificial intelligence techniques and recognition; computer vision; industrial and medical applications of pattern recognition; image processing and analysis; pattern recognition techniques; signal processing and analysis; natural language, and processing and recognition.
This book critically examines classic works of literature and film to suggest ways in which study of fictional characters, cultural themes, and vivid imagery helps us to grapple with, understand, and find resolutions for, problems that seriously concern Americans, including uniformed officers and public officials, as well as the general populace in today’s turbulent times. Chapter 1 analyzes Harriet Beecher Stowe’s Uncle Tom’s Cabin and Tony Scott’s Enemy of the State to support the author’s theory that contemporary police violence against young African-American men is a result of “persistence of vision” whereby the powerful Fugitive Slave Laws of the American Civil War era exert a continuing influence upon the minds of law enforcement officers and almost all African Americans. Chapter 2 “Zora Neale Hurston: Africa Transported to America” discusses Jonah’s Gourd Vine and Their Eyes Were Watching God to reveal the West African Vodun cosmological theology that informs and determines the lifelong trajectory of macho male protagonist John Buddy Pearson and feminist female protagonist Janie Mae Crawford in their quests for love and spiritual fulfillment. She suggests the Civil War disrupted a theological affinity shared by African Americans with Christian Americans, a kinship at the heart of Hurston’s oeuvre. Chapter 3 reveals the West African origin of the theological design in Juan Rulfo’s Pedro Paramo: A Novel of Mexico and in short fiction works by several contemporary Mexican writers while also investigating the impact, in particular the toll in human suffering, of violent confrontations taking place along the border shared by Mexico and the U.S. Her critical analysis highlights the stream of consciousness narrative technique, which probes the depths of human agony exacted by violations of international boundaries. She demonstrates Shakespeare’s influence. Moreover, as a specialist in Comparative and English Literature, she contributes to Shakespeare scholarship on Hamlet, Prince of Denmark unprecedented insight into the meaning and significance of King Hamlet’s ghost, expanding traditional Christian perspectives and providing historical and textual explications that encompass West African Vodun cosmology. Dr. Watanabe diagnoses Hamlet’s madness as a funky aspect of Shakespeare’s knowledge of “voodoo.”