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Birth, dream, fruits, mother, street,……………………well,……………………….Do not shrug your shoulders dismissively. Do not wave all these words away as plainly pedestrian. Many more simple simons such as these straddle across the English linguistic landscape as powerful and potent metaphors. Only that you should know when, where, and how to use them all as pictorial metaphors. Metaphoric Madness will precisely help you gain that rare expertise. Using simple words as sexy metaphors for a variety of emotions, conditions and circumstances is actually multiplying your word power manifold. Discovering artful metaphors in mundane words is actually mastering quality in communication. Ideally, this book should be the first leg in your new metaphor journey. You are sure to find Metaphoric Madness absorbing and addictive. That addiction will certainly turn out to be creative and constructive. In more ways than one.
Can you describe temptingly low-hanging fruits as tantalising? Are all doomsayers Cassandras? Which is right, squaring the circle or circling the square? Why is the vegetative metaphor in a vegetative state today? When does the arithmetic metaphor become a good metaphor arithmetic? Is botany a metaphor for all hand-me-down knowledge? Can negative words become resonant? Why is Eureka moment fast turning into a weasel metaphor? Yeast and dough – which is the spreading metaphor and which is the accommodating metaphor? Why shouldn’t veneer be used as a respectable metaphor? Is wilderness a metaphor for the down and out? Are all harsh and severe laws draconian? Many more metaphor questions………….Many more answers…………..And many more metaphor stories. Much More Metaphoric Madness is all about metaphor sanity.
Is mothball a metaphor for a proposal abandoned or for a project shelved? When does history become a metaphor for geography? How does the metaphor hive provoke a publication to jettison by-lines for good? How does butterfly win its metaphor battle with the beetle? Can chameleon be a metaphor for a colourful person? When does textbook become a positive metaphor for an individual? What is that useful metaphor in the frog-scorpion fable? Is albatross a metaphor now for power of flight or pathetic plight? Are all hounds pesky metaphors? Why is spine a wrong metaphor for physical heroism? Why isn’t maverick a metaphor for me-toos? Metaphors are everyday business and everyone’s right of speech. So, it is high time you had questions like these answered by an expert. Sure, More Metaphoric Madness brings expert advice, word-pictures and word imagery to your doorsteps, and ensures metaphors are no longer the sole preserve of academia and elite speakers-writers.
Is googly a metaphor for surprises of all sorts? Can hat tricks turn contrarian to transform into a metaphor for successive defeats? Where do you use umpire and referee as metaphors? Are they really two different metaphors? As you sprint towards the finish line, as the start line becomes a mere blur in the circuit of life, on which metaphor should be your focus? Why is your finish line only as good as your start line? How are these two metaphors connected? Is sprint a metaphor for any short and speedy spell of running? When are you likely to short circuit the circuit metaphor? Can stymie be a metaphor for frustrating your initiatives totally, stem and root? When does your food turn into a mulligan stew? How did the common defence strategy of sandbagging turn into a billiards metaphor? Marathon and steeplechase - which is a metaphor for endurance and which is a metaphor for perseverance? Is volley a metaphor for a hail of compliments? Should salvo surprise and sear to be a metaphor? When do you turn gambit into a weasel metaphor? Why should chequered be a metaphor for our basic life philosophy? Which pawn metaphor is extremely negative? When do you run the risk of stalemating the stalemate metaphor? When does stalemate on ground become a diplomatic checkmate? All metaphoric googlies! Springing nasty surprises and visiting you unannounced! Do not get caught off guard!! With Not the End of Metaphoric Madness, you need not feel checkmated. This book is sure to help you out of your metaphoric dilemmas. It will also assist you in upholding metaphoric propriety and ensure you do not commit a serious metaphoric faux pas.
This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.
Anger is one of the basic emotions of human emotional experience, informing and guiding many of our choices and actions. Although it has received considerable scholarly attention in a number of disciplines, including linguistics, a basic question has still remained unresolved: why do variations in the folk model of anger exist across languages if it is indeed a basic emotion rooted in largely universal bodily experience? By drawing on a wide selection of comparable linguistic data from dozens of languages (including a number of less-researched languages), this volume provides the most comprehensive account of what is universal and what is variable in the folk model of anger – and why. It also investigates the role that metonymies might play in the emergence of anger-related metaphors and in what ways context influences or shapes anger metaphors and thereby the resulting folk model of anger. No such volume exists in the (cognitive) linguistic literature on anger – or on emotions for that matter. The book is thus an essential contribution to the study of anger and will serve as basic reading for any researcher interested in how the conceptualization of anger is constructed via the interplay of bodily experience, language and the larger cultural context.
2002 – Best Book on Ethnic and Racial Political Ideology and/or Political Theory – Organized Section on Race, Ethnicity, and Politics of the American Political Science Association "...awash under a brown tide...the relentless flow of immigrants..like waves on a beach, these human flows are remaking the face of America...." Since 1993, metaphorical language such as this has permeated mainstream media reporting on the United States' growing Latino population. In this groundbreaking book, Otto Santa Ana argues that far from being mere figures of speech, such metaphors produce and sustain negative public perceptions of the Latino community and its place in American society, precluding the view that Latinos are vested with the same rights and privileges as other citizens. Applying the insights of cognitive metaphor theory to an extensive natural language data set drawn from hundreds of articles in the Los Angeles Times and other media, Santa Ana reveals how metaphorical language portrays Latinos as invaders, outsiders, burdens, parasites, diseases, animals, and weeds. He convincingly demonstrates that three anti-Latino referenda passed in California because of such imagery, particularly the infamous anti-immigrant measure, Proposition 187. Santa Ana illustrates how Proposition 209 organizers broadcast compelling new metaphors about racism to persuade an electorate that had previously supported affirmative action to ban it. He also shows how Proposition 227 supporters used antiquated metaphors for learning, school, and language to blame Latino children's speech—rather than gross structural inequity—for their schools' failure to educate them. Santa Ana concludes by calling for the creation of insurgent metaphors to contest oppressive U.S. public discourse about minority communities.
Can a video game make you cry? Why do you relate to the characters and how do you engage with the storyworlds they inhabit? How is your body engaged in play? How are your actions guided by sociocultural norms and experiences? Questions like these address a core aspect of digital gaming--the video game experience itself--and are of interest to many game scholars and designers. With psychological theories of cognition, affect and emotion as reference points, this collection of new essays offers various perspectives on how players think and feel about video games and how game design and analysis can build on these processes.
Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert. Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion. In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.