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The 2006 new and revised 2nd edition of the bestselling reference guide to identifying Mexican silver: Loaded with images and graphics of over 1500 marks of silver makers, designers, manufacturers and silver houses in Taxco and throughout Mexico. Eagle numbers from 1 through eagle 219. The book includes all the great ones, including William Spratling, Hector Aguilar, Los Castillo, Antonio Pineda, Sigi, Maricela, Salvador, Valentn Vidaurreta, Victoria, Fred Davis, Artemio Navarrete, Emma Melendez, Bernice Goodspeed, Maciel, Matl, Tane, Hubert Harmon, Chato, Margot and many, many others. The book is cross-referenced and indexed for quick and handy searches. The new edition reveals identities of many mystery marks and includes examples of marks not previously published. Special sections describing fake marks are included for prominent designers.
Sculptors, painters, and architects in 20th-century Mexico, working in silver, inspired unprecedented stylistic and technical experimentation. This dual-language English/Spanish compendium focuses primarily on threads of influence in the development of the modern Mexican silver industry. It covers the active artistic communities in Taxco and Mexico City, which had a major impact on silver designers, maestros, and silversmiths. Morrill helps us explore the materials, techniques, and design aesthetics of artists William Spratling, Héctor Aguilar, Margot Van Voorhies, Anna Morelli, and Matilde Poulat, together with a group of talented contemporary Mexicanartists designing in silver. The artists' works were born out of a unique perspective, the challenge provided by the aesthetics of Mexican indigenous art. Forces like cubism, surrealism, primitivism, and abstraction were incorporated into a distinctly Mexican stylistic language. Researchers, curators, collectors, and art lovers will treasure this indispensible resource, demonstrating why Mexico has been and continues to be an exciting and nurturing setting for artists in silver.
William Spratling revolutionized silver jewellery design in Mexico. Arriving in Taxco in 1929, by 1940 he had over 100 silversmiths producing his enormously popular silver creations. Out of Spratling's workshop emerged many of Mexico's finest silver designers.
Antonio Pineda (b. 1919) is renowned for translating design elements evocative of Mexico's past into often-astounding modernist silver jewelry, sculpture, and tableware. Perhaps more than any of his talented counterparts, he has been able to abstract and refine, producing elegant, spare, and geometric works that evidence a profound respect for the wearer. Pineda was also instrumental in the formation of the Taxco School of silver design. The over two hundred remarkable Pineda objects illustrated in this volume reflect the artist's intense imagination and quest for technical perfection. While focusing on Pineda's art from the 1930s through the 1970s, author Gobi Stromberg also places his career and the development of the Taxco School in context. She considers how a particular set of historical, political, cultural, social, and economic factors facilitated meetings between Mexican and American artists, intellectuals, writers, Hollywood stars, and musicians; spawned the building of roads opening up remote Mexican villages to a growing influx of U.S. tourists and expatriates of every stripe; encouraged a focus upon Mexico's glorious Pre-Columbian heritage and the legacy of its indigenous peoples; and promoted the development of a unique system of production in the workshops of Taxco that made innovation and experimentation paramount. Stromberg and contributing essayist Ana Elena Mallet have in fact managed to untangle and address the multiple strands of influence that together resulted in an unprecedented period in silver design and execution, Taxco's Silver Age.
The powerful story of the silver renaissance in Mexico from the 1920s to the present. Over 400 color photos showcase jewelry, tableware and art works in silver. Extensive research sheds new light on the life and art of William Spratling, Margot van Voorhies, Fred Davis, and Hubert Harmon, and artisans who worked for them, making this book the definitive study of Mexican silver jewelry and decorative objects. The newly updated price guide is helpful in today's market.
Over 70 brilliant artworks by the legendary William Spratling—adventurer, celebrity, and world-renowned silver artisan—are presented in this stunning centennial edition of the acclaimed Spratling Silver. An eagle's profile carved gracefully into the rosewood handle of a 1930s pitcher; the subtle essence of a sea animal in a classic brooch: the exquisite detail and splendor of such unique creations are showcased here in all their lustrous glory. Included are commentaries from Spratling's friends and contemporaries (the likes of Georgia O'Keeffe, who was photographed wearing one of his pins on her austere black dress), which paint an intimate portrait of the man instrumental in reviving Mexico's silver industry in the late 1920s. With 26 additional photographs, an expanded text, and a new hallmarks section with information for collectors, Spratling Silver is the only comprehensive volume to portray the full scope and beauty of William Spratling's treasures.
In the sixteenth century, silver mined by native peoples became New Spain's most important export. Silver production served as a catalyst for northern expansion, creating mining towns that led to the development of new industries, markets, population clusters, and frontier institutions. Within these towns, the need for labor, raw materials, resources, and foodstuffs brought together an array of different ethnic and social groups—Spaniards, Indians, Africans, and ethnically mixed individuals or castas. On the northern edge of the empire, 350 miles from Mexico City, sprung up Zacatecas, a silver-mining town that would grow in prominence to become the "Second City of New Spain." Urban Indians in a Silver City illuminates the social footprint of colonial Mexico's silver mining district. It reveals the men, women, children, and families that shaped indigenous society and shifts the view of indigenous peoples from mere laborers to settlers and vecinos (municipal residents). Dana Velasco Murillo shows how native peoples exploited the urban milieu to create multiple statuses and identities that allowed them to live in Zacatecas as both Indians and vecinos. In reconsidering traditional paradigms about ethnicity and identity among the urban Indian population, she raises larger questions about the nature and rate of cultural change in the Mexican north.