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(Music Sales America). Cinco estudios para guitarra flamenco en cifra y musica (rasgueis, tecnica y estilos) por Andres Batista. Conocimientos basicos para el aprendizaje de la guitarra, en cualquiera de sus especialidades.
This book, written in both English and Spanish is the most authoritative method available on flamenco guitar technique. Juan Serrano is one of the world's premier flamenco concert soloist and is a seasoned teacher and performer in this vibrant, colorful musical genre. the text describes the history and development of flamenco music; teaches basic music theory; presents developmental studies on flamenco guitar techniques such as rasgueado and tremolo; and offers 14 exciting flamenco guitar solos. Written in notation and tablature.
Intended as a primer to Introduction to the Flamenco Guitar. With standard notation, instructional photos, instructional text, guitar chord diagrams and chord names. Learn To Play and Technique.
This beginning guitar method is written for aspiring classical or flamenco guitarists who want to learn how to read music up to the intermediate level. Music from the Spanish tradition such as Romanza, Pica-Pica, El Vito, Café de las Chinitas, Perfidía, La Virgen de la Macarena and flamenco music of Juan Serrano provides a technical and musical foundation that improves facility in playing scales, arpeggios, tremelo, and rasgueado.Tablature is not included as the one of the primary aims of this book is to improve note reading and the comprehension of the fundamental elements of music. Performances of all musical examples are available online that includes one performance at tempo for each of the more than 230 musical examples. Short repertoire pieces from Gaspar Sanz, Dionisio Aguado, Fernando Sor, Mauro Guiliani, Ferdinand Carulli, and Mateo Carcassi are included at the end of the book and are repertoire studies that will prepare guitarists for further study in classical and/or flamenco guitar.
(Schott). Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work, which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to, it also conveys the authentic sound and the pulsating "compas" of this music. This is the only way to learn to play the music properly yourself. This is an excellent self-study course that includes many photographs, some to illustrate techniques, others of guitars, guitarists, etc. Self-contained chapters cover all basic techniques plus compas, palmas, nail care, and an overview of current guitarists, guitar makers, construction and sound of Flamenco guitars, etc. All musical examples are in standard notation and tablature (tabs), and performed on the accompanying CD. Volume 1: Lesson 1 * 5, Volume 2: Lesson 6 * 10 (English). Preface * The Author * Text Styles Used in This Book * About this CD * Posture * The Sound of the Flamenco Guitar * Gingerlabelling * Rasgueo * One-Finger-Rasgueo * 3-Finger-Rasgueo * 4-Finger-Rasgueo * Continuing Rasgueo * Pulgar * Pulgar and ima-Downstroke * Pulgar and Rasgueo * Remate * Pulgar-Downstroke * Ayudado * Golpe * Golpeador * i- and p-Downstroke with Golpe * m-Golpe with Downstroke * The Rumba-Stroke * Tresillos * a-m-i-p-Rasgueo * Guitarra Flamenca * Guitarreros * Guitarreros actual * La Cejilla * Guitarristas actual * Unas * Palmas * Compas * Modo Dorico * Glossary * Contents of Volume 2 * Adresses
(Schott). Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work, which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. This is an excellent self-study course that includes many photographs, some to illustrate techniques, others of guitars, guitarists, etc. Self-contained chapters cover all basic techniques plus compas, palmas, nail care, and an overview of current guitarists, guitar makers, construction and sound of Flamenco guitars, etc. Volume 2 includes info on: Posture * The Sound of the Flamenco Guitar * Gingerlabelling * Rasgueo * One-Finger-Rasgueo * 3-Finger-Rasgueo * 4-Finger-Rasgueo * Continuing Rasgueo * Pulgar * Pulgar and ima-Downstroke * Pulgar and Rasgueo * Remate * Pulgar-Downstroke * Ayudado * Golpe * Golpeador * i- and p-Downstroke with Golpe * m-Golpe with Downstroke * The Rumba-Stroke * Tresillos * a-m-i-p-Rasgueo * Guitarra Flamenca * Guitarreros * Guitarreros actual * La Cejilla * Guitarristas actual * Unas * Palmas * Compas * Modo Dorico * Glossary, and more. Please note: The CD included with volume 1 (HL49008401) contains all the pieces and musical examples for volumes 1 and 2.
Flamenco-guitarskole.
The legendary flamenco guitarist and best-selling Mel Bay Publications author, Juan Serrano, is well-known for his sound recordings, transcriptions of his music, and technical methods for flamenco guitar. Now the music that formed his technical repertory and was the musical foundation given to his by his father, Antonio el del Lunar, (guitarist for all the flamenco singers of his time including Pastora Pavon-Nina de los Peines) is at your fingertips in this book that contains completely unreleased flamenco puro that is the foundation of one of the world's leading guitarists. These falsetas or variations on flamenco forms (toques) are graded so they are valuable for beginners, intermediate, advanced, and professional flamenco guitarists-or for classical guitarists that want to learn flamenco.This book is a repertoire book that is a valuable supplement to other Juan Serrano books on Mel Bay, such as Flamenco Guitar: Basic Techniques, or the Flamenco/Classical Tradition: A Technical Guitar Method and Introduction to music. This new book includes standard notation and guitar tablature. This repertoire allows students to solidify right-hand arpeggios, rasgueados, and picados; and left-hand techniques such as ligados and apagados, while learning valuable repertoire that can be used by the concert artist.
Since the 19th century beginnings of the flamenco guitar style in Spain, the flamenco/classical guitar relationship has always existed; this 3-book method series—begun by Juan Serrano and Corey Whitehead and extended by Whitehead’s collaboration with Richard Marlow—is simply the first to point out and dive deep into what has always been a single cross-cultural relationship. In addition to the unique classical/flamenco repertoire included in this book, the flamenco history presented here is essential. It makes the origins of dozens of rhythmic flamenco song and dance forms crystal clear. Why, for example, does the Spanish word, palo (stick), continually pop up in flamenco literature? This book reveals that, even before the guitar was used in flamenco song and dance accompaniment, the actual stick from a butter churn was used to mark time. Most guitarists are familiar with the CAGED guitar chord system, i.e., the use of the five basic first-position key/chord patterns to explore the mid and upper regions of the fretboard with or without a capo. Volume 2 includes a comprehensive introduction to fretboard harmony and explores the CAGED system thoroughly with standard notation and chord grids. Whitehead goes so far as to develop an entire scale system based on the CAGED concept. Imagine what that system might do for your intuitive fretboard knowledge and sightreading ability. While unfamiliar with rasgueado (strumming) or alzapúa (“raise the thumb”) techniques, classical guitarists already have a head start in their approach to flamenco; good guitar technique is simply good technique in either style. Through its reasoned, progressive blending of history and flamenco/classical repertoire, this series removes the perceived barriers in thinking about and playing the two styles, revealing that they are truly one tradition as the series title clearly states. To encourage better sightreading, The Flamenco/Classical Guitar Tradition series is written in standard notation only; each book includes extensive online audio tracks for authenticity and ease of learning.