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Drawing on materials ranging from archaeological findings to recent studies of migration issues and drug violence, William H. Beezley provides a dramatic narrative of human events as he recounts the story of Mexico in the context of world history. Beginning with the Mayan and Aztec civilizations and their brutal defeat at the hands of the Conquistadors, Beezley discusses Spain's three-hundred-year colonial rule, foreign invasions and huge territorial losses at the hands of the United States, and conditions in Mexico today.
This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
Revolution in Development uncovers the surprising influence of postrevolutionary Mexico on the twentieth century's most important international economic institutions. Drawing on extensive archival research in Mexico, the United States, and Great Britain, Christy Thornton meticulously traces how Mexican officials repeatedly rallied Third World leaders to campaign for representation in global organizations and redistribution through multilateral institutions. By decentering the United States and Europe in the history of global economic governance, Revolution in Development shows how Mexican economists, diplomats, and politicians fought for more than five decades to reform the rules and institutions of the global capitalist economy. In so doing, the book demonstrates, Mexican officials shaped not only their own domestic economic prospects but also the contours of the project of international development itself.
Simple text and photographs provide an introduction to the geography, animals, culture, and people of Mexico. Includes a map.
About twenty of the finest of these are in British collections and Professor Brotherston has undertaken a close study of them, comparing them with Mexican books in America and elsewhere.
“A lucid—at times, even poetic—summary of five hundred years of Mexican art. The illustrated works of art are well-chosen and beautifully integrated into Oles’s text. Indeed, it feels as if his words emanate from the art itself.” –Donna Pierce, Denver Art Museum This new interpretive history of Mexican art from the Spanish Conquest to the early decades of the twenty-first century is the most comprehensive introduction to the subject in fifty years. James Oles ranges widely across media and genres, offering new readings of painting, sculpture, architecture, prints, and photographs. He interprets major works by such famous artists as Diego Rivera and Frida Kahlo, but also discusses less familiar figures in history and landscape painting, muralism, and conceptual art. The story of Mexican art is set in its rich historical context by the book’s treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class, and gender, including the work of indigenous artists during the colonial period, and of women artists in the nineteenth and twentieth centuries. Throughout, Oles shows how Mexican artists participated in local and international developments. He considers both native and foreign-born artists, from Baroque architects to kinetic sculptors, and highlights the important role played by Mexicans in the global art scene of the last five centuries.
This book provides comprehensive information on the geography, history, wildlife, governmental structure, economy, cultural diversity, peoples, religion, and culture of Mexico. All books of the critically-acclaimed Cultures of the World� series ensure an immersive experience by offering vibrant photographs with descriptive nonfiction narratives, and interactive activities such as creating an authentic traditional dish from an easy-to-follow recipe. Copious maps and detailed timelines present the past and present of the country, while exploration of the art and architecture help your readers to understand why diversity is the spice of Life.
The definitive book on Mexico City: a vibrant, seductive, and paradoxical metropolis-the second-biggest city in the world, and a vision of our urban future. First Stop in the New World is a street-level panorama of Mexico City, the largest metropolis in the western hemisphere and the cultural capital of the Spanish-speaking world. Journalist David Lida expertly captures the kaleidoscopic nature of life in a city defined by pleasure and danger, ecstatic joy and appalling tragedy-hanging in limbo between the developed and underdeveloped worlds. With this literary-journalist account, he establishes himself as the ultimate chronicler of this bustling megalopolis at a key moment in its-and our-history.
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To understand contemporary Mexico, it is absolutely necessary to examine its level of development, and its relationship with the rest of the world. The level of development will, most likely, be related to the world system network, although the concepts are not identical. In Understanding Mexico and Mexico City in the World Economy, the authors aim to determine Mexico's level of development, and how Mexico fits into the world system.Through their research, the authors provide outcomes that will develop a more refined world systems approach. The book features cluster analyses of Mexican economic development levels, sector case studies including specific spatial analyses and maps of trends in Mexico, a systematic theoretic framework encompassing levels of the world, national, and local areas, and recent data presented through maps, tables, charts, and statistical summaries. The text will prove to be useful and practical for researchers, academics, and others interested in Mexico and its international linkages.