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The Ansaru Allah Community, also known as the Nubian Islamic Hebrews (AAC/NIH) and later the Nuwaubians, is a deeply significant and controversial African American Muslim movement. Founded in Brooklyn in the 1960s, it spread through the prolific production and dissemination of literature and lecture tapes and became famous for continuously reinventing its belief system. In this book, Michael Muhammad Knight studies the development of AAC/NIH discourse over a period of thirty years, tracing a surprising consistency behind a facade of serial reinvention. It is popularly believed that the AAC/NIH community abandoned Islam for Black Israelite religion, UFO religion, and Egyptosophy. However, Knight sees coherence in AAC/NIH media, explaining how, in reality, the community taught that the Prophet Muhammad was a Hebrew who adhered to Israelite law; Muhammad’s heavenly ascension took place on a spaceship; and Abraham enlisted the help of a pharaonic regime to genetically engineer pigs as food for white people. Against narratives that treat the AAC/NIH community as a postmodernist deconstruction of religious categories, Knight demonstrates that AAC/NIH discourse is most productively framed within a broader African American metaphysical history in which boundaries between traditions remain quite permeable. Unexpected and engrossing, Metaphysical Africa brings to light points of intersection between communities and traditions often regarded as separate and distinct. In doing so, it helps move the field of religious studies beyond conventional categories of “orthodoxy” and “heterodoxy,” challenging assumptions that inform not only the study of this particular religious community but also the field at large.
It is not far-fetched to say that much of what is termed “African metaphysics” remains a traditional affair, without the sort of critical analysis that sheds away the burden of myths and ethnocentric rigidity. African ideas about the nature of being, God, causality, death, etc., have largely remained the same and unchallenged, mainly due to the hesitancy of some African scholars to question these suppositions or build beyond them. In this book, Aribiah David Attoe presents a unified African metaphysics that first interrogates important notions held by many traditional African thinkers, and then builds upon them to propose a largely materialistic account of African metaphysics. The book re-imagines and reconstructs the idea of God, being, causality and death in African metaphysics, tackling some of the problems associated with these concepts in African thought. It also opens up new vistas of thought, while engaging and encouraging African metaphysicians to explore a previously ignored perspective.
This book focuses on African metaphysics and epistemology, and is an exercise in decoloniality. The authors describe their approach to "decoloniality" as an intellectual repudiation of coloniality, using the method of conversational thinking grounded in Ezumezu logic. Focusing specifically on both African metaphysics and African epistemology, the authors put forward theories formulated to stimulate fresh debates and extend the frontiers of learning in the field. They emphasize that this book is not a project in comparative philosophy, nor is it geared towards making Africa/ns the object/subjects of philosophy. Rather, the book highlights and discusses philosophical insights that have been produced from the African perspective, which the authors argue must be further developed in order to achieve decoloniality in the field of philosophy more broadly.
The debate on the existence of African philosophy has taken central stage in academic circles, and academics and researchers have tussled with various aspects of this subject. This book notes that the debate on the existence of African philosophy is no longer necessary. Instead, it urges scholars to demonstrate the different philosophical genres embedded in African philosophy. As such, the book explores African metaphysical epistemology with the hope to redirect the debate on African philosophy. It articulates and systematizes metaphysical and epistemological issues in general and in particular on Africa. The book aptly shows how these issues intersect with the philosophy of life, traditional beliefs, knowledge systems and practices of ordinary Africans and the challenges they raise for scholarship in and on philosophy with relevance to Africa.
This collection provides a thorough introduction to African philosophy, literature, religion and anthropology through twenty-five readings from key thinkers. They discuss topics such as African culture, epistemology, metaphysics and religion, political philosophy, aesthetics, and explore rationality and explanation in an African context.
Toni Morrison's Spiritual Vision unpacks an oft-ignored but essential element of her work--her religion--and in so doing gives readers a deeper, richer understanding of her life and her writing. Nadra Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals the role of religion and spirituality in her life and literature.
African metaphysics briefly is a study of the African world and world-view. As a study, it takes a deep and wide look into the nature of ultimate reality for Africans. It looks into the nature of forces or beings in the African Universe, the relationship between the seen and the unseen. African metaphysics is the key to the understanding and interpretation of life, existence, being, in fact reality as a whole as observed in the African Universe. The African sees his universe as essentially a religious one; a unified whole of visible and invisible and this organic whole of the visible world 'spiritually' blends with the divine invisible world to give the African the ultimate whole of life. The African further recognises that the forces in the universe are in constant motion and each force tends to affect another by its motion. This text brings to light the essentials of the African belief system and also with a visible and comprehensively review of the phenomenon of the forces in his environment and how he manipulates or interact with his nature. It is a must read for Africans philosophers, students, researchers and also those who seek to understand the nature of the African universe in relation to his cultural and social environment. It is a philosophical scholarly masterpiece of elaborate metaphysical nature meant to bring to the lamplight the fact that African has a metaphysical philosophy of its own
In the realm of African spiritual pathways, no tradition is so widely embraced and practiced as the West African religion Orisa. Awakened by her own spiritual journey, Tobe Melora Correal, an initiated priestess in the Yoruba-Lukumi branch of Orisa, guides us along this blessed road. FINDING THE SOUL ON THE PATH OF ORISA provides a fresh look at these ancient teachings and emphasizes introspection and inner work over the outward manifestations of Orisa’s practices. Correal debunks misconceptions surrounding the tradition, drawing us into a lushly textured, Earth-centered spiritual system—a compassionate and useful roadmap for revering God.
African Spirituality in Black Women's Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality in Black Women's Fiction traces applications and transformations of African spirituality in black women's writings that culminate in the conscious and deliberate celebration of Africanity in Hurston's Their Eyes Were Watching God. The journey from Wheatley's veiled remembrances to Hurston's explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston's icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women's writings.