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In Metaphorical Metaphysics in Chinese Philosophy: Illustrated with Feng Youlan's New Metaphysics, Derong Chen explores Chinese philosophy through a comprehensive study and critical analysis of Feng Youlan's new metaphysics, proposing a systematic analysis of meaning that differs from the approach of the comparative linguistic analysis that A.C. Graham and Chad Hasen employed in their studies of Chinese philosophy. This detailed analysis of Feng Youlan's new metaphysics demonstrates that Feng's system is not the completely Westernized philosophical system many scholars identify it as, nor is it the pure logical and analytical system Feng himself intended to construct. Rather, the essence and characteristics of the new metaphysics at the core of Feng's philosophical system expose his philosophy as a continuation of the Chinese philosophical tradition in a new era. This approach is most applicable to scholars of comparative philosophy and of any era of Chinese philosophy.
In Metaphorical Metaphysics in Chinese Philosophy: Illustrated with Feng Youlan's New Metaphysics, Derong Chen examines Chinese philosophy through a critical analysis of Feng Youlan's nnew metaphysics. He views metaphysics in Chinese philosophy as a metaphorical metaphysics separate from Western metaphysics. In examining the historical influences and contemporary reaction to Feng's work, he identify's Feng's system as the continuation of the Chinese philosophical tradition. This approach is most applicable to scholars of comparative philosophy and Chinese philosophy.
This book proposes three new metaphysical categories: Meta-One (元一), Multi-One (殊一), and Utter-One (全一). The author argues that this new system of metaphorical metaphysics is rooted in and developed from traditional Chinese philosophy and is the metaphysical foundation of twenty-first century philosophy.
This book seeks to construct and establish the metaphysics of Chinese morals as a formal and independent branch of learning by abstracting and systemizing the universal principles presupposed by the primal virtues and key imperatives in Daoist and Confucian ethics.
The first English-language contributory volume on Chinese metaphysics, covering all major traditions from pre-Qin to the modern period.
This book is a cognitive semantic study of the Chinese conceptualization of the heart, traditionally seen as the central faculty of cognition. The Chinese word xin, which primarily denotes the heart organ, covers the meanings of both "heart" and "mind" as understood in English, which upholds a heart-head dichotomy. In contrast to the Western dualist view, Chinese takes on a more holistic view that sees the heart as the center of both emotions and thought. The contrast characterizes two cultural traditions that have developed different conceptualizations of person, self, and agent of cognition. The concept of "heart" lies at the core of Chinese thought and medicine, and its importance to Chinese culture is extensively manifested in the Chinese language. Diachronically, this book traces the roots of its conception in ancient Chinese philosophy and traditional Chinese medicine. Along the synchronic dimension, it not only makes a systematic analysis of conventionalized expressions that reflect the underlying cultural models and conceptualizations, as well as underlying conceptual metaphors and metonymies, but also attempts a textual analysis of an essay and a number of poems for their metaphoric and metonymic images and imports contributing to the cultural models and conceptualizations. It also takes up a comparative perspective that sheds light on similarities and differences between Western and Chinese cultures in the understanding of the heart, brain, body, mind, self, and person. The book contributes to the understanding of the embodied nature of human cognition situated in its cultural context, and the relationship between language, culture, and cognition.
Chinese-Western Comparative Metaphysics and Epistemology: A Topical Approach features a comparative analysis of the fundamental metaphysical assumptions and their epistemological implications in Chinese and Western philosophy. Adopting the methodology of topical comparison that seeks to correlate two or multiple approaches to the same set of questions raised by a single topic or issue, Mingjun Lu argues for commensurability in Chinese and Western metaphysics of both Nature and the mind, and in the epistemology of knowledge dictated by these two fundamental hypotheses of the first principle or primary cause. Lu explores this philosophical commensurability through a comparative analysis of the canonical works written by Plato, Aristotle, Bacon, Descartes, and Leibniz on the Western side, and by Confucius, Laozi, Zhuangzi, Xunzi, Lu Jiuyuan, Zhu Xi, and Wang Yangming on the Chinese side. The parallels and analogues revealed by the comparative lens, Lu proposes, bring to light a coherent and well-developed Chinese metaphysical and epistemological system that corresponds closely to that in the West. By inventing such new categories as cosmo-substantial metaphysics, consonant epistemology, natural hermeneutics, and onto-mind reading to reconceptualize Chinese and Western philosophy, Lu suggests alternative and more commensurable grounds of comparison.
This book is the first systematic and historical account of the Vienna Circle that deals with the relation of logical empiricists with religion as well as theology. Given the standard image of the Vienna Circle as a strong anti-metaphysical group and non-religious philosophical and intellectual movement, this book draws a surprising conclusion, namely, that several members of the famous Moritz Schlick-Circle - e.g., the left wing with Rudolf Carnap, Otto Neurath, Philipp Frank, Edgar Zilsel, but also Schlick himself - dealt with the dualisms of faith/ belief and knowledge, religion and science despite, or because of their non-cognitivist commitment to the values of Enlightenment. One remarkable exception was the philosopher and Rabbi Joseph Schächter, who wrote explicitly on religion and philosophy after the linguistic turn. The book also covers another puzzling figure: the famous logician Kurt Gödel, who wrote on theology and the ontological proof of God in his so far unpublished notebooks. The book opens up new perspectives on the Vienna Circle with its internal philosophical and political pluralism and is of value to philosophers, historians and anybody who is interested in the relation between science and religion.
Covering secret societies, mysterious ancient traditions, and the often-mistaken history of the world's religious symbols, this book takes readers on a tour through the fascinating world of religious symbolism and reveals the most mysterious and misunderstood facets of religion. Hidden Religion: The Greatest Mysteries and Symbols of the World's Religious Beliefs not only explores the history and origins of widely recognizable symbols, like the Christian cross and the Star of David, but also introduces readers to more obscure symbols from religious traditions around the world—even defunct ones like those of the ancient Aztec and Mayan societies. In addition, the book discusses the "religious secrets" found in the major religions, including secret societies of Christianity, Judaism, Islam, and Buddhism. Containing more than 170 entries, the encyclopedia is organized by religious category, such as Abrahamic, East Asian, and African Diasporic religions, then alphabetically within each category. Each entry is prefaced with a short introduction that explains where and when the religious tradition originated and describes the religion today. This information is followed by an analysis of the historical development and use of symbols along with an explanation of connections between symbols used by different religions, such as shared astrological symbolism in the form of moon, sun, or star motifs.
Professor Yang Guorong is one of the foremost living philosophers in China, and is widely known for the development of his “concrete metaphysics.” In Philosophical Horizons Yang offers penetrating discussions of some of the most important issues in modern philosophy—especially those topics related to comparative and Chinese philosophy. Drawing freely and adroitly on Confucian, Daoist, and Buddhist texts, while staging a dialogue with Western thinkers such as from Kant and Hegel to Marx, Heidegger, and Wittgenstein, Yang shows how contemporary Chinese philosophy has adopted, localized, and critically developed Western ideas alongside traditional Chinese concepts.