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Metropolitan Belgrade presents a sociocultural history of the city as an entertainment mecca during the 1920s and 1930s. It unearths the ordinary and extraordinary leisure activities that captured the attention of urban residents and considers the broader role of popular culture in interwar society. As the capital of the newly unified Yugoslavia, Belgrade became increasingly linked to transnational networks after World War I, as jazz, film, and cabaret streamed into the city from abroad during the early 1920s. Belgrade’s middle class residents readily consumed foreign popular culture as a symbol of their participation in European metropolitan modernity. The pleasures they derived from entertainment, however, stood at odds with their civic duty of promoting highbrow culture and nurturing the Serbian nation within the Yugoslav state. Ultimately, middle-class Belgraders learned to reconcile their leisured indulgences by defining them as bourgeois refinement. But as they endowed foreign entertainment with higher cultural value, they marginalized Yugoslav performers and their lower-class patrons from urban life. Metropolitan Belgrade tells the story of the Europeanization of the capital’s middle class and how it led to spatial segregation, cultural stratification, and the destruction of the Yugoslav entertainment industry during the interwar years.
Winner of theMihajlo Misa Djordjevic Book Prizeawarded by the North American Society for Serbian Studies Metropolitan Belgrade presents a sociocultural history of the city as an entertainment mecca during the 1920s and 1930s. It unearths the ordinary and extraordinary leisure activities that captured the attention of urban residents and considers the broader role of popular culture in interwar society. As the capital of the newly unified Yugoslavia, Belgrade became increasingly linked to transnational networks after World War I, as jazz, film, and cabaret streamed into the city from abroad during the early 1920s. Belgrade’s middle class residents readily consumed foreign popular culture as a symbol of their participation in European metropolitan modernity. The pleasures they derived from entertainment, however, stood at odds with their civic duty of promoting highbrow culture and nurturing the Serbian nation within the Yugoslav state. Ultimately, middle-class Belgraders learned to reconcile their leisured indulgences by defining them as bourgeois refinement. But as they endowed foreign entertainment with higher cultural value, they marginalized Yugoslav performers and their lower-class patrons from urban life. Metropolitan Belgrade tells the story of the Europeanization of the capital’s middle class and how it led to spatial segregation, cultural stratification, and the destruction of the Yugoslav entertainment industry during the interwar years.
This book highlights Belgrade, reviewing its recent and historical developments and emphasizing its major ongoing planning projects. The book is divided into eight chapters. The first, entitled The urban, political and socioeconomic rise and fall of Belgrade through its history, introduces the reader to the city, and is followed by a chapter on Belgrade’s urban plans through history. The book continues with a chapter on one of the major urban projects in the former Yugoslavia, the construction of New Belgrade, its development and results, entitled New Belgrade: from no man’s land to modern city. In turn, the following three chapters explore three dominant contemporary topics: Belgrade’s riverfront redevelopment; Reimaging Belgrade: the case of Savamala; and Sustainable Belgrade. Expansion of the pedestrian zone in the city center. The book draws to a close with a chapter on Future predictions: South-Eastern European metropolis of the 21st century. This chapter in particular discusses large city projects and includes predictions about the city’s future.
Religious figures of remembrance served to consolidate dynastic rule and later nation-state legitimacy and community. The study illuminates the interweaving of (Eastern) Roman, medieval Serbian and Bulgarian, as well as Ottoman and Western European national discourses culminating in the sacralization of the nation.
This book constitutes the proceedings of the 18th International Conference on Computer Information Systems and Industrial Management Applications, CISIM 2019, held in Belgrade, Serbia, in September 2019. The 43 full papers presented together with 3 abstracts of keynotes were carefully reviewed and selected from 70 submissions. The main topics covered by the chapters in this book are biometrics, security systems, multimedia, classification and clustering, industrial management. Besides these, the reader will find interesting papers on computer information systems as applied to wireless networks, computer graphics, and intelligent systems. The papers are organized in the following topical sections: biometrics and pattern recognition applications; computer information systems; industrial management and other applications; machine learning and high performance computing; modelling and optimization; various aspects of computer security.
This sweeping history of the Serbian people starts with the settlement of the Slavs on the Balkan Peninsula in the seventh century and ends with the dissolution of Yugoslavia at the end of the twentieth century. A comprehensive survey of the development of the Serbian nation. Provides the background history of the Serbs, essential to understanding their current situation. Traces the history of the Serbian people from the seventh through to the late twentieth century. Focuses on the process of integration and disintegration which have characterised Serbian history. Pays detailed attention to socio-economic history.
In Chosen Places. Constructing New Jerusalems in Slavia Orthodoxa, Jelena Erdeljan focuses on the Old Testament topic of the divinely-chosen status of Jerusalem and translatio Hierosolymi, including the history, process and media of formulating and disseminating this idea and its spatial-visual matrix in Christian visual culture. Firstly the study presents the case of Constantinople, the capital of the Byzantine Empire, as New Jerusalem, and secondly, in relation to Constatinople, discussion focuses on the cases of the capitals of Slavia Orthodoxa in the later Middle Ages: Turnovo, Belgrade and Moscow. The idea of Jerusalem corresponds with the idea of a mystical center, the center of the historical Christian world, which travels and follows the path of eschatologial realisation.
This book presents the first comprehensive account of the changing ecumenical relationships between Britain and Serbia. While the impetus for the collection is the commemoration of the Serbian seminarians who settled in and around Oxford towards the end of the First World War, the scope is much broader, including detailed accounts of the relationships between the Church of England and Serbia and its Orthodox Church from the middle of the nineteenth century until World War II. It includes studies of leading thinkers from the period, especially the charismatic Nikolaj Velimirović. The contributors use many unpublished resources that reveal the centrality of the churches in promoting the Serbian cause through the course of the First World War and in its aftermath.
Resulting from a twenty-year period of research, this book seeks to challenge contradictions between the concepts of national and modern architectures promoted among the most pronounced national groups of Yugoslavia: Serbs, Croats and Slovenes. It spans from the beginning of their nation-building programs in the mid-nineteenth century until the collapse of unified South Slavic ideology and the outbreak of the Second World War. Organized into two parts, it sheds new light onto the question of how two conflicting political agendas – on one side the quest for integral Yugoslavism and, on the other, the fight for strictly separate national identities – were acknowledged through the architecture and urbanism of Belgrade, Zagreb and Ljubljana. Drawing wider conclusions, author Tanja D. Conley investigates boundaries between two opposing yet interrelated tendencies characterizing the architectural professional in the age of modernity: the search for authenticity versus the strive towards globalization. Urban Architectures in Interwar Yugoslavia will appeal to researchers, academics and students interested in Central and Eastern European architectural history.