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Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique. On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on: Sense Memory -- the most vital component of Method acting Improvisation -- without it, the most integral part of the Method is lost Animal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a character Creating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the character On Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions.
Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man
National Book Critics Circle Award Winner, Nonfiction NAMED ONE OF THE BEST BOOKS OF 2022 BY THE NEW YORKER, TIME MAGAZINE, SAN FRANCISCO CHRONICLE, VOX, SALON, LIT HUB, AND VANITY FAIR “Entertaining and illuminating.”--The New Yorker * “Compulsively readable.”--New York Times * “Delicious, humane, probing.”--Vulture * “The best and most important book about acting I've ever read.”--Nathan Lane The critically acclaimed cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his “system” remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks--including Stella Adler, Lee Strasberg, and the storied Group Theatre--refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. The Group's feuds and rivalries would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential--and misunderstood--ideas in American culture. Studded with marquee names--from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman--The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film.
Fame is fleeting but infamy will haunt you. A voice from the past breaks into P.I. Mac Moynahan’s pre-dawn workout and drags him back to a world of mortal sin and sacred ritual. A vintage playbill pinned to the door of a famous church, a bloody corpse staged in a copycat chapel, a priest bound by the seal of the confessional, some slick hacking by his method-acting office manager, and a few yellowed photographs send Mac in search of answers long-buried among the dead. Broadway legend Leo Albion outlived his fame — but not the one person who hated him enough to track him down and kill him. And as Mac closes in on a motive, if not a suspect, someone is tracking him. A macabre murder, an elusive killer, a missing motive and a twisted tale of wealth and perversion rival the darkest tragedies of Shakespeare.
Serial killing is an extremely rare phenomenon in reality that is none-theless remarkably widespread in the cultural imagination. Moreover, despite its rarity, it is also taken to be an expression of characteristic aspects of humanity, masculinity, or our times. Richard Dyer investigates this paradox, focusing on the notion at its heart: seriality. He considers the aesthetics of the repetition of nastiness and how this relates to the perceptions and anxieties that images of serial killing highlight in the societies that produce them. Shifting the focus away from the US, which is often seen as the home of the serial killer, Lethal Repetition instead examines serial killing in European culture and cinema – ranging from Scandinavia to the Mediterranean and from Britain to Romania. Spanning all brows of cinema – including avant-garde, art, mainstream and trash – Dyer provides case studies on Jack the Ripper, the equation of Nazism with serial killing, and the Italian giallo film to explore what this marginal and uncommon crime is being made to mean on European screens.
A Theatre group is holding auditions for a Murder Mystery called "Death of A Disco Dancer". All of the typical actors show up to audition. There is Mia Monahan - the militant method actress, Amber Frost- the ditzy Drama queen, Chad - the energetic actor who never seems to get a part in anything, Alan- the accomplished Theatre Major who works at a fast-food place in the meantime. Troy May - the ego-centric actor who always gets a role and his gorgeous assistant Tantanya who holds his imported bottled water and carries his Portfolio. And last but not least, Mrs. Needleman and her precious daughter Julie, fresh from the Little Miss Pumpkin Pageant finals. The auditions get underway without too many problems, well a few.. Well, all right, you see, the thing is.. the Director Vivian Vinderlou and assistant director Reed Moore have a bit of the problem with "script". The problem is they don't have enough copies for everyone. And the bigger problem is they don't actually have a finished script. Jim Culter- the playwright arrives in the nick of time with a few more copies and a few more finished pages just as one of the actors mysteriously dies. As luck would have it, Jim has brought Inspector Bonnie Brauvera along to the auditions to serve as Technical advisor for the play. Perhaps the investigation into this "mysterious death" will inspire the playwright and help him finish the play. After all, there is a read-through on Monday.
From USA Today bestselling author Leslie Langtry comes an epic murder mystery, ten years in the making... Welcome to the Museum of Murder! Who knew that the town of Who’s There was the murder capital of Iowa? And its new Museum of Murder is a hit, though Ex-CIA spy turned Girl Scout leader, Merry Wrath is less than happy that she’s featured in the exhibits. Besides its quirky and somewhat disturbing charm (and a gift shop with questionable practices), everyone wants to know who’s behind Who’s There’s hottest attraction? Some speculate it’s hometown boy Sheldon McBride—a reclusive, ultra-wealthy inventor of ethanol-fueled cars, drones (and, rumor has it, a flock of robot turkeys). Be careful, or you might become the next exhibit! This weird new museum should be nothing but harmless fun... that is until a killer recreates copycat murders among the exhibits! As usual, chaos follows as Merry's troop wants to hand out rotting shark snacks for their Thinking Day booth on Iceland, the dreaded annual cookie sales are coming up, Future Spy of America Betty has a boyfriend, and Merry becomes an aunt for the first time when her twin sisters-in-law finally have their baby boys. Unfortunately, the addition of the new infant citizens isn’t enough to save Who’s There from a population drop as the killer goes on a spree. Merry has no time to lose to catch a killer before she becomes an exhibit of her own…permanently! What critics are saying about Leslie Langtry's books: "I laughed so hard I cried on multiple occasions! Girl Scouts, the CIA, and the Yakuza... what could possibly go wrong?" ~ Fresh Fiction "Darkly funny and wildly over the top, this mystery answers the burning question, 'Do assassin skills and Girl Scout merit badges mix…?'" ~ RT BOOKreviews "Mixing a deadly sense of humor and plenty of sexy sizzle, Leslie Langtry creates a brilliantly original, laughter-rich mix of contemporary romance and suspense." ~ Chicago Tribune "Langtry gets the fun started from page one." ~ Publisher's Weekly
Dr. Weinkauf provides a complete overview of Ngaio Marsh's crime novels, from her beginnings in 1934 to her final book, "Light Thickens," published posthumously in 1982.
When mystery bookstore owner Annie Laurance is invited to teach "The Three Great Ladies of the Mystery" class at Chastain Community College, the sometime sleuth discovers that all is not strictly academic in Chastain's hallowed halls of learning. And when a shocking scandal in the school newspaper erupts in a suicide and two violent deaths, Professor Laurance enlists the talents of her new hubby, private eye Max Darling, and dons her thinking cap to probe intrigue and vengeance among Chastain's faculty. A Dangerous Thing Max and Annie, with dubious help from three of their own great ladies of the mystery -- Annie's pixilated mother-in-law, a batty local dowager, and a Christie crime fanatic -- learn that just about everyone at the school had means, motive, and access to the murder weapons. From the secretly boozing professor of advertising to the muscle-bound campus cad who barters passing grades for a little extracurricular activity, anyone on the faculty is a possible killer -- waiting to strike again!
A brilliant historical mystery series begins: in gaslit Victorian London, writer Thomas De Quincey must become a detective to clear his own name. Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London forty-three years earlier. The blueprint for the killings seems to be De Quincey's essay On Murder Considered as One of the Fine Arts. Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter Emily and a pair of determined Scotland Yard detectives. In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.