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This book deals with the life and works of one of the most interesting and mysterious surrealist painters of the twentieth century. The first monograph on the artist to circulate worldwide, it includes an introductory study by Masayo Nonaka, curator of the exhibition Women Surrealists in Mexico and author of several books on Mexican surrealism. Masayo's essay provide a singular perspective on the pictorial universe of Remedios Varo and is accompanied by magnificent reproductions of her most important paintings.The group of works included in this book was part of the exhibition In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States, which visited various venues in the Unites States and Canada in 2012.
David Smith is giving his life for his art—literally. Thanks to a deal with Death, the young sculptor gets his childhood wish: to sculpt anything he can imagine with his bare hands. But now that he only has 200 days to live, deciding what to create is harder than he thought, and discovering the love of his life at the 11th hour isn't making it any easier! This is a story of desire taken to the edge of reason and beyond; of the frantic, clumsy dance steps of young love; and a gorgeous, street-level portrait of the world's greatest city. It's about the small, warm, human moments of everyday life...and the great surging forces that lie just under the surface. Scott McCloud wrote the book on how comics work; now he vaults into great fiction with a breathtaking, funny, and unforgettable new work.
Today, Churubusco is a residential suburb of Mexico City. In 1847, it was the stronghold of the San Patricios, a motley battalion of soldiers ― even some runaway American slaves ― who deserted the United States Army for a just, if suicidal, cause. In this graphic novel, Ferraris uses a bold charcoal technique to tell their story through the eyes of Gaetano Rizzo (based on a real U.S. soldier). A 22-year-old Sicilian immigrant, he joins the U.S. Army, who has promised him citizenship and a parcel of land if he will fight to take California away from Mexico. Soon, he sees sees the cruelty he is being ordered to inflict is no different from what he had escaped from in his home country.
WHEN MEXICAN FOLKORE MEETS U.S. POP CULTURE!!!! Border Bang is a passionate love letter to the Tijuana and US border, documenting the bootleg artifacts sold to locals and tourists alike. Reappropriating the bombardment of pop culture images is the border’s reaction to global issues and events, telling viewers and consumers not to glorify these situations but rather to acknowledge them through their subversive presentation. Border artisans and shysters digest the influx of international popular culture, reappropriating and reconfiguring images to express themselves and empower objects with subversive ideas masked underneath bold colors and text. Raised in Tijuana, Gutierrez crossed the border to the US to attend elementary and middle school. Each day, he was dazzled and entranced by the objects being sold, creating alternative narratives to the cartoon characters and celebrity portraits that he saw. Border Bang is a reflection of his childhood narrative, using images from Mickey Mouse to Tupac Shakur to convey the reflections and meditations of global events as witnessed by the border, exploring his love affair with Mexican pop and folk culture.
Winner, 2018 ASFS (Association for the Study of Food and Society) Book Award, Edited Volume This collection of new essays offers groundbreaking perspectives on the ways that food and foodways serve as an element of decolonization in Mexican-origin communities. The writers here take us from multigenerational acequia farmers, who trace their ancestry to Indigenous families in place well before the Oñate Entrada of 1598, to tomorrow’s transborder travelers who will be negotiating entry into the United States. Throughout, we witness the shifting mosaic of Mexican-origin foods and foodways in the fields, gardens, and kitchen tables from Chiapas to Alaska. Global food systems are also considered from a critical agroecological perspective, including the ways colonialism affects native biocultural diversity, ecosystem resilience, and equality across species, human groups, and generations. Mexican-Origin Foods, Foodways, and Social Movements is a major contribution to the understanding of the ways that Mexican-origin peoples have resisted and transformed food systems. It will animate scholarship on global food studies for years to come.
The horse’s hoofs rang loudly on the boards as the wagon rolled onto the bridge. Suddenly there was a loud crack, a shower of hot lead, then a grinding, splintering crash. In a matter of seconds the stream became a bloody turmoil of screaming horses and men! Again the vicious killers struck without warning and disappeared without a trace. They would stop at nothing to realize their mad dream of empire and untold wealth! To bring them to justice was Jim Hatfield’s mission. And as the Texas Ranger set forth to find their hidden haunt he became a marked target of death!
POLLEN'S WOMEN is a lush visual archive selected from the hundreds of jaw-dropping illustrations artist Samson Pollen provided for men's adventure magazines (MAMs) from the 1950s through the 1970s. Nobody painted beautiful and dangerous femmes like Pollen! Deluxe hardcover edition with an autobiographical introduction by the artist.
One of the world's most remarkable outdoor art treasures lies hidden in plain sight along Chicago's Lake Michigan shoreline. For most of its length it is lined with thousands of works of art -- carvings in stone, many of them spectacular, most by anonymous creators, and almost none of them noticed by the millions of people who enjoy the city's unobstructed shore. This book documents some of the best of the carvings with a rich selection of photos, and it tells the story of the carvings, the carvers and the lakefront where they worked.
Joyce Taylor was a nice high school girl, maybe a little wild, and when she is kicked out of school for doing a bump-and-grind number on a cafeteria table she moves to the big city and gets a job. There she meets a man who introduces her to the smoky world of jazz and before she knows it, she's inhaled some of that sweet, sweet smoke. When the cops get in on the action the misery starts and Joyce finds herself on a roller coaster ride to oblivion. N.R. de Mexico wrote as if he knew his subject, yet refrained from getting as preachy about dope as many of his contemporaries did. The pot-smoking jazz scene of the 50s is well described and filled with smart, sympathetic people. "Marijuana Girl will get you through times of no money better'n money will get you through times of no Marijuana Girl." -- Knees Calhoon
Rayguns and rockets! Spacesuited heroes caught in the tentacles of evil insectoid aliens! Who could resist such wonders? Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. The stories were often conceived around a pre-commissioned cover and a title suggested by the publisher, and the writers were paid by the word, and sometimes not paid at all. Titles were knocked out at a key-pounding pace, sometimes over a weekend, by authors now lost to literary history (plus a few professionals who could spot an opportunity) who were forced to write under pseudonyms like Ray Cosmic, Steve Future, Vector Magroon or Vargo Statten. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing.