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Metropolitan Museum Journal represents a richly illustrated study of well-known works in the Museum's collections, including pieces not on permanent display, selections from important exhibitions that have visited the Museum, and related works in other collections. Reflecting the breadth and depth of the Museum's encyclopedic collections, the Journal's range expands as the Museum grows. Volume 32 features articles cataloguing a number of ancient objects in the collection--such as Roman figure-engraved glass, gold rings, and fibulae as well as Flemish harpsichords and virginals and a group of eighteenth-century Russian table snuffboxes--and essays revealing new research on the Museum's seventeenth-century reception room from Damascus and identifying the subjects in a portrait by Martin van Meyens the Younger and in an Italian portrait by Ippolito Buzio.
This journal represents an illustrated study of well-known works in the Metropolitan Museum's (New York) collections, including pieces not on permanent display, selections from important exhibitions that have visited the Museum, and related works in other collections. Reflecting the breadth and depth of the Museum's encyclopedic collections, the volume's range expands as the Museum grows.
The latest volume in the Metropolitan Museum Journal series. Founded in 1968, the Metropolitan Museum Journal is a blind, peer-reviewed scholarly journal published annually that features original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. Its scope encompasses the diversity of artistic practice from antiquity to the present day. The Journal encourages contributions offering critical and innovative approaches that will further our understanding of works of art.
Metropolitan Museum Journal represents a richly illustrated study of well-known works in the Museum's collections, including pieces not on permanent display, selections from important exhibitions that have visited the Museum, and related works in other collections. Reflecting the breadth and depth of the Museum's encyclopedic collections, the Journal's range expands as the Museum grows. Volume 30 features essays on dating the Heliopolis fragment, the seven shields of Behaim, busts of children in renaissance Florence, Ribera's drawing of Niccola Simonelli, two Valadier candelabra, and an English armor made for the King of Portugal.
The latest volume in the Metropolitan Museum Journal series. Founded in 1968, the Metropolitan Museum Journal is a blind, peer-reviewed scholarly journal published annually that features original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. Its scope encompasses the diversity of artistic practice from antiquity to the present day. The Journal encourages contributions offering critical and innovative approaches that will further our understanding of works of art.
The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum's collection. Highlights of volume 54 include conservators' discoveries of Renaissance sculptor Andrea della Robbia's workshop techniques, a new reading of lavishly dressed women on tile panels from 17th-century Iran as courtesans, and John Singer Sargent's decisive role in choosing his socialite sitters' fashionable dress.