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This book explores the techniques, themes, and subtexts in the fictional works of one of America's best-known and most-loved storytellers, Stephen King. Each of King's novels are analyzed in chronological order of their publication from Carrie to Holly. Every novel's analysis includes a background and summary, narrative devices, archetypes that influenced the novel, themes and subtexts, human universals, interesting facts, and notable quotes. As an invaluable resource for any Stephen King "Constant Reader" and students of literature in general, this work appreciates the beauty of King's fiction without needing to master the jargon of contemporary literary criticism.
Many academics dismiss Stephen King as a mere genre writer, an over-glorified bestseller who appeals to the masses, but lacks literary merit. This critical analysis of King's epic novel The Stand makes a case for the horror master as a literary writer. A careful consideration of The Stand's abstract themes, characters, setting, and text reveals how King's work brims with the literary techniques that critics expect of a serious writer and the haunting questions that mark enduring literature. A thoughtful deliberation on so-called "escapist" fiction in the world of literature as well as an informed examination of one of King's most famous books, this work paves the way for future studies of other King novels.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past... What was the worst thing you’ve ever done? In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives. But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever...
Drawing upon methods used in literary analysis and textual interpretation, this book proposes a new reading of Stephen King's fiction as a literary reflection on the artistic identity of the writer and on writing and shows that horrific descriptions do not necessarily exclude metafiction.
#1 New York Times bestselling author Stephen King’s beloved novella, Rita Hayworth and Shawshank Redemption—the basis for the Best Picture Academy Award–nominee The Shawshank Redemption—about an unjustly imprisoned convict who seeks a strangely satisfying revenge, is now available for the first time as a standalone book. A mesmerizing tale of unjust imprisonment and offbeat escape, Rita Hayworth and Shawshank Redemption is one of Stephen King’s most beloved and iconic stories, and it helped make Castle Rock a place readers would return to over and over again. Suspenseful, mysterious, and heart-wrenching, this iconic King novella, populated by a cast of unforgettable characters, is about a fiercely compelling convict named Andy Dufresne who is seeking his ultimate revenge. Originally published in 1982 in the collection Different Seasons (alongside “The Body,” “Apt Pupil,” and “The Breathing Method”), it was made into the film The Shawshank Redemption in 1994. Starring Morgan Freeman and Tim Robbins, this modern classic was nominated for seven Academy Awards, including Best Picture, and is among the most beloved films of all time.
The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton First published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction combines approaches from science and literary theory to examine the canon of Stephen King’s fiction work in a single critical study. James Arthur Anderson has devised the concept of Darwinist Hermeneutics as a critical tool to combine evolutionary psychology, neuroscience, biology, and literary Darwinism with other more conventional critical theory, including structuralism, narratology, semiotics, and linguistic analysis. Using this theory, Anderson examines King’s works in terms of archetypes and mythology, human universals, affective emotions, and the organization of story to create maximum suspense. This method brings new insights into King’s stories and broader implications for storytelling as a whole.
This unique and timely collection examines childhood and the child character throughout Stephen King’s works, from his early novels and short stories, through film adaptations, to his most recent publications. King’s use of child characters within the framework of horror (or of horrific childhood) raises questions about adult expectations of children, childhood, the American family, child agency, and the nature of fear and terror for (or by) children. The ways in which King presents, complicates, challenges, or terrorizes children and notions of childhood provide a unique lens through which to examine American culture, including both adult and social anxieties about children and childhood across the decades of King’s works.
This is a reprint of a classic horror novel, Burnt Offerings by Robert Marasco with a new introduction and artwork.