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Metaphysical Shadows: The Persistence of Donne, Herbert, Vaughan, and Marvell in Contemporary Poetry examines the ways in which the poetry of John Donne, George Herbert, Henry Vaughan, and Andrew Marvell continues to speak to working poets today. Modern Anglophone poets, from T. S. Eliot and Archibald MacLeish in the 1920s and 1930s to Seamus Heaney, Maureen Boyle, Alfred Corn, Anne Cluysenaar, Kimberly Johnson, and Jericho Brown in the twenty-first century, have found in the work of John Donne, George Herbert, Henry Vaughan, and Andrew Marvell a strikingly modern intellectualism, an emotional intensity, and a verbal richness that have inspired their own poems. Traces of this inspiration appear in echoes, allusions, direct responses, and similarities in approach and method as poets create new work in their own distinct voices. Such contemporary engagements furnish us with cues for how literary studies might approach the literature of the past without sacrificing it in the name of critique. They also demonstrate the continuing relevance of seventeenth-century English metaphysical poetry in the twenty-first century. The poems of Donne, Herbert, Vaughan, and Marvell still have the power to cast shadows.
Hegel frequently claimed that the heart of his entire system was a book widely regarded as among the most difficult in the history of philosophy, The Science of Logic. This is the book that presents his metaphysics, an enterprise that he insists can only be properly understood as a “logic,” or a “science of pure thinking.” Since he also wrote that the proper object of any such logic is pure thinking itself, it has always been unclear in just what sense such a science could be a “metaphysics.” Robert B. Pippin offers here a bold, original interpretation of Hegel’s claim that only now, after Kant’s critical breakthrough in philosophy, can we understand how logic can be a metaphysics. Pippin addresses Hegel’s deep, constant reliance on Aristotle’s conception of metaphysics, the difference between Hegel’s project and modern rationalist metaphysics, and the links between the “logic as metaphysics” claim and modern developments in the philosophy of logic. Pippin goes on to explore many other facets of Hegel’s thought, including the significance for a philosophical logic of the self-conscious character of thought, the dynamism of reason in Kant and Hegel, life as a logical category, and what Hegel might mean by the unity of the idea of the true and the idea of the good in the “Absolute Idea.” The culmination of Pippin’s work on Hegel and German idealism, this is a book that no Hegel scholar or historian of philosophy will want to miss.
Roy Sorensen here defends the causal theory of perception by treating absences as causes. He draws heavily on common sense and psychology to vindicate the assumption that we directly perceive absences.
Embracing the darkness is part of divine balance. Everyone has a shadow, a dark side. Exploring the shadow self is not only safe, it's necessary for balance and healing. The author of Goth Craft invites you down a unique magical path for navigating inner and outer darkness and harnessing the shadow for spiritual growth. Shadow Magick Compendium sheds a positive light on this misunderstood and rarely discussed side of magical practice. There are ritual meditations for exploring past experiences, dispelling harmful behavior patterns, and healing a fractured soul. Learn how to safely fast and perform other methods of self-sacrifice, invoke a deity into yourself (godform assumption), get in touch with your Spirit Animal, take advantage of the Dark Moon and eclipses, and perform a unique ritual with your television for a new perspective on society. From astral journeys to sigils to dark herbs, you'll find an array of magical techniques to navigate the shadows and mysteries of yourself and the world at large.
This book is a study of the phenomena of shadows, meant in a broader sense as “symbolic forms”. The shadow is a less real, “surface” replica of some more real form. From the Platonic point of view, empirical objects are “shadows of ideas”, while from the modern “natural” point of view, shadows are seen and conceived primarily as “weaker” replicas of bodies, which give evidence of their material reality. In the first three essays here, several topics from the Ancient Egypt and Greece to modern arts and sciences are considered, while in the fourth essay, the contemporary virtual reality, cyber-technology and the internet as our parallel “shadow world” are discussed from the philosophical point of view. The main and innovative point of this book is the connection between the meaning of shadows in philosophy and art on the one hand, and their role in modern science and technology on the other. The book will appeal to a wide span of readers, from academic circles, students, and artists, to the general reader interested in the humanities, especially in philosophy and art.
Magic lurks in the shadows... Get ready to get your spells on with this limited edition collection of magical paranormal romance and urban fantasy tales. Fall under the captivating charms of Witches, Wizards, Shifters, Vampires, Demons, and other supernatural beings in this anthology featuring strong, spunky heroines and swoon-worthy, charismatic heroes you can’t help but find irresistible. These action-packed, alluring stories will have you begging for more from this talented mix of USA Today bestselling and new-to-you authors. Step into the shadows and let this enchanting edition seduce you today!
A study of imperialism that stretches from ancient Rome to the post-Cold War world and focuses on the Vietnam War, this provocative work boldly revises our assumptions about the genealogy of the West.
The path to spiritual development, or the "walk of life," is not a race, but a deliberate stroll. Shadow Work: A New Guide to Spiritual and Psychological Growth tells readers what they will need to pack in order to make this journey and win the battle with the "shadow."
Tanya Huff, bestselling author of the Blood Price books, starts a new series where a street kid-turned-production assistant must juggle his vampire ex, a crush on a hot straight actor, and the potential end of the world... Working on a direct-to-syndication show about a vampire detective doesn’t much compare to Tony Foster’s past as an actual vampire’s lover. True, he’s still wrangling beautiful people with big egos and the power to crush him, but there are far fewer demons, and TV blood is just corn syrup. When shadows on set start moving independent of the people they’re supposed to be attached to, though, Tony can’t dismiss it as a trick of the light. Especially when he finds the beauty of the week dead in a locked dressing room. Before long, he’s discovered the head of the special effects department is an actual wizard, and brought in his ex, the vampire Henry Fitzroy, to help defend against an attack so terrifying survival seems unlikely. Tony will have to assist his butt off to give them anything like a chance. But being thrust into a spotlight doesn’t make him a hero...