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This book casts a fresh look at what to date has been a relatively unexplored question: the enormous value and usefulness of the metaphor in the understanding and writing of history (and at the historical culture reflected by these metaphors). Mapping a wide range of tropes present in historiography and public discourse, the book identifies some of the key metaphorical resources employed by historians, politicians, and journalists to represent time, history, memory, the past, the present, and the future and examines a selection of analytical concepts of a temporal nature, built upon unmistakeably metaphorical foundations, such as modernity, event, process, revolution, crisis, progress, decline, or transition. The analysis of these and other pillars on which modern history has been built, whether as a philosophy of history, as an academic discipline, or as a set of events, will interest graduates and scholars dealing with the historical and social sciences and the humanities in general. Key Metaphors for History offers a broad overview of historiography and historiosophy, from an unfrequented point of view, halfway between conceptual history, theory of history and metaphorology. Moreover, it constitutes a form of self-reflection of the historian on his or her own positionality when researching and writing history.
Edition statement taken from text, page 4 of cover.
By revisiting globalization using an analysis of metaphors, such as 'global village' and 'network society', this volume sheds new light on overlooked dimensions of global politics, redresses outdated conceptualizations, and provides a critical analysis of existing approaches to the study of globalization.
Abstract: The mirror metaphor is ubiquitous in sufi texts. It operates uniquely in Ibn ʿArabiÌ4's thought and writings as a representation of his conception of the cosmos. Being, knowledge, and perfection are among the seminal themes of al-Shaykh al-Akbar's thought, and the mirror metaphor is employed in revealing their reality in his writings. As opposed to Unity of Being, a term that Ibn ʿArabiÌ4 does not employ, the mirror embodies the pillars of Ibn ʿArabiÌ4's conception of Being through representing the quintessential huwa laÌ4 huwa, the configuration of oneness and manyness, and most importantly, the definition of the relation between God and the world. The mirror operates as the connective thread underlying Ibn ʿArabiÌ4's thought. Through his concepts of the image and the 'law of correspondence', the role of the mirror as the configuration possibilizing knowledge, love, and perfection becomes manifest. The rather ordinary metaphor reveals the foundations of al-Shaykh al-Akbar's thought, from rendering existence possible to accomplishing the ultimately epistemic purpose of creation.