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Leviathan is making its move on Metropolis, and they’re looking to recruit Lex Luthor and his Legion of Doom to increase their power base! But will that be enough to take on Superman’s city? Because the Man of Steel has friends of his own...and it’s time to call on the Justice League and their teen counterparts, Young Justice, to take a stand against the forces of evil and stop Leviathan from reducing Metropolis to rubble! Don’t miss this colossal story arc collected from Action Comics #1017-1021!
PC Bob is a puppet who turned into a human being because of cosmic ray from the constellations of Vulpecula and when a double rainbow lighted up the skyline with a dash of colours over the metropolis. He speaks several languages and fights crime, doing free running and capoeira. The puppet is alive. His bones are strong—with moving soul, mind, and heart. He reports for duty wearing his blue uniform, shiny shoes, and police helmet with a police plate full of toys coming out from a toy box. He serves the Queen and the community in the office of the constables of the metropolis of Londinium with fairness, trustworthiness, hard work, and transparency. He is always willing to protect others. He is never off duty. He has an immense willingness to serve and help others in need, and when something needs to be done, he does it.
Pulitzer Prize Finalist and Anisfield-Wolf Award Winner In New York Burning, Bancroft Prize-winning historian Jill Lepore recounts these dramatic events of 1741, when ten fires blazed across Manhattan and panicked whites suspecting it to be the work a slave uprising went on a rampage. In the end, thirteen black men were burned at the stake, seventeen were hanged and more than one hundred black men and women were thrown into a dungeon beneath City Hall. Even back in the seventeenth century, the city was a rich mosaic of cultures, communities and colors, with slaves making up a full one-fifth of the population. Exploring the political and social climate of the times, Lepore dramatically shows how, in a city rife with state intrigue and terror, the threat of black rebellion united the white political pluralities in a frenzy of racial fear and violence.
When Empire appeared in 2000, it defined the political and economic challenges of the era of globalization and, thrillingly, found in them possibilities for new and more democratic forms of social organization. Now, with Commonwealth, Michael Hardt and Antonio Negri conclude the trilogy begun with Empire and continued in Multitude, proposing an ethics of freedom for living in our common world and articulating a possible constitution for our common wealth. Drawing on scenarios from around the globe and elucidating the themes that unite them, Hardt and Negri focus on the logic of institutions and the models of governance adequate to our understanding of a global commonwealth. They argue for the idea of the “common” to replace the opposition of private and public and the politics predicated on that opposition. Ultimately, they articulate the theoretical bases for what they call “governing the revolution.” Though this book functions as an extension and a completion of a sustained line of Hardt and Negri’s thought, it also stands alone and is entirely accessible to readers who are not familiar with the previous works. It is certain to appeal to, challenge, and enrich the thinking of anyone interested in questions of politics and globalization.
Loved for his decidedly American voice, for his painterly rendering of modern urban settings, and for his ability to re-imagine a living language shaped by the philosophy of “no ideas but in things,” William Carlos Williams (1883-1963) left an indelible mark on modern poetry. As each successive generation of poets discovers the “new” that lives within his work, his durability and expansiveness make him an influential poet for the twenty-first century as well. The one hundred and two poems by one hundred and two poets collected in Visiting Dr. Williams demonstrate the range of his influence in ways that permanently echo and amplify the transcendent music of his language. Contributors include: Robert Creeley, David Wojahn, Maxine Kumin, James Laughlin, A. R. Ammons, Wendell Berry, Heid Erdrich, Frank O’Hara, Lyn Lifshin, Denise Levertov, Wallace Stevens, John Ashbery, Allen Ginsberg, and a host of others.
“A grand and thrilling selection of Hoosier writing presented through the fraught lens of Christmas . . . a fascinating and utterly enjoyable read.” —Michael Dahlie, award-winning author of The Best of Youth In An Indiana Christmas, editor Bryan Furuness brings together timeless short stories, poems, plays, and letters to help you get into the holiday spirit. Lose yourself in classics like “In God We Trust: All Others Pay Cash” by Jean Shepherd, which inspired the beloved movie A Christmas Story, and “A Feel in the Christmas Air”by James Whitcomb Riley, along with more recent literary works like “The Myth of the Perfect Christmas Photo Family” by Kelsey Timmerman and “While Mortals Sleep” by famed Indiana writer Kurt Vonnegut. To achieve the perfect combination of Christmas nostalgia and cheer, Furuness has curated Hoosier stories that allow you to experience an idyllic holiday gathering in “Indiana Winter” by Susan Neville, feel the excitement of a child on Christmas Eve with “Earthbound” by Barbara Shoup, and face the loneliness of a drifter on Christmas night in “Howard Garfield, Balladeer” by Edward Porter. The collection even offers the chance to read a Christmas war dispatch from the late, great Hoosier journalist Ernie Pyle. Heartfelt and unique, “the stories, poems, and essays in An Indiana Christmas will stay with you long after reading, no matter the season” (Sarah Layden, author of The Story I Tell About Myself). “A curl-up book you will savor year after year.” —Margaret McMullan, author of Where the Angels Lived